Unknown

Japanese Still Life oil painting

c.1950's

Fruit Still Life by Josine Vignon (French 1922-2022) stamped verso oil painting on canvas, unframed canvas: 18 x 22 inches Colors: Red colors, pink, yellow, purple and black Very ...

French School, circa 1950 signed 'Sylvia Gardette' Still Life of Flowers in a teal colored vase against a soft pink background oil on canvas, framed in...

Artist/ School: French School, mid 20th century, signed and inscribed verso Title: Still life of pink, white and red flowers in a glass vase. Painted with delightful texture and thi...

The Artists Studio by Michel Kritz (French 1925-1994) signed oil on board, unframed board: 23.5 x 32 inches provenance: private collection, France condition: very good and sound con...

Floral Still Life French School, mid 20th century indistinctly signed oil on board, framed in original mid 20th century Montparnasse frame framed: 29 x 33.5 inches board: 21 x 26 in...

signed Sinai French Post-Impressionist School, late 20th century signed oil painting on canvas, unframed canvas: 15 x 18 inches inscribed verso provenance: private collection conditi...

"Interior with Chair and Vanity" circa 1918 Ricardo Gomez-Gimeno (Spain/France 1892-1954) Oil on cardboard Signed 17 1/4 x 14 1/4 (22 1/2 x 19 1/2 f...

Giovanni Müller (Swiss, * 25.4.1890 Krinau, † 11.1.1970 Zürich) Still Life of Fruit in a Bowl • C. 1930 • Oil on canvas, ca. 39 x 51 cm • Frame, ca. ...

SAMUEL ROTHBORT (Russian-American, 1882-1971), still life with wild flowers, oil on canvas board, signed lower left. Framed 25.5 X 30, board 18.5 X 23 Samuel Rothbort (Russian American Jewish folk artist 1881-1972) was born in the small town, shtetl of Wolkovisk in the Russian Woodlands.During his youth he worked as a cantor and traveled to various towns and villages, gaining many impressions of life in that era. Poverty as well as the political unrest of the times led to his immigration to America in 1904. Upon arrival in America, Samuel Rothbort worked as a laborer and muralist eventually giving that up to become a watchman of newly built homes. While on duty he began molding figures in clay and upon the advice and encouragement of his employer and colleagues he began to take his artistic talents more seriously and pursued this endeavor. Rothbort therefore began doing free-hand painting, murals on walls and ceilings for private homes and commercial establishments. In 1909 he met and married Rose Kravitz, which marked the start of his career as an artist. Well known for his scenes of New York City life, executed in heavy impasto. Rothbort exhibited from the 1920s-60s, at the Salons of America, Pratt Institute, Brooklyn Museum, and a gallery at Rockefeller Center; however, he refused to sell his work, and in 1948, opened the Rothbort Home Museum of Direct Art, in his studio-home. Samuel Rothbort was a self taught, naive, outsider artist painting every subject in his own folk art impressionistic style. His artistic range was broad and he never stopped creating. He was fascinated with nature and his works are filled with his delightful perceptions of his surroundings. Rothbort worked in oil, watercolor, and pen & ink. In the years of the depression there was little money, Rothbort could not afford paint or canvas. It was there that he began carving wood and stone using found materials like driftwood, rails, and old fence posts. Rothbort entered the art world and spent much of his life in pursuit of modernist painting and sculpture. He was a member the Society of Independent artists, the Salons of America, the People's Art Guild, and the Brooklyn Society of Artists. During the 1920's and early 1930's , Samuel Rothbort was regularly represented in exhibitions organized by The Brooklyn Museum of Art. Through the 1930's , Rothbort exhibited his watercolors and sculptures at Grant Studios in Brooklyn. In 1940, he began a 28 year relationship with the Barzansky Gallery on Madison Avenue in New York City exhibiting oils, watercolors, and sculpture in individual and group shows. From 1915 through the 1960's, he was represented by many commercial galleries. Hamilton Easter Field, artist, publisher and founder of the Brooklyn Society of Artists was an early supporter of Rothbort's artwork and helped further his career. Rothbort received much recognition for his naive folk art paintings...

Still Life with with Bottle, Paintbrushes, and Book in Oil on Paper Bright still life by Louise L. Apthorp (American, 1878-1963). A wine bottle, vase full of brushes, pear, and large book sit on a table. The book is "Verve. The Ultimate Review of Art and Literature (1937-1960)". The tablecloth is bright, with a multicolor checker pattern, affixed to the wall to create a backdrop. The squares of color and folds in the cloth create the impression of cubism, even though the subject is not cubist. Signed "Apthorp" in the lower left corner. Shipped in a plastic frame for protection. Louise L. Apthorp (American, 1878-1963) was born in 1878 in New Jersey and lived in Massachusetts. In the mid-1940s, she moved to Monterey, CA. She was listed in “Who Was Who in American Art” (1985, 1999), “Dictionary of Woman Artists” (1985), and “Mallet’s Index of Artists” (1935). Memberships: Copley Society...

Signed post impressionist still life oil on canvas circa 1930 by sought after French impressionist painter Marcel Dyf. The work depicts wildflowers in a glazed vase. A wonderful piec...

Jacques Martin-Ferrières was born on August 6, 1893 in Saint-Paul, France. He studied under the French academic painter Frederic Cormon (1845-1924) and with his father, the notable F...