Elizabeth Barlow

Unbuttoned, Scene 2 / oil on linen painting

2015

For Elizabeth Barlow, painting the intricate details of a flower is a meditation that promotes a deep reverence for all living things. The artist imbues her works with a radiant ligh...

For Elizabeth Barlow, painting the intricate details of a flower is a meditation that promotes a deep reverence for all living things. The artist imbues her works with a radiant ligh...

Collection of an array of items that epitomize beauty, this still life painting celebrates romance and joie de vivre, by Elizabeth Barlow, who meticulously creates oil "portraits" that feature still life objects to represent the essence of her subject. In this case the artist depicts the concept of "beauty" through the placement of various beloved items and their shadow as a "portrait" of a lady...

'Midnight Garden', 2019 is 25 x 18 inches. By focusing on a single subject, the artist immerses herself in the nuanced lines, shapes, and tones that th...

American Realist Willard Dixon paints the undeniable beauty of the west with its grand and humble spirit. Here is 'Salt Pond no. 2', 50 x 42 inches, oil on ...

Contemporary and mysterious oil painting inspired by 'La Grande Serre' gardens in Paris, France, at dusk. The lush work in mainly forrest greens with floating flowers and splashes of...

"Nostalgia" features soft hues of brown, orange, yellow, purple and blue. Richard Thomas Scott is inspired by the work of Rembrandt, Andrew Wyeth,...

A trompe l'oeil oil painting of a child's beach shovel. Morfis' incredible realism contrasts the quaint illustration on the shovel. Framed dimensions: 23.5 x 17.5 inches John Morfis was born in Bayville, Long Island in 1976. His humble beginnings made pursuing a career in art difficult and paradoxically necessary. Fixated on making things aesthetically pleasing, John made an extreme departure from his family life when he chose to base his life on art. Surrounded by mechanics, welders, and otherwise trade workers John had a tough time expressing his interest in a world much more utilitarian and much less expressive and impractical. With an extraordinary desire to be an artist and a grant awarded, John was able to earn a Bachelor of Fine Arts with a concentration in painting from the University of Hartford in 1998. While there John studied oil painting under American realist Stephen Brown...

"Coffee, Fireworks, and Amphetamines" is an oil painting of the titled items, a to-go coffee cup is the focal point, a few red firecrackers resemble miniature dynamite sticks. Pills scattered about the tabletop in capsules and tablet forms. A single match with a red tip rests along the table's edge, ready to ignite a spark. A diagonal shadow dissects the composition. A hole in the wall can be found on the upper right. Painting dimensions: 11 x 14 inches Framed dimensions: 13.5 x 16.5 inches Matthew Weigle...

An oil painting of a verdant, wooded area, painted en-plein air in Arkansas. An old, rusted, abandoned race-car, a BMW Triumph, is the focal point behind a time-honored stone wall. D...

An oil painting of a tomato still life. On a neutral background sits a larger tomato and 6 smaller tomatoes still attached to a vine. The two groups are divided by a diagonal slash of branch. Painting dimensions: 6 x 13 inches Framed dimensions: 12 x 19 inches John Morfis was born in Bayville, Long Island in 1976. His humble beginnings made pursuing a career in art difficult and paradoxically necessary. Fixated on making things aesthetically pleasing, John made an extreme departure from his family life when he chose to base his life on art. Surrounded by mechanics, welders, and otherwise trade workers John had a tough time expressing his interest in a world much more utilitarian and much less expressive and impractical. With an extraordinary desire to be an artist and a grant awarded, John was able to earn a Bachelor of Fine Arts with a concentration in painting from the University of Hartford in 1998. While there John studied oil painting under American realist Stephen Brown...

An oil painting of an antique tool, a Garden Dibble, which is a long stick-like tool used to make holes for seeds, to make sure they are sufficiently buried in the soil without damage. This particular object that Morfis chose to paint has a wooden handle, and a metal point. The dibber rests atop a nail, against a gray wall. Bright studio-light casts a sharp shadow directly beneath the tool. Painted in the academic realist style of "trompe-l'oeil" which is French for "trickery of the eye". BIOGRAPHY John Morfis was born in Glen Cove, Long Island in 1976. His humble beginnings made pursuing a career in art difficult and paradoxically necessary. Fixated on making things aesthetically pleasing, John made an extreme departure from his family life when he chose to base his life on art. Surrounded by mechanics, welders, and otherwise trade workers John had a tough time expressing his interest in a world much more utilitarian and much less expressive and impractical. With an extraordinary desire to be an artist and a grant awarded, John was able to earn a Bachelor of Fine Arts with a concentration in painting from the University of Hartford in 1998. While there John studied oil painting under American realist Stephen Brown. John’s first solo show took place in 2007 at the Ellen Traut Collection Gallery in Hartford, CT and was a near sell out. Since then John has had success up and down the northeastern coast of the United States working with various galleries and collectors. His work has also appeared in various group shows at the New Britain Museum of American Art in Connecticut. ARTIST STATEMENT Each painting, although a portrait of a tired hand...