Marcel Dyf

Vase de Fleurs - Post Impressionist Oil, Still Life Flowers by Marcel Dyf

c.1940

Signed still life oil on canvas circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts a ceramic vase placed on a wooden stall filled with pink peonies and yellow flowers. A beautiful piece in the artist's distinctive hand. Signature: Signed: Signed lower left Dimensions: Framed: 24"x21" Unframed: 16"x13" Provenance: To be included in the forthcoming Georges d’Espagnat Catalogue Raisonné being prepared by Jean-Dominique Jacquemond. From the beginning of his career it was a constant concern of Georges d'Espagne to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagne was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont...

Signed and dated post impressionist still life oil on canvas by French painter Paul Elie Gernez. The piece depicts a brown ceramic vase filled with se...

Signed post impressionist still life oil on canvas circa 1928 by French painter Jean Dufy. This vibrantly coloured work depicts red and yellow flowers in a vase with pears placed bes...

Signed still life oil on canvas circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts a white vase filled with red and white tulips. A beautiful piece in the artist's distinctive hand. Signature: Signed upper left Dimensions: Framed: 33"x28.5" Unframed: 26"x21.5" Provenance: A certificate of authenticity for this work is available from Mr. Jean Dominique Jacquemond upon request Private French collection From the beginning of his career it was a constant concern of Georges d'Espagne to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagne was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont...

Signed and titled still life oil on canvas circa 1900 by French post impressionist painter Albert André. The work depicts a still life scene in an interior. A vase of pink, yellow, red and blue roses is set upon a table next to books, paperwork and a cup. There is a chair with a white cover beside the table. Signature: Signed lower left and titled on original label verso. Dimensions: Framed: 34"x34" Unframed: 26"x26" Provenance: David B Findlay Galleries - New York (labels verso) The estate of billionaire investor T. Boone Pickens (1928-2019) Phillips - Saint Louis MO, United States (6th May 2001) He came to Paris in 1889 as an industrial designer. At the age of 23 he enrolled at the studio of William Bouguereau at the Académie Julian, where he met Ranson, Louis Valtat and the young poet and dramatist Henry Bataille, who at the time was training as a painter. He illustrated L'étang de Berre by Charles Maurras and Les Petites Alliées by Claude Farrère. He produced cartoons for tapestries...

Signed post impressionist still life oil on canvas circa 1930 by sought after French impressionist painter Marcel Dyf. The work depicts wildflowers in a glazed vase. A wonderful piec...

Oil on canvas by Roger Charles Halbique (1900-1977), France, 1950s. Still Life With Roses. With frame: 85x98 cm - without frame: 60x73cm. 20F format. Signed lower left "R. Halbique"....

Signed lower left, 'Belle Golinko' (American, 20th century) and painted circa 1945. This Israeli-American woman Modernist exhibited widely and with success, including at the Dallas ...

Signed lower left, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989) and painted circa 1935. Precocious as a child, Victor Isbrand painted professionally from a young age and was...

Signed lower right 'Jais' for Jais Nielsen (Danish, 1885-1961) and dated 1913. An early twentieth-century, oil still-life of pink dog-roses shown loosely arranged in a cobalt blue glass vase, set beside two Breton tin-glazed earthenware plates, resting on an azure-turquoise tablecloth and contrasted against a coral-ochre background. An elegant, early work by this foundational Danish Modernist. Born in Denmark, Jais Nielsen initially studied at Kunstnernes Frie Studieskoler under Kristian Zahrtmann and exhibited for the first time at the 1907 Autumn Salon at the Charlottenborg Palace. Nielsen participated in the early and groundbreaking, “Group of Thirteen" Modernist show, where his focus on dynamic figural painting and his bold use of color set him dramatically apart from his contemporaries. From 1907-11, Nielsen's use of 'primitive' Fauve colors would continue to reinforce his break with traditional Danish painting. During this period, he made study excursions to important art centres, including, in 1909, to Berlin. In 1911, he moved to Paris where he settled in the Latin Quarter near the Musée Cluny. His first formal Paris exhibition was at the Salon d’Automne of 1912. During this first Paris period, Nielsen attended meetings of the Section d’Or at the studio of Jacques Villon and, as a result, began to incorporate subtle, yet distinct, Cubist elements into his work.   With the outbreak of World War One, Nielsen returned to Copenhagen, taking with him both his increasing compositional sophistication and a thorough understanding of the principles of Modernism. During this period, ports, dance and circus life became subjects of interest and he painted many canvases in the style of Analytic Cubism, of which he became the earliest and, arguably, the finest Danish exponent. From 1915 onwards, Nielsen also created Cubist sculptures and, from 1922-28, was employed as a sculptor by the Royal Copenhagen porcelain factory. Here, he produced a series of ceramic sculptures on Biblical themes which included the Good Samaritan and several versions of Jacob Wrestling with the Angel...

Signed lower right, 'S. L. Kramer' (American, 20th century) and painted circa 1960. A mid-century, oil still-life showing a bouquet of spring flowers informally arranged in a glass ...

Signed lower right, 'V. Rorup' for Viggo Julius Rorup (Danish, 1903-1971) and dated 1963. Exhibited: 'Copenhagen Art Association Exhibition, 1964', from exhibition stamp, verso, on stretcher bar. A substantial and vibrant Post-Impressionist still-life showing a profusion of fresh-cut daffodils informally arranged in a jade-green vase and set on a table in a sitting-room. Viggo Rorup was still a student at the Royal Danish Academy of Fine Arts when he made his 1928 debut at the Charlottenborg Palace. Following his graduation in 1930, he moved to Odsherred, where he continued his studies under Karl Bovin. Together, they founded the avante-garde group of artists named The Corner, which first introduced the principles of European Modernism to Danish painting. Rorup traveled widely, including to Italy, Austria, Spain, and, most importantly, to France, where his studies of the Impressionists and the Post-Impressionists had a great stylistic impact on his later work. As Rorup continued to paint in the south of France, his palette grew brighter and the earlier, more defined, contours of his forms became subsumed into scintillating nuances of light. We are pleased to offer this elegant and dazzling still-life from the artist's late period. Exhibitions: KE 1928-29, 1933-38; Corner Harvest 1939-41; Corner 1942- 71, 1981; Liljevalchs, Sth. 1946; Union Frcia 1947; Nordic Arts Association. 1947; Wild Wheat, Kunstindustrimus. 1948; New Carlsberg Foundation, Charlottenborg Palace, 1952; Cromisterne 1952;Kalundborg 1952; Da. contemporary art, Charlottenborg Palace 1956, 1958; Danish Institute Contemporary Art, Freedom Hall, Sønderborg 1961; Ostseeländer, Rostock 1961-62, 1969; Artists in Odsherred, 1977; Copenhagen 1978; Danish. landscapes, Norwegian Art Museum. 1981; Danish Cultural Institute, The Artists House, Ukraine 1986. Separate Exhibitions: Binger Gallery Copenhagen. 1938; Art Unite., Copenhagen. 1964 (retrosp.); Haagen-Müller Kunsthdl., Copenhagen. 1966; Farumgaard, Farum 1971 (Artist Retrospective); Odsherred painter Retrospective, Odsherreds Museum, 1983; Norwegian Art Museum. 1985; Odsherreds Art Museum. 1993; et al. Literature: Pol. 1.4.1957; 03/08/1983; 05/17/1985; Holbæk County Venstrebl. 28/06/1958; Ulf Hoffmann in: Cat. Corner, 1959; News 15/11/1964; Gunnar Jespersen: The abstract, 1967, 107; Berl. Time. 17/01/1971; Inger Hjorth Nielsen: Cat. Corner, 1971-72; January Garff in: Corner Book...