Elizabeth Barlow

Spooned / Levi's Blue Jeans

2015

Transparent yellow, pink, green and blue, blow up beach ball from Diana Tremaine, whose dynamic oil paintings reflect a search for truth and meaning through simple human experience. ...

Garden pots in bright colors by Mary Robertson whose still life paintings are celebrated and enjoyed worldwide. Wayne Thiebaud said of her work, "Mary Robertson’s joyous and meditati...

Still life oil painting of a yellow rose in view of Johannes Vermeer's 'Girl with a Pearl Earring', poster hanging on a wall in the interior scene by ...

California country scene of an open road on Highway 1 , includes a blue sky, fields, old barn and street signs, by one of the finest American contemporary realist painters, Willard D...

'Blue Shed no. 1', by one of the finest American contemporary realist painters, Willard Dixon, who has painted western landscapes for 35 years. His work captures the undeniable beauty of the West with its grand and humble spirit. This painting captures a quiet nature-scene through a golden pink haze that includes a stream, mountains, grasses, trees and rolling hills with a blue shed, adding a human and contemporary touch. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Art, and the Metropolitan Museum of Art, and the Oakland Museum of California. Signed front - Also signed, dated and titled Verso. oil on canvas - 52 x 60 inches. A glorious contemporary work of original art by Willard Dixon. Comes framed in a minimal hardwood strip frame. From Andra Norris Gallery in California. Born: Kansas City MO, 1942 Education: Art Students League, New York, NY Cornell University Brooklyn Museum School San Francisco Art Institute, M.F.A. 1969 Awards and Commissions N.E.A. Fellowship Grant- 1989 California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90: San Francisco State University 1975: San Francisco Art Institute Realism Seminar 1974-76: Academy of Art College, San Francisco, CA 1973-74, 1976: California College of Arts and Crafts, Oakland, CA 1971-72: California State University, Hayward, CA One Man Exhibitions 2015: Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014: SFMOMA Artists Gallery, San Francisco, CA. 2008: SFMOMA Artists Gallery, San Francisco, CA. 2005: Fischbach Gallery, NYC,NY 2005: Dolby Chadwick Gallery, San Francisco, CA 2004: Fischbach Gallery, NYC, NY. 2002: Earl McGrath Gallery, Los Angeles, CA 2002: Bolinas Museum, Bolinas, CA 2001: Hackett Freedman Gallery, San Francisco, CA 2000: Fischbach Gallery, NYC , NY 2000: Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998: Hackett Freedman Gallery, SF, CA 1997: Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995: Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994: Fischbach Gallery 1993: Contemporary Realist Gallery 1992: Fischbach Gallery 1991: Earl McGrath Gallery, 454 North, Los Angeles, CA 1990: Fischbach Gallery 1989: William Sawyer Gallery, San Francisco, CA 1988: Gallery 454 North, Los Angeles, CA 1987: Fischbach Gallery 1987: Gallery 454 North 1986: William Sawyer Gallery 1985: Fischbach Gallery 1984: Harris Gallery, Houston, Tx 1984: William Sawyer Gallery 1983, 1982: Fischbach Gallery 1981: William Sawyer Gallery 1980,1979: Tortue Gallery, Los Angeles, CA 1976, 1975: William Sawyer Gallery 1973, 1972: William Sawyer Gallery Selected Group Exhibitions 2017: SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish...

An early, wonderful oil on panel, still life Sucker in a wrapper, in green, orange and red, from Kim Frohsin, who is often associated with the Bay Area Figurative movement, began exh...

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...

"The End is Near" by Emily Fox King, oil on canvas, 48 x 60 inches (Framed size 50 x 62 inches) "Eckhart Tolle explains that the reason we have a human...

"Look What I Can Do" by Emily Fox King, oil on canvas, 36 x 36 inches (Framed size ~ 38 x 38 inches). $3,900 "Eckhart Tolle explains that the reason we...

This study takes inspiration from historical “reclining nude” paintings, most of which were painted through the perspective of the male gaze. The artist wanted to change the narrative and make the woman feel more empowered and dominant in her situation, aware of the power she holds. Samantha Van Heest...

This painting was inspired by the artists very first toy, a small blue giraffe, given to her as a day-old baby. It is something that has been around her whole life, and even though it is inanimate, there is a feeling of personification through the years of wear. Her brother as a baby would call giraffes “fa,” which is always a sweet memory she associate with this toy. Samantha Van Heest...

Samantha Van Heest explores the intimacy of impermanence through her work, utilizing still life, found objects, and portraiture through minimalist r...