Marie Lucie Nessi

Spring Flowers post impressionist floral still life oil by woman artist painting

1958

A charming 19th Century painting of Anemone flowers in a wicker basket. It has a warm, seasonal and festive feel. I love the great simplicity and sincerity it exudes. French in origi...

Here is a painting that will lift you - one feels happy every time one looks at it. It is such a lovely, unusual twist to the theme of the floral still life: here we have flowers, not in a vase, but attached to a wooden front door. I wonder if the artist did this with actual flowers, perhaps for a sweetheart, and then decided to paint the scene? At any rate: who wouldn't want to come home to find a large bunch of glorious lilac as they come home? The artist is Emile Baudoux (1850 -1929), who studied with Humbert and Cabanel. Paris-born, he liked to work in Normandy, where he had his studio. He exhibited his work at the "Salon des Artistes Français" until 1927, where he obtained a gold medal in 1910. The important oil on canvas presented here, dating from 1901, may have been shown at the Salon, as it bears an exhibition number "30" at the upper right of the canvas. Measuring 81 x 60 cm, the overall size including its original large oak frame...

A remarkable work by Charles Nicolas Etienne Mayre, an academic painter born in Choisy le Roi near Paris in 1819. He studied with the masters Michel-Martin Drolling and Leon Cogniet...

A very atmospheric and idyllic view of a Southern fishing port, painted most likely in Italy or France. Resolutely post-impressionist, the landscape is imbued with the light of the M...

It is fascinating how a painting with so many round shapes can appear so cubist. To my mind, it's because the artist is much more interested in the forms and volumes he sees than in ...

I have the privilege of being able to live for a little while with the paintings I offer and to "test" them. I can confirm that this particular works feels like acquiring a new windo...

A beautiful oil painting by French artist Louis Valtat. Featuring a colorful display of a flower bouquet of dahlias.

A North Carolina native, Sharon Hockfield has always viewed life through a painter’s lens. She took art lessons at the Mint Museum as a young child, won numerous high school art awards and dabbled in art courses in college. Though her career in public education took her away from painting, it did not stop her interest. Travel always included art museums, galleries and botanical gardens. She describes her lifelong interest in gardening as “painting with plants.” In 2007, Sharon worked with artist Anne Cowie painting paper for her daughter’s wedding invitations...

Oil on canvas dating from 1946 by Jean-René Chatelain. Beautiful canvas of a neo-realism soothed. Measurements : with frame: 81x72x7.5 cm - 31.9x28.3x3 inches, without frame: 68x58 c...

Still life of fruit (with purple glass or crystal) Hand signed lower right Dimensions: (Frame) H 24" x W 27.5", (Canvas) H 17.25" x W 21.5" William Andrew Pogany (born Vilmos András Pogány; August 24, 1882 – July 30, 1955) was a prolific Hungarian American illustrator of children's and other books. His contemporaries include C. Coles Phillips, Joseph Clement Coll, Edmund Dulac, Harvey Dunn, Stevan Dohanos, Walter Hunt Everett, Harry Rountree, Norman Rockwell, and N.C. Wyeth. He is best known for his pen and ink illustration drawings of myths and fables. A large portion of Pogany's work is described as Art Nouveau. Pogany's artistic style is heavily fairy-tale orientated and often feature motifs of mythical animals such as nymphs and pixies. He paid great attention to botanical details. He used dreamy and warm pastel scenes with watercolor, oil painting, and especially pen and ink cartoon work. Willy Pogany was born in Szeged, Austria-Hungary. He studied at Budapest Technical University and in Munich and Paris. He spent his early childhood with his brothers and sisters in a large farmhouse full of chickens, ducks, geese, dogs, pigs, and horses. When he was six, his parents took him to Budapest where he would later be sent to school. He especially liked to row and to play soccer. In his spare time, he drew pictures and painted. He enjoyed painting and drawing so much he decided to be an artist. He attended Budapest Technical School for less than a year, during this time he took art classes for six weeks. He sold his first painting to a wealthy patron for $24. He spent his early twenties attending art school and would later travel to Munich, Paris, and London before coming to the United States in 1914. When Pogany went to Paris to study and paint, he was unable to secure much attention or income, was often poor and went hungry. Willi Pogany spent two years in Paris. When he finally saved up some money from his work, he left Paris to go to London. In 1906, Arthur Rackham's Rip Van Winkle gained massive popularity, sparking a demand for artists in London. At this point Pogany was hired to provide the design For The Welsh Fairy Book by T. Fisher Unwin, including over 100 plates, illustrations, vignettes, chapter heads and tails, and initials. He also did 48 illustrations for Milly and Olly, 70 for The Adventures of a Dodo and 39 for Faust. After ten years in London, Pogany emigrated to America. Besides book illustration, pictures, mural paintings, portraits, etchings, and sculptures, Pogany became interested in theatre and designed stage settings and costumes for different shows and the Metropolitan Opera House. He eventually moved to Hollywood to serve as an art director for several film studios during the 1930s and 1940s. In London, he crafted his quartet of masterpieces: The Rime of the Ancient Mariner (1910), Tannhauser (1911), Parsifal (1912) and Lohengrin (1913).[7] Each of these was designed completely by Pogany, from the covers and endpapers to the text written in pen and ink, pencil, wash, color and tipped-on plates. Pogany worked as an art director on several Hollywood films, including Fashions of 1934 and Dames. He began his involvement in motion picture set design in 1924 and worked in film until the end of the 1930s. He was commissioned by John Ringling, Ettenger, Reiner and William Randolph Hearst's Wyntoon Estate, painted for the Barrymore family, Douglas Fairbanks Jr., Carole Lombard, Enrico Caruso, Miriam Hopkins, and many others. Pogany was awarded gold medals in Budapest and Leipzig Expo as well as the London Masonic Medal, and became a Fellow of the London Royal Society of Art. The New York Society of Architects gave him a silver medal for his mural in the August Heckscher's Children's Theatre showing Cinderella, Hansel and Gretel, and Jack in the Beanstalk. He won a gold medal in 1915 at the Panama Pacific Expo for his work The ValCares and was also awarded the Hungarian Silver Blue Medal. In 1914, Pogany's illustrations appeared on the cover of Metropolitan Magazine, Ladies Home Journal, Harper's Weekly, Hearst's Town and Country, Theatre Magazine and American Weekly.[6] In 1917 to 1921, he worked for the Metropolitan Opera designing sketches, scenery and costumes. In 1918 he illustrated a children's retelling of Homer, The Adventures of Odysseus and the Tale of Troy written by Padraic Colum. Pogany's public art appears on walls of the John and Mable Ringling Museum of Art (formerly Ringling Mansion) in Sarasota, Florida, in New York City at the El Museo del Barrio theater (1230 Fifth Avenue), P.S. 43 Jonas Bronck in Mott Haven, and the Bernard B. Jacobs Theatre (45th Street) and in The Strand Theatre...

A North Carolina native, Sharon Hockfield has always viewed life through a painter’s lens. She took art lessons at the Mint Museum as a young child, won numerous high school art awards and dabbled in art courses in college. Though her career in public education took her away from painting, it did not stop her interest. Travel always included art museums, galleries and botanical gardens. She describes her lifelong interest in gardening as “painting with plants.” In 2007, Sharon worked with artist Anne Cowie painting paper for her daughter’s wedding invitations. Feeling right at home with a paintbrush in hand, she began studying with Andy Braitman. She has studied with Tony Griffin, Wayne McDowell and Cynthia Packard...

Fauvist Vanitas "Still Life with Flowers and Skull" Louis Mathieu Verdilhan (Provence, France, 1875-1928) Circa 1910 Oil on canvas on wood pan...