Elizabeth Barlow

Come Hither

2015

Warm sand and blue surf featured in this California coastline scene with distant rolling hills. 'Sonoma Coast', oil painting on canvas by Willard Dixon, who is one of the finest American contemporary realist painters today. Dixon has painted coastal landscapes for 35 years, capturing the undeniable beauty of the West with its grand and humble spirit. The same sensitivity can be found in his urban street scenes that offer viewers a resting place to contemplate our rapidly changing world, and his portraiture, which largely focuses on his artist friends and illustrious colleagues. Willard Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Modern Art (SFMoMA), the Metropolitan Museum of Art in New York, and the Oakland Museum of California. Dixon's work is collected worldwide. 'Sonoma Coast' is 36 x 56 inches. Oil on canvas. It is traditionally framed in thin, minimal natural oak with an outer dimension of 37 x 57 inches. Artist signed and dated. Condition is excellent / as new. Painted in late 2020. From Andra Norris Gallery in California. Born: Kansas City MO, 1942 Education: Art Students League, New York, NY Cornell University Brooklyn Museum School San Francisco Art Institute, M.F.A. 1969 Awards and Commissions N.E.A. Fellowship Grant- 1989 California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90: San Francisco State University 1975: San Francisco Art Institute Realism Seminar 1974-76: Academy of Art College, San Francisco, CA 1973-74, 1976: California College of Arts and Crafts, Oakland, CA 1971-72: California State University, Hayward, CA One Man Exhibitions 2015: Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014: SFMOMA Artists Gallery, San Francisco, CA. 2008: SFMOMA Artists Gallery, San Francisco, CA. 2005: Fischbach Gallery, NYC,NY 2005: Dolby Chadwick Gallery, San Francisco, CA 2004: Fischbach Gallery, NYC, NY. 2002: Earl McGrath Gallery, Los Angeles, CA 2002: Bolinas Museum, Bolinas, CA 2001: Hackett Freedman Gallery, San Francisco, CA 2000: Fischbach Gallery, NYC , NY 2000: Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998: Hackett Freedman Gallery, SF, CA 1997: Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995: Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994: Fischbach Gallery 1993: Contemporary Realist Gallery 1992: Fischbach Gallery 1991: Earl McGrath Gallery, 454 North, Los Angeles, CA 1990: Fischbach Gallery 1989: William Sawyer Gallery, San Francisco, CA 1988: Gallery 454 North, Los Angeles, CA 1987: Fischbach Gallery 1987: Gallery 454 North 1986: William Sawyer Gallery 1985: Fischbach Gallery 1984: Harris Gallery, Houston, Tx 1984: William Sawyer Gallery 1983, 1982: Fischbach Gallery 1981: William Sawyer Gallery 1980,1979: Tortue Gallery, Los Angeles, CA 1976, 1975: William Sawyer Gallery 1973, 1972: William Sawyer Gallery Selected Group Exhibitions 2017: SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish...

In this series of trompe-l'œil oil paintings, Willard Dixon realistically recreates images of mundane objects taped to colored walls, creating a minimalistic impression that the obj...

Tile: Floating World no. 3 'Down' - a single feather, original painting created with oil on wood by Susan Manchester. 8 x 8 inches. Professionally fra...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting process. It is very much a studio-centric activity, complete and self-sufficient. The objects that one works with do seem to take on a life of their own, both by themselves and in their affinity for one another. They have a history, a patina, they may be new, or world-weary." The artist continues, "My collection has been substantially whittled down to an essential few over the years, yet their combinations seem infinite. There is a lengthy and persistent shuffling, adding and eliminating to find that particular combination that suddenly takes on a rightness or self-sufficiency. It is interesting how one small object of the right color in the right place can facilitate such an event, or in another case the removal of something, a simplifying. I have a feeling when composing these paintings similar to my experience of playing with my jazz...

Floating World no. 6 'Adrift' - a single feather, original painting created with oil on wood by Susan Manchester. 8 x 8 inches. Professionally framed ...

purple, grey and blue still life composition from American realist painter, Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate...

Chani Cohen Zada Afterbirth , 2018 oil on canvas 100 x 100 cm 39 x 39 in Exhibited: 'Between Holy and Mundane', Lewinski College, Tel Aviv. Israel 11.1-...

a beautiful still life painting of an apple on a white table cloth by the artist Eric Forstmann

Social commentary by the artist, Eric Forstmann, about how these bags are not good for the environment.

oil on panel

Oil on canvas, signed and dated 2018. French handmade Delf wooden frame, dark bronze patina with gold leaf. Unframed size: 19.7 inches high x 24.02 inches wide. Framed size: 28 inches high x 32.3 inches wide x 1.25 inches deep. Sold framed. Stefaan was gifted this skull by a friend, whose carpenter father found many years ago in a false ceiling. The skull sat in his workshop and was eventually named “Gilda”. The composition is unusual in its stark simplicity that speaks to the inevitable death we all face. Fascinating without being morbid, the arrangement is simple yet bold. Note the extraordinary brushwork detailed in the shroud, as well as the intricacies of the skull. The slash of cobalt blue in the background provides an ethereal quality. The title is adapted from Shakespeare’s Hamlet and is the artist’s inside joke on the character “Guildenstern” vs “Gilda”. Part of the title can be seen in the lower right quadrant of the painting. Compared to “Vanitas”, painted in 2000, the artist’s evolution in form and execution is most evident in this 2018 work. This painting is available for viewing at The Elemental Garden...

Oil on panel, signed and dated 2008. French handmade wooden Delf frame, black raised panel with gold leaf. Unframed size: 18.25 inches high x 15.25 inches wide. Framed size: 25.63 in...