Ernest Emile Damois

'Pink and Red Carnations', Floral Oil Still Life, Benezit, Paris Salon

Circa 1915

Signed lower right 'Jane Taylor' (British, 1925-2013) and painted circa 1965. Titled, verso, on Royal Society of Painters in Watercolors exhibition label: "Pottery Mug With Carnati...

Signed lower right, 'Sharon Hinckley' (American, 20th century), a listed artist and painted circa 1975. A period watercolor vignette of a sun-dappled clapboard house adorned with co...

Signed lower right, 'Jacques Lamy' (French-American, 1946-2016); additionally stamped verso with artist copyright signature, Dallas location and dated 1997. Born in Paris, Jacques Lamy studied at the École Nationale Supérieure des Arts Décoratifs, where he was the recipient of the Prix de Rome...

Signed Lower right 'Cone'; titled verso, 'Hallo Kitty' and dated 2010. A vivid still-life of a pair of Marciano 'Guess' faux leopard-skin pumps with purple linings shown dramatically contrasted against a cadmium-red background. Marcia Park Cone makes her home in Lexington, Kentucky and is a member of the Plein Air Painters of the Bluegrass. In 2010 she contributed to Horse Mania, a local fund-raiser benefiting the Lex Arts organization, and in 2013, created "Still Cooking" using a bourbon barrel...

An enigmatic and psychologically penetrating self-portrait in vivid shades of yellow, green and red. Signed lower right, 'Leonebel Jacobs' (American, 1883-1967) and painted circa 1945. Writer, sculptor, teacher and portrait painter Leonebel Jacobs first studied under Brush and Charles Hawthorne at the University of Oregon. A well traveled artist, Jacobs lived and painted in China, Hawaii, New York City and Los Angeles. She was a member of the American Watercolor Society, the American Federation of Arts, the Municipal Art Commission of New York, the National Association of Women Artists, the New York Watercolor Club and the Pen & Brush Club. Jacobs spent her early years in the Foreign Colony in Peking, China as a portrait artist to nobles and visiting foreigners, including Rabindranath Tagore. Notably, Jacobs painted several portraits of the Emperor and Empress after they fled to Tianjin when Christian General Feng Yu-Hsiang came to power. Additionally, Jacobs's paintings include Hawaiian notables, former First Ladies Grace Coolidge...

Initialed lower right, 'A.E.M.' for Anthony McNaught (American, born 1952); additionally signed verso, 'Anthony McNaught', titled 'Still Life with Green Jug', and dated 2019. This California Post-Impressionist artist studied at the Esalen Institute with Erin Gafill...

Chani Cohen Zada Afterbirth , 2018 oil on canvas 100 x 100 cm 39 x 39 in Exhibited: 'Between Holy and Mundane', Lewinski College, Tel Aviv. Israel 11.1-...

Social commentary by the artist, Eric Forstmann, about how these bags are not good for the environment.

LaValley is an American artist born in New York in 1858. His style is realism and most of his paintings were either landscapes or still lifes. This perticular painting is an exclent ...

Jean Grimal is a true 20th century discovery. This breathtaking piece is a gorgeous example of his mastery as an artist. He beautifully creates chiaroscuro in this painting. The way the light touches the edges of the Chinese bowl and the grapes is an example of his skill in representing light. Jean Grimal (1942-1998) was born in the town of Tulle, France in 1942. Jean’s family moved to Paris when he was 8 years of age. After receiving a classical French education with studies in Latin and Greek, Jean Grimal entered the University to receive his Baccalaureate. He then attended Claude Barnard School for three years, when he received his Art Degree.  Upon completion Grimal taught art for seven years.  As Grimal’s own interest in formal painting and art began to possess him, the artist’s destiny changed.  In 1967 Jean Grimal stepped aside from teaching and pursued a career in professional painting and working as an illustrator in advertising.  As an advertising illustrator, Grimal worked with Lise Goldfard for more than 25 years at Studio 44 where they collaborated with major and important accounts, such as: Air France, Christofle, Peugeot, Lacoste, to name a few. At the same time he began presenting his formal paintings to galleries in Paris and Cannes, France and in London and Windsor, England.  Much to his surprise, Grimal found that his paintings were sought after by major art galleries and collectors throughout Europe.  After a number of years of being an important and successful art illustrator for these major accounts, he found himself having to choose between the two.  Fortunately for collectors, he chose to dedicate his life to the classical style of painting.  Jean looked at the simplest things in life through a microscope, where he could take the simplest object and depict the age of the fruit or the leaf. Jean Grimal received great pleasure from his work and painted for over thirty years.  As his style matured and became ever more perfect Jean Grimal truly reached the pinnacle of his career.  The artist’s methods were particularly distinguished when measured against his peers.  Grimal’s painting skill was distinctive and exceptional. Jean Grimal was known for his realistic trompe l’oeil and still life paintings.  The artist would carefully arrange the objects to form a satisfying composition.  By painting every shadow, highlight, and reflection within each composition Grimal brought mundane subjects to life.  His tight rendering combined with his attention to light and detail allowed him to blur the lines between illusion and reality, truly making his works one of a kind.  Grimal’s trompe l’oeil paintings consist of intricate compositions of cards, envelopes, photographs, paper of different materials and weights, backs of canvases, images of other artists’ works, kitchen utensils, pistols, and more.  Grimal had a talent for mastering these illusions that deceive the eye in his trompe l’oeil paintings.    No matter what genre Grimal was painting, tight, unperceivable brushwork characterizes his work.  The artist painted every crease and crinkle, every shadow and highlight, every detail.  By doing so, he was able to capture each individual surface texture of the objects in his paintings.  Grimal was also fabulous at depicting light in his paintings- often contrasting strong lights with strong darks, creating chiaroscuro modeling.  His still life paintings are reminiscent of Dutch seventeenth century...

Surreal hyper realistic trompe l'oeil oil painting by Latin American artist Victor Del Castillo. Peaches, grapes and cherries in rich brilliant colors and incredible detail. Measures...

original oil on canvas painting , hand painted