Still-life Paintings

Giorgio Sansoni Title: La memoria del nonno Media : oil on canvas Size: 100x100 cm

Auguste Herbin 1882-1960 French Vases aux chrysanthèmes Signed 'Herbin' (lower right) Oil on canvas This bold and vivid still life was composed by French painter Auguste Herbin, ...

ARTIST: Lucy Raverat (1948-) British TITLE: "Still Life House Interior Composition" SIGNED: lower right MEDIUM: oil on canvas SIZE: 90cm x 69cm inc frame CONDITION: DETAIL: Luc...

The artist's modesty was probably an obstacle to her career. Her magnificent, expressive works have few equals in Austria, but the time has come for her work to be honoured anew afte...

Artist: James Noble (1919-1989) British Title: "Specimen Roses" (a pair) Medium: oil on board with provenance from E Stacey Marks Gallery Price: £420 (THE PAIR) Comment: James Noble was born in Middlesex in 1919. He went to work in the family’s painting and decorating business but soon found that he had an aptitude for drawing and was encouraged to attend evening classes. Noble studied at both the Grosvenor School of Modern Art and the Regent Street Polytechnic. He had as his master the well-known Scottish landscape painter and engraver Iain MacNab (1890-1970) who himself had been a pupil of the fashionable Glasgow School of Art and Heatherleys, the oldest independent art school in London (founded in 1845, which focused on figurative painting) and eventually became its Principle. Noble soon found himself drawn to the flower paintings of the great 17th Century Dutch romantic artists such as Ambrosius Bosschaert the Elder, Roelandt Savery...

"Nu Endormi", 20th Century by GERARD DUREAUX (1940-2014) Large 20th Century French Nude portrait of a reclining nude lady, oil on canvas by Gerard Dureaux. Excellent quality and condition example of the famous French painters...

Miguel Padura "Still Life" Oil on canvas 21 1/2 x 38 in

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed. Signed.

Oil on board Image size: 6 3/4 x 9 1/2 inches (17 x 24 cm) This delicate botanical study evokes the printed and painted flora that historically have been used as pattern books by artists and designers such as William Morris and Alexander MccQueen. This artwork paces emphasis on the aesthetic value of the plant while remaining scientifically and botanically correct. It reflects an intimate knowledge and understanding of the subject based on firsthand observation by the artist. Indeed, Sergeant has here sought out to understand the structure of the plant and to communicate it to her audience in an aesthetically pleasing manner. 'The greatest flower artists...

The painting is being offered with a work and authenticity certificate

Jean Grimal is a true 20th century discovery. This breathtaking piece is a gorgeous example of his mastery as an artist. He beautifully creates chiaroscuro in this painting. The way the light touches the edges of the Chinese bowl and the grapes is an example of his skill in representing light. Jean Grimal (1942-1998) was born in the town of Tulle, France in 1942. Jean’s family moved to Paris when he was 8 years of age. After receiving a classical French education with studies in Latin and Greek, Jean Grimal entered the University to receive his Baccalaureate. He then attended Claude Barnard School for three years, when he received his Art Degree.  Upon completion Grimal taught art for seven years.  As Grimal’s own interest in formal painting and art began to possess him, the artist’s destiny changed.  In 1967 Jean Grimal stepped aside from teaching and pursued a career in professional painting and working as an illustrator in advertising.  As an advertising illustrator, Grimal worked with Lise Goldfard for more than 25 years at Studio 44 where they collaborated with major and important accounts, such as: Air France, Christofle, Peugeot, Lacoste, to name a few. At the same time he began presenting his formal paintings to galleries in Paris and Cannes, France and in London and Windsor, England.  Much to his surprise, Grimal found that his paintings were sought after by major art galleries and collectors throughout Europe.  After a number of years of being an important and successful art illustrator for these major accounts, he found himself having to choose between the two.  Fortunately for collectors, he chose to dedicate his life to the classical style of painting.  Jean looked at the simplest things in life through a microscope, where he could take the simplest object and depict the age of the fruit or the leaf. Jean Grimal received great pleasure from his work and painted for over thirty years.  As his style matured and became ever more perfect Jean Grimal truly reached the pinnacle of his career.  The artist’s methods were particularly distinguished when measured against his peers.  Grimal’s painting skill was distinctive and exceptional. Jean Grimal was known for his realistic trompe l’oeil and still life paintings.  The artist would carefully arrange the objects to form a satisfying composition.  By painting every shadow, highlight, and reflection within each composition Grimal brought mundane subjects to life.  His tight rendering combined with his attention to light and detail allowed him to blur the lines between illusion and reality, truly making his works one of a kind.  Grimal’s trompe l’oeil paintings consist of intricate compositions of cards, envelopes, photographs, paper of different materials and weights, backs of canvases, images of other artists’ works, kitchen utensils, pistols, and more.  Grimal had a talent for mastering these illusions that deceive the eye in his trompe l’oeil paintings.    No matter what genre Grimal was painting, tight, unperceivable brushwork characterizes his work.  The artist painted every crease and crinkle, every shadow and highlight, every detail.  By doing so, he was able to capture each individual surface texture of the objects in his paintings.  Grimal was also fabulous at depicting light in his paintings- often contrasting strong lights with strong darks, creating chiaroscuro modeling.  His still life paintings are reminiscent of Dutch seventeenth century...

Joe Kaufman, writer, illustrator. Recipient Art Directors Club medal, 1948, New York Academy of Sciences Children's Science Book award, 1973, Gold award, Silver award Art Directors C...

Complex and masterfully thought out the composition of rifle, gun shells, target shapes, and buck shots. Most likely done for a ad or men's magazine. Signed lower right Atherton. Housed in a rustic House of Heydenryk frame...

Signed upper right. She was a member of the National Association of Women Artists, New Jersey Watercolor Club, Modern Art Society of New Jersey, Woodstock Art Association, American Artists Professional League. Awards: Society of Independent Artists Seventh Kresge Exhibition American Watercolor Society Montclair Art Museum Salons of America National Association of Women Artists, 1944, 1946 National League of American Pen Women, 1950, 1952 Position: Art Editor at Paterson Morning Call...

Medium: Acrylic on Plywood Dimensions: 15.00" x 24.00" Signature: Signed Upper Right

Children's illustration of Ponies and Puppies Signed lower left Children’s Books Published by The Merrill Company

Medium: Egg Tempera on Illustration Board

Jim’s of Lambertville is proud to offer this artwork by: Bror Julius Olsson “B.J.O.” Nordfeldt (1878 – 1955) Bror Julius Olsson was born in Tullstrop, Sweden in 1878. He immigrated to the United States in 1891, later adopting his mother’s maiden name of Nordfeldt. Beginning his art studies at the Art Institute of Chicago where he was chosen to assist fellow artist, Albert Herter, with a large mural project for the McCormick Harvester Company. In 1900, he was sent to Paris by McCormick to help set up the completed mural at the Paris Exposition. While there, he studied briefly at the Academie Julian before traveling to England to study woodblock printmaking under F. Morley Fletcher. Returning to Chicago in 1903, Nordfeldt would spend the next ten years painting mainly figurative works in an academic style similar to that of the Old Masters. By the mid-teens he had developed a bold dramatic modernist style and divided his time between New York and Provincetown, Massachusetts. There, he invented the “Provincetown Print...

Georges Georoy Belgium, 1906–1983 Still Life aux Legumes et Poisson Oil on canvas 23 ¾ in. by 28 ¾ in. W/frame 31 ¾ in. by 36 ¾ in. Signed lower right In a period Heydenryk frame ...

Louise ALIX 1888-1980 Still life in the garden: flowers, grapes and hat Painting, oil on canvas Signed Painting: 80 x 60 cm (31.5 x 23.6 inches) Modern natural oak frame (American bo...

ARTIST: Indistinctly Signed (mid 20th Century) French / Continental School TITLE: "Still Life Of Flowers In A White Bulbous Jug" SIGNED: lower right MEDIUM: oil on canvas SIZE: 76...

This painting is part of our exhibition America Coast to Coast: Artists of the 1940s. Untitled (Horns and Bow), 1941, oil on board, signed and dated lower right, 15 x 20 1/x inches...

ARTIST: Henry Raeburn Dobson RCA (1901-1985) Scottish TITLE: "Still Life Floral Composition" SIGNED: lower right MEDIUM: oil on canvas SIZE: 75cm x 65cm inc frame CONDITION: exc...

Antique early 1900's still life on stretched canvas, signed in the bottom right corner, Morel. A very attractive interior scene oil painting of cherries on a silver plate and even m...

Signed oil on board still life circa 1937 by French post impressionist painter Henri Lebasque. The work depicts a basket of fruit filled with apples, grapes and oranges. Signature: ...

Beyond artistic and aesthetic expression, every still life offers the opportunity to activate a deeply intimate experience. David Segel invites us into a profound encounter with this...

Signed oil on panel landscape circa 1900 by French post impressionist painter Henri Lebasque. The work depicts a field lined with trees with a haystack to the left. There is a view o...

Signed post impressionist landscape oil on panel circa 1910 by French painter Henri le Sidaner. The work depicts a view of Lake Maggiore, a large lake located on the south side of th...

The Staircase - 1987 Original Oil on Masonite Original 1987 oil painting depicting a staircase behind a brick archway by Miriam Ragan (American, 1930-2014). The viewer looks onward ...

A set of four fine hand painted botanical watercolour studies on silk by La Roche Laffitte. The works are signed bottom right and titled below three of the watercolours in Latin and ...

Oil on board study of a Blue Agave in its landscape by French artist Louis Michel Bernard. Signed bottom right and with atelier stamp to the rear of the panel. Presented in fine cust...

'Symphony of Colour: Cubist Still Life with Guitar and Wine', oil on board, Berlin School, initialed 'M.V.' (circa 1960s). This artwork is a clear cubist homage to one of the founder...

Abstract Expressionist composition by Andre Guillou (French 1925-2017) signed oil on board stuck on board, mounted mount: 25.5 x 19.75 inches board: 19 x 13 inches provenance: the a...

Irises by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on canvas, unframed measures: 24 high by 15 inches wide condition: overall very...

Richly-hued vintage French acrylic painting of three ceramic pitchers, in a style beautifully mimicking a mosaic, circa 1950. Original artwo...

"Aswan Vista" Pastel Painting 12" x 22" inch by El Hussein Fawzi Signed Circa 1960 EL HUSSEIN FAWZI: (1905-1999). Born in Helmia district, Cairo on 4 September 1905, El Hussein F...

English painter (20th century) - Vase of flowers. 61 x 48 cm without frame, 76.5 x 66.5 cm with frame. Ancient oil painting on hardboard, in carved and lacquered wooden frame. - W...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

"Sculpture Dessin" Drawing 12" x 8" inch by Salah Abdel Kerim Ink on paper circa 1980 Born in Fayoum to a big family of 5 brothers and sisters. In 1938 he meets the famous painter Hussein Bikar and he becomes his student in the Faculty of Arts in Qena. He remained much attached to his professor all through his life. In 1940 he meets Hussein Youssef Amin and the Group of Contemporary Art at the secondary school of Farouk First in Abasya district in Cairo when he was introduced to surrealism for the first time. In 1943 he becomes a student at the Faculty of Fine Arts and graduates with excellence and honors in 1947. In 1948 he becomes an assistant to the interior decoration section at the FFA. He is then sent to a mission in Paris in 1952 and he becomes a student to Paul Colin and A.Marie Cassandre for publicity and theatre design. He then moves to Rome in 1956 to study cinema design. In 1957 he received the international prize in painting from San Vito Romano, Italy, and obtains his Ph.D. from Centro Sperimental di Cinemato Grafia. Back in Egypt in 1958, he is appointed professor at the FFA where he started experimenting with his masterpieces sculptures in wrote iron...

"Village Life" Oil painting 12" x 20" inch (1987) by Fathi Afifi Fathy Afifi is an Egyptian Postwar & Contemporary artist who was born in 1950. He participated in local and interna...

"Artist Aunt" Portrait Oil Painting 20" x 19" inch (1930) by Shaaban Zaki Signed and dated 1930 Shaaban Zaki came from a lower-middle-class family who was mostly government employees, but he was distinguished from them by being involved in the art and culture circles. He could not afford to study in art schools, so he studied at an art institute in Chicago by correspondence. A self-taught and self-made man, he became involved in the art scene and was able to distinguish himself during the early ’20s and ’40s among his colleagues. He contributed to the cultural life by writing articles and essays on the early education of art in primary schools. S. Zaki was able to leave for us a wide collection portraying the landscapes of Egypt whether it be Upper Egypt...

Anemonies by Denise Dardel, French Post-Impressionist artist, circa 1950 signed oil on board, framed framed: 26 x 21 inches board: 21 x 16 inches provenance: private collection, Fran...

Large scale mid 20th Century French, oil on board, still life, tablescape, interior view, by Claude Barthélémy. Signed bottom left, presented in fine carved wood and gilt frame, with...

Red Tulips in Interior by Marcel Chesneau (French 1902 - 1975) signed oil on canvas, framed framed: 26 x 19 inches canvas: 22 x 15 inches provenance: private collection, France condi...

Red Peonies signed by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 22 high by 18 inches wide condition: ov...

A beautiful oil on panel circa 1900 by French impressionist painter Emilio Boggio. The piece depicts a coastal scene. The blue-green water crashes against the rocks on a grey day. S...

Work on canvas

Highly Decorative, Abstract Oil Painting, Still Life with Honeydew Melons. The painting was most likely made in the USA. (See reverse side, manufacturer of the cardboard). Signed. U...

Still Life on a Table is an original oil painting on canvas realized in the 20th Century. Good conditions (the painting has been restored in some parts). Frame included (83x108 cm).

Eccezionale Pastello Liberty , colori luminosi, bellissima cornice decò Lucien Victor GUIRAND DE SCÉVOLA (Sète, 1871 – Parigi, 1950) È allievo ...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a miniature watercolor and gouache vibrant, colorful bouquet of flowers in a vase. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

The Vineyard signed J. Bernd (French, 20th century) oil painting on board, unframed painting: 31.5 x 39.5 inches condition: overall very good

Artist/ School: Guy Benard (French b.1928) signed lower corner. Painter from Rouen, Normandy, exhibited throughout France. Title: Autumn Medium: signed oil on canvas, unframed and...

'Summer Flowers' by Margaret Ryder (British b. 1908) signed oil on canvas, framed frame: 33 x 26 inches canvas: 27 x 20 inches provenance: private collection, UK Exhibited at the Roy...

THE TEAPOT Size: 58 x 56 cm (including frame) Watercolour An elegant and gentle still life painted in watercolour. A teapot, a pitcher, a plate of fruits, and a garlic glove are la...

Title: Flower In White Vase Medium: Oil On Canvas Painting Size: 35"" x 29"" Frame Size: 38.5"" x 33"" Condition: This artwork is in good overall condition for its age. Signature: S...

Artist: Donald Roy Purdy, American (1924 - ) Title: Red Vase Year: circa 1962 Medium: Oil on Masonite, signed l.r. Size: 47 x 20 inches Frame Size: 53 x 24 inches

This early 20th-century oil painting by German artist Paul Sannemann (1886-1943) depicts a vibrant still life with chrysanthemums. Sannemann had an eye for colour, never one to shy ...