Pierre Coquet

Still life with cherries, oil painting on canvas by Pierre Coquet

Pierre Coquet - Still life with a pewter pitcher Reference number F445 Framed with a natural oak floated frame 50 x 73 x 2 cm (55 x 78 x 3,5 cm frame included) This work is painted w...

Pierre Coquet - Still life with peppers Reference number F48 Framed with a natural oak floated frame 43 x 61 cm frame included (38 x 56 cm without frame) This wor...

Pierre Coquet (1926-2021) Still life with a red book Reference number F285 46 x 55 cm (not framed) This work is painted with oil on a canvas. There is a stamp of the signature in the...

Composition with jugs, oil painting by Pierre Coquet Reference number F486 Framed with a natural oak floated frame 43 x 72 x 2 cm (48 x 77 x 3,5 cm frame included) This work is paint...

Reference number F371 This work is painted with oil on a paper that is mounted on a canvas and placed in a made to measure wood strectcher. It is signed in the bottom left. The paint...

Still life with plums, oil painting by Pierre Coquet Reference number F374 The painting is not framed but it could be with a natural oak floated frame (see how it would look like on ...

A charming 19th Century painting of Anemone flowers in a wicker basket. It has a warm, seasonal and festive feel. I love the great simplicity and sincerity it exudes. French in origi...

Oil on canvas by Pierre TROFIMOFF (1925-1996), France, 1992. "STILL LIFE WITH BASKET". Another version of this still life, very close to this one and entitled "Still life with the blue wall", is found in the book "Trofimoff" by Jacqueline de Grandmaison, Editions Vision sur les Arts, Béziers, 1978, page 29, full-page color illustration. This last work will have been used as cover page for the invitation 4 pages-card to the exhibition which took place from October 18 to November 10, 1978 at La Cadrerie - Galerie Edouard Chaix-Bryan, 23 rue du Docteur Fiolle in Marseille. With frame: 82x71 cm - 32.3x28 inches ; without frame: 65x54cm - 25.6x21.3 inches. 5F format. Signed "Trofimoff" and dated "92". Titled on the back (see photos). Pierre Trofimoff was born October 20, 1925 in Marseille in a very traditional bourgeois family, distant Polish origin. Very early, he declares a desire to become a painter. At 10, he entered the Melizan Institute in Marseille. His teenage vacation, he spent them in the house of his grandmother in Revest-les-Eaux near Toulon. In the countryside, he observes many artists drawing or painting on the motif, like the painter Eugène Baboulène and the sculptor Dionisi. Later, he will meet on the same place the engraver Decaris. Little encouraged by his family in his vocation, he was denied entry to the Ecole des Beaux-Arts in Marseille. However, he will go there as a free listener every Thursday It's the war. He is an inveterate museum-goer and deprives himself of cinema to buy books of Art. He likes Puget, Loubon, Delacroix, Courbet. Later Van Gogh, Soutine, Modigliani, Leprin, Pascin, Marquet, Dufu, Braque and Verdilhan by which he will be influenced. At the end of the war, Trofimoff works as a leather and hides broker. But simultaneously, he works his painting. He paints a lot in the company of Pierre Gontard and often goes to Meiffren's studio, cours Estienne d'Orves. There, the poet Boissin, the painters Jammes, Helene Martin and the actors of the troupe of the Galion d'Or meet. Trofimoff also meets Louis Pons, Raffaelli, Pierre Ambrogiani and Antoine Ferrari...

A. FERREYROLLES (active around 1880) Bread, fourme de Rochefort-Montagne and pottery on a wooden table Oil on canvas Signed and dated lower right 73 x 59 cm 1881 Few things are known to us about this Auvergne artist, who could to be Antoine Ferreyrolles, born in 1842 in Murat-le Quaire, about thirty kilometers southwest of Clermont-Ferrand; his surname being also very widespread in this part of Puy de Dôme. The Murol museum preserves three of his paintings, local landscapes, and there is a Entombment, painted in 1880 for the decor of the church of Rochefort-Montagne. There is also a Still Life with Game, dated 1886, and apparently in the same vein as our painting. This is executed in a very realistic style, bordering on trompe l'oeil, visibly inspired by artists from the beginning of the 17th century, such as the German Georg Flegel, the Dutch Floris Van Schooten or the Antwerp artist. Clara Peeters...

Édouard GELHAY (Braine, 1856 - Paris, 1939) Game lost Oil on panel enlarged by two centimeters on the right side Signed lower left. Dedicated top right to Princess Maria JABLONOWSK...

Alexandre Jean-Baptiste THEUVENOT (Port-sur-Saône, 1834 – Paris, 1882) Red-breasted Merganser Oil on canvas Signed at the bottom 78 x 56 cm Born in 1884 in Port-sur-Saône (Haute-S...

Alexandre BLOCH (Paris, 1857 – Paris, 1919) Vanity Oil on canvas Signed and dated lower right 45 x 65 cm 1880 A student of Jean-Léon Gérôme and Jules Bastien-Lepage, Alexandre Bloch debuted at the Salon of French Artists in 1880 with a still life entitled Chez l'antiquaire: “We can distinguish on a Moorish and variegated carpet of red, white and yellow tones: a steel rapier, an earthenware alcarraza, a chased gold sugar bowl...