Pierre Jerome

Vibrant Bowl of Cherries Oil Painting by Pierre Jerome

Hildegard Rath, (1909-1994) painter, author, teacher, and lecturer, Born in Wurttemberg, Germany, in the Black Forest region of Germany. Hildegard Rath became a painter of landscape, portraits, still lifes, and marine subjects and also a muralist. Her father was a bank president, her mother a sculptor, writer, and illustrator of children's books. At the age of 15, Miss Rath painted her first portrait in oil as a birthday present for her father and thereafter every opportunity for study was given to her. She went to art school at the Atelier House in Stuttgart, Germany and at the Akademie der Bildenden Kunste in Berlin. She studied with Lotte Laserstein...

Genre: Expressionist Subject: Still Life Medium: Oil Surface: Canvas Country: Israel Dimensions: 30" x 40" x 3/4" Dimensions w/Frame: 41" x 50" (this is being sold unframed) Artist...

Michel De Gallard, France (1921-2007). Oil on canvas signed lower left, Silver gilt and dark wood frame. Provenance: Label on verso Galerie de la Presidence, Paris, Titled: 'Femme...

Michel de Gallard (1921-2007) was a French painter. He is considered a member of the School of Paris and La Ruche and is associated with French artists Andre Minaux, Bernard Buffet ...

This is a bright, colorful oil painting of a table top with fruit. Banana, Pomegranate and glass of water. George Chemeche was born in Israel in 1934 and studied at the Avni Art School in Tel Aviv and the Ecole des Beaux Arts in Paris. this painter and printmaker's sensual and romantic yet rationally conceived screen prints featuring plants and flowers are associated with the PATTERN & DECORATION movement of the late 1960s and early 1970s. His style is non-minimalist, sensuous, romantic, rational and decorative. it runs counter to the modernist taboo against a decorative quality in art. Though pattern painting's roots are in modern art, it contradicts some of its basic tenets as it attempts to assimilate aspects of Western and non-Western culture not previously accepted into the realm of high art. In Chemeche´s work, we can see how chosen motifs are repeated in order to cover a surface in a uniform way. The results often have a painterly feel, but remain systematic. The intention is to make a high-art statement within a contemporary context by referring to, and using what to many still remains within the world of non-art. Pattern painting, unlike abstractionism, has structure. It also has content as it refers to patterns in the real world. Usually, patterning intentionally acknowledges the decorative function of art, reconciling both the decorative and the meaningful. INDIVIDUAL EXHIBITIONS: Goldman Art Gallery, Haifa, Israel Gordon Gallery, Tel Aviv, "Six Artists" Biv Gallery, New York, "Chelsea Artists" Makler Gallery, Philadelphia, Pa. "FJ.A.C.," Petit Palais Paris Galerie Naire, Paris Weintraub Gallery, New York, Print Show Louis K. Meisel Gallery, New York Alexandra Monett Gallery, Brussels Givon Art GaJIery, Tel Aviv South Houston Gallery, New York Ray Landis Gallery, East Brunswick, New Jersey Gala Gallery, Key Biscayne, Florida Art Asia Gallery, Cambridge, Mass. Bertha Urdang Gallery, New York Selected Artists Gallery, New York Mabat Art Gallery, Tel Aviv Goldman Art Gallery, Haifa, Israel OHana Gallery, London "Six Artists", Modern Art Gallery, Old Jaffa Modern Art Gallery, Old Jaffa The Autumn Exhibition, Tel Aviv Museum Dugith Art Gallery, Tel Aviv Hadassa "K" Klachkin Art Gallery, Tel Aviv Rina Art Gallery, Jerusalem The Museum of Modern Art, Haifa Chemerinsky Art Gallery, Tel Aviv Galerie Transposition, Paris Collective Exhibitions "Young Artists", Tel Aviv Museum Salon de La Jeune Peinture, Musee d'art Moderne, Paris A well listed Painter...

Oil Painting of still life Havdalah scene with braided candle, spice tower box and kiddush cup. Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolph Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney. Ben-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.” By 1939, The Ten disbanded because most of the members found individual galleries to represent their work. Ben-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes. He worked as a WPA artist. Ben-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition. Ben-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Hebrew Bible, and the Jewish people—into his work throughout his life. "In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works." (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952). Mystical Imprints: Marc Chagall, Ben-Zion, and Ben Shahn presents the print work of three prominent 20th century Jewish artists born in the Russian Empire. Among these seventy pieces are etchings and lithographs from Chagall’s Bible series...

Oil on canvas painting by Jill Davenport (American, 20th Century) still life titled "Banjo Player" from the Attic series. Signed and dated on bottom lef...

Early substantial, expressionist abstract still life by Lee Lippman (American 1926-2020). Bursting with color and movement titled "Still life with onions" ...

Zonnebloemen 2018 Oil on canvas 122 x 122 cm Signed on reverse

CELSO LAGAR Spanish, 1891 - 1966 STILL LIFE OF FRUITS signed "Lagar" lower left oil on canvas 29-3/4 x 38 inches (75 x 96 cm.) framed: 33-1/2 x 41-3/4 inches (84.5 x 105.5 cm.) PROVENANCE Private French Collector Celso Lagar Arroyo (Ciudad Rodrigo, 1891 - Seville, 1966) was an expressionist Spanish painter of the first generation of the School of Paris, where he lived most of his life. He was influenced by avant-gardes of all kinds, such as cubism and fovism. He painted mainly landscapes and still lifes...

CELSO LAGAR Spanish, 1891 - 1966 NATURE MORTE signed "Lagar" lower left oil on canvas 18-1/4 X 21-3/4 inches (46 X 55 cm.) framed: 23-3/8 X 27-1/8 (59 X 68.5 cm.) PROVENANCE Privat...

MOÏSE KISLING French-Polish, 1891 - 1953 BOUQUET OF FLOWERS WITH MIMOSA signed & dedicated "à Edith Mara", Kisling (lower left) oil on canvas 13 X 88-1/2 inches (33 X 22.5 cm.) frame...