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Leon Loofbourow
'The Green Shoes', Pointillist Studio Interior

1945

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  • 'Woman Seated', Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA
    By Victor Di Gesu
    Located in Santa Cruz, CA
    Signed verso 'Di Gesu' for Victor Di Gesu (American, 1914-1988) and painted circa 1965. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and...
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    1960s Post-Impressionist Still-life Paintings

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  • 'Flowers in a Blue and White Jug', Louvre, Academie Chaumiere, California, LACMA
    By Victor Di Gesu
    Located in Santa Cruz, CA
    Signed, verso, 'Di Gesu' for Victor Di Gesu (American, 1914-1988) and dated 1960; additionally titled, 'Blue Pitcher'. Winner of the Prix Othon Friesz, Victor di Gesu first attende...
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    1960s Post-Impressionist Still-life Paintings

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  • 'Still Life of Daffodils', Paris Modernist, Royal Danish Academy, Charlottenborg
    By Viggo Rorup
    Located in Santa Cruz, CA
    Signed lower right, 'V. Rorup' for Viggo Julius Rorup (Danish, 1903-1971) and dated 1963. Exhibited: 'Copenhagen Art Association Exhibition, 1964', from exhibition stamp, verso, on stretcher bar. A substantial and vibrant Post-Impressionist still-life showing a profusion of fresh-cut daffodils informally arranged in a jade-green vase and set on a table in a sitting-room. Viggo Rorup was still a student at the Royal Danish Academy of Fine Arts when he made his 1928 debut at the Charlottenborg Palace. Following his graduation in 1930, he moved to Odsherred, where he continued his studies under Karl Bovin. Together, they founded the avante-garde group of artists named The Corner, which first introduced the principles of European Modernism to Danish painting. Rorup traveled widely, including to Italy, Austria, Spain, and, most importantly, to France, where his studies of the Impressionists and the Post-Impressionists had a great stylistic impact on his later work. As Rorup continued to paint in the south of France, his palette grew brighter and the earlier, more defined, contours of his forms became subsumed into scintillating nuances of light. We are pleased to offer this elegant and dazzling still-life from the artist's late period. Exhibitions: KE 1928-29, 1933-38; Corner Harvest 1939-41; Corner 1942- 71, 1981; Liljevalchs, Sth. 1946; Union Frcia 1947; Nordic Arts Association. 1947; Wild Wheat, Kunstindustrimus. 1948; New Carlsberg Foundation, Charlottenborg Palace, 1952; Cromisterne 1952;Kalundborg 1952; Da. contemporary art, Charlottenborg Palace 1956, 1958; Danish Institute Contemporary Art, Freedom Hall, Sønderborg 1961; Ostseeländer, Rostock 1961-62, 1969; Artists in Odsherred, 1977; Copenhagen 1978; Danish. landscapes, Norwegian Art Museum. 1981; Danish Cultural Institute, The Artists House, Ukraine 1986. Separate Exhibitions: Binger Gallery Copenhagen. 1938; Art Unite., Copenhagen. 1964 (retrosp.); Haagen-Müller Kunsthdl., Copenhagen. 1966; Farumgaard, Farum 1971 (Artist Retrospective); Odsherred painter Retrospective, Odsherreds Museum, 1983; Norwegian Art Museum. 1985; Odsherreds Art Museum. 1993; et al. Literature: Pol. 1.4.1957; 03/08/1983; 05/17/1985; Holbæk County Venstrebl. 28/06/1958; Ulf Hoffmann in: Cat. Corner, 1959; News 15/11/1964; Gunnar Jespersen: The abstract, 1967, 107; Berl. Time. 17/01/1971; Inger Hjorth Nielsen: Cat. Corner, 1971-72; January Garff in: Corner Book...
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    1960s Post-Impressionist Still-life Paintings

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    Oil, Canvas

  • 'Still Life of Green and Black Grapes', Tokyo School of Fine Arts, Academy Award
    Located in Santa Cruz, CA
    Signed lower right in Kanji 'Sanzo' for Wada Sanzō 和田三造 (Japanese, 1883-1967) and dated 'Year 34' of the Showa Era, 1959 in the Gregorian calendar. Artist, teacher and costume designer, Sanzo Wada worked during a turbulent time in avant-garde Japanese art and cinema. A multi-talented artist who gained early fame as a Western-style oil painter, his career spanned the late Meiji-era through the mid-twentieth century. In addition to numerous prizes and medals for his painting, he received the 1955 Academy Award for costume design for his work in the movie Gates of Hell. He also received awards for his pioneering work on color theory, which he researched and published in the 1920s and is still in use today. Sanzo Wada graduated from the Western-style painting division of Tokyo School of Fine Arts. Studied in Europe 1907-1915; traveled to India and Burma. He was appointed a member of the Imperial Arts Academy in 1927 and taught at Tokyo School of Fine Arts from 1927. According to Shinagawa Kiyoomi, editor-in-chief of the book of paintings in print "Dia Nihon Gyorui Gashuu" by Ohno Bakufu...
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    1950s Post-Impressionist Still-life Paintings

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  • 'Still Life with Imari Bowl', Paris, Post-Impressionist Oil, Royal Academy
    By Victor Isbrand
    Located in Santa Cruz, CA
    Signed upper right, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989) and painted circa 1935. A vibrant Post-Impressionist still-life showing golden marigolds and white daisies i...
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    1930s Post-Impressionist Still-life Paintings

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  • 'Interior with Still Life', Dallas Art Museum, Modernist oil, Woman Artist
    By Belle Golinko
    Located in Santa Cruz, CA
    Signed lower left, 'Belle Golinko' (American, 20th century) and painted circa 1945. This Israeli-American woman Modernist exhibited widely and with success, including at the Dallas ...
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    1940s Post-Impressionist Still-life Paintings

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