Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 8

Polly Thayer
Oil Painting Still Life Fruit Bowl Polly Thayer Boston Modernist Woman Artist

c. 20th century

About the Item

Polly Thayer Starr (1904-2006) Oil Painting Still Life Fruit Bowl Dimensions: Frame: 12.5" X 15.5", Image: 8.5" X 11.5" Polly Thayer (Starr) (1904–2006) was a Boston painter and pastel artist. When she was still in her twenties she became known for portraits and figure compositions in the tradition of the Boston School, but took a more Modernist approach after leaving academia. She became increasingly interested in conveying the invisible essences of landscape, flowers and living creatures as her career developed, and was noted for the skilled draftsmanship which provided the substructure of her work. Named Ethel Randolph Thayer after her mother, the artist was the daughter of Harvard Law School Dean Ezra Ripley Thayer and Ethel Randolph Thayer, and granddaughter of legal scholar James Bradley Thayer. The love of exactitude brought out by her early upbringing in this vigorously intellectual family was tempered by the spiritual heritage of her Transcendentalist forebears, among whom was Ralph Waldo Emerson. Although she signed some of her early paintings Ethel Thayer, she had been known as Polly since childhood, and by the end of the 1920s generally signed her work Polly Thayer. She continued to use Polly Thayer as her brush name after she was married, although in 1967 she changed her name legally from Ethel Randolph Starr to Polly Thayer Starr. Toward the end of her career she chose to identify herself professionally as Polly Thayer (Starr), but never used that name as a signature. Thayer attended Winsor School in Boston and showed an early aptitude for drawing which her mother encouraged by arranging for her to take after-school lessons with Beatrice Van Ness, who had been a student of Frank Benson, Edmund Tarbell and Philip Hale. She transferred to Westover School in Middlebury, CT, and after graduation embarked with her mother and brother on a tour of the Orient which culminated in her witnessing the Great Kantō earthquake of 1923, an event she viewed as a turning point in her perception of life. That autumn Thayer entered the School of the Museum of Fine Arts, Boston, where she studied figure drawing with Hale and portrait painting with Leslie Prince Thompson for about a year and a half, when she left to study privately with Hale. While still under Hale's tutelage she painted a large nude, Circles, which in 1929 was awarded the National Academy of Design's coveted Julius Hallgarten Prize. She also studied in 1924 with Charles W. Hawthorne, who “keyed up the palette a lot” with his outdoor classes in Provincetown. Encouraged by Royal Cortissoz of the New York Herald Tribune, who wrote to her that “The [Prado] is like a university and to copy Velasquez there is like listening to one master with a dozen others putting their oars in the recesses,” Thayer traveled to Spain in 1930, and became particularly fascinated with Goya before continuing her studies in France. She rented the studio-apartment of Waldo Pierce in Paris, where she worked while attending life drawing classes at the studio of French Cubist artist André Lhote. In subsequent years she studied further with American artist Harry Wickey at the Art Students League of New York; Jean Despujols at the École des Beaux-Arts, Fontainebleau; Carl Nelson in Boston; and Hans Hofmann in Provincetown. Exhibitions Thayer's first solo exhibition, at Doll & Richards in Boston, opening on New Year's Eve, 1930, was so well received that the Globe reviewer declared it “surely settles her status as one of the foremost painters in the country. It brought her commissions for eighteen portraits, many of which she exhibited at Wildenstein's in New York the following year. Among the galleries that subsequently gave her solo shows were the Sessler Gallery in Philadelphia; Contemporary Arts and Pietrantonio Galleries in New York; and in Boston the Guild of Boston Artists, Grace Horne Galleries, Child's Gallery, The Copley Society, the St. Botolph Club and the Boston Public Library. In her later years she renewed an early affiliation with Vose Galleries which she maintained for the rest of her life. In 2001 she was the only living artist included in the Boston Museum of Fine Arts exhibition, "A Studio of Her Own", and a banner of her portrait of May Sarton hung over the entrance to the Museum. After many years’ apprehension as to how marriage would affect her artistic impetus, Thayer married Donald C. Starr, attorney, sportsman, musician and yachtsman, in Genoa in 1933, when he was midway on a voyage around the world with six friends in his schooner 'Pilgrim'. She herself did not take to sailing, and a few years later, when after two weeks on the water she asked to be put ashore at Old Lyme, Connecticut, she saw the land as she had never seen it before. She began a series of landscape paintings which were characterized by D. Rhodes Johnson as “the work of a folk artist with technical training...It has the freshness of the conception of a primitive, but is never out of drawing.” The portrait of May Sarton, done around the same time, evinces a different aspect of this new freedom of expression, as Thayer found herself experimenting with portraiture in a world not constrained by tonal values. The Starrs had two daughters, Victoria and Dinah, the first born in 1940. In 1942 Thayer joined the Society of Friends (Quakers), which from that time became an important part of her life and identity. She took an active interest in many educational, charitable and cultural institutions, among them the Boston Public Library and the Institute of Contemporary Art, and was especially devoted to the causes of peace and non-violence. She also joined the Nucleus and the Tuesday Club, which met to discuss topics of current interest. The spirit of some of those meetings is preserved in small sketches she made while she listened. She mounted six solo exhibitions in the decades between the birth of her first child and the loss of her vision in the 1990s which attest to the force of her artistic activity. She continued her work in portraiture, while her more private pursuits included explorations into the nature of landscape, flowers and animals, especially cats, always seeking to reveal their essential being. “The only way I can see or understand is that of through the visible to the invisible reality,” she commented. Early in her career, she worked winters at her home in Boston and summers at Weir River Farm in Hingham. Thayer had long been fascinated by the dynamics, meaning and variety of visual experience. In 1981 the Friends Journal published her essay “On Seeing,” a paper she continued to refine until she was ninety-seven, and around the same time she learned that she had glaucoma, which was later complicated by macular degeneration. Increasingly aware of the fragility of her vision, she concentrated on lavish pastels of gladiolas with their bees and an increasingly abstract sequence of cyclamen flowers drawn in chalk on black paper with touches of color, as well as delicate series of graphite drawings based on the life cycle of the thistle. The concentration of her effort is revealed in an extraordinary collection of works on paper, many of them done with white chalk on black background, others incorporating pastel, watercolor, oil, or collage materials. The images, balancing between the seen and the unseen, lure the viewer into a world quite different from that of the dedicated flower lover or even the paintings of a Georgia O’Keeffe. In 1992 she completed her last major work, a charcoal self-portrait which is notable for the luminosity of one side of her face and the darkness of the other. Between the time she became unable to practice her craft and her death in 2006, the stature of her work was recognized in eleven solo exhibitions. Notable works Circles, c. 1928, "is the painting that established Thayer as a major talent in America and won her a prestigious Hallgarten Prize at the National Academy of Design in 1929." "This particular picture seemed like a challenge to the distortionists, whose work usually required considerable literary subtlety and aimless phraseology by way of explanation. That picture didn’t have to be explained. Here was the healthy body of a young woman, done to the life. It was honest.” "My Childhood Trees", c. 1938, "became one of fewer than ten paintings in the Museum’s American collection at that time that could be characterized as modern (even including the Ashcan School) and it was the first one to have been painted by a Boston artist,” according to Erica Hirshler, Croll Senior Curator of American Paintings at the Boston Museum of Fine Arts. Boston Globe critic Sebastian Smee commented of Shopping for Furs that "The bored, dispirited face of Thayer’s anonymous sitter is unlike anything I’ve ever seen in art: self-possession, deep exhaustion, and a longing for release all rolled into one... The jaunty hat and dangling left hand, meanwhile, communicate splendid insouciance" Soldiers, 1944: Asked in her later years to identify some of her most treasured work, Thayer replied: “During World War II, I went out nightly to the Officers’ Club in Boston to do pencil drawings of the young men, which I gave to them... The soldiers came from all over the country, passing through Boston on their way to being shipped out. The poignancy of those young men who were going to war, who might never see the year out, had something to do with those drawings.” Iris, "created in a seamless blend of watercolor and pastel, is a master work where color seems to unite form and space into a shifting composition. Some areas of the flower appear solid and real; in other areas the gossamer petals seem to be theoretical, as if composed of form and space or of a luminous atmosphere.” She is included in Hirshler, Erica E. A Studio of Her Own: Women Artists in Boston 1870-1940. Boston: MFA Publications, 2001, pp. 152-55, 197-198. Adelaide Cole Chase, Elizabeth Boott Duveneck, Ellen Day Hale, Lilian Westcott Hale, Laura Coombs Hills, Anna Vaughn Hyatt Huntington, Gretchen Woodman Rogers, Sarah Choate Sears, Elizabeth Morse Walsh, Katharine Lane Weems, Sarah Wyman Whitman, Anne Whitney. Burgard, Timothy Anglin. "Polly Thayer and May Sarton: Portrait of the Artists as Young Women." Harvard University Art Museums Review 1994. Gerdts, William H. and Nancy Hall-Duncan. “The Great American Nude" American Art Review August 2002:160-65. Select Exhibitions Polly Thayer Starr’s Burning Bush, deCordova Museum, Lincoln, MA. Polly Thayer Starr: Nearer the Essence, Fruitlands Museum, Harvard, MA. Women Take The Floor, Museum of Fine Arts, Boston, MA. September Solo Retrospective, Rockport Art Association & Museum, Rockport, MA. Vose Galleries of Boston, MA St. Botolph Club, Boston, MA Dolphin Gallery, Hingham, MA Copley Society, Boston, MA 1981, 1994, 1996 Boston Public Library, Boston, MA 1969 Pietrantonio Galleries, New York, NY 1964 Childs Gallery, Boston, MA 1963 Sessler Gallery, Philadelphia, PA 1956 Contemporary Arts, New York, NY 1941 Philadelphia Art Alliance, Philadelphia, PA 1936 Guild of Boston Artists, Boston, MA 1932 Wildenstein & Co., Inc., New York, NY 1932 Doll and Richards Gallery, Boston, MA 1931, 1935 Selected Group Exhibitions Boston Art Club, Boston, MA Boston Institute of Modern Art, Boston, MA (now the Institute of Contemporary Art) Corcoran Gallery of Art, Washington, DC Denver Art Museum, Denver, CO National Academy of Design, New York, NY National Association of Women Painters and Sculptors, New York, NY Pennsylvania Academy of Fine Arts, Philadelphia, PA Rhode Island School of Design, Providence, RI Permanent Collections Addison Gallery, Andover, MA Boston Athenaeum, Boston, MA Brigham Young University Museum of Fine Arts, Provo, UT Brown University, Providence, RI DeCordova Museum, Lincoln, MA Eliot House, Harvard University, Cambridge, MA Fogg Art Museum, Harvard University, Cambridge, MA Langdell Library, Harvard Law School, Cambridge, MA Museum of Fine Arts, Boston, MA Mystic Museum, Mystic, CT New Britain Museum of American Art, New Britain, CT Pennsylvania Academy of Fine Arts, Lambert Collection, Philadelphia, PA Schlesinger Library, Radcliffe College, Cambridge, MA Williams College, Williamstown, MA
  • Creator:
    Polly Thayer (1904 - 2006, American)
  • Creation Year:
    c. 20th century
  • Dimensions:
    Height: 12.5 in (31.75 cm)Width: 15.5 in (39.37 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Minor wear, refer to photos.
  • Gallery Location:
    Surfside, FL
  • Reference Number:
    1stDibs: LU38214971082

More From This Seller

View All
Enid Munroe Mid Century Modernist Oil Painting Still Life with Fruit and Bread
By Enid Munroe
Located in Surfside, FL
Genre: Modern Subject: Kitchen still life with pineapple, sourdough bread and lemons Medium: oil paint, done in a sgraffito, impasto somewhat brutalist technique Surface: board Country: United States Dimensions: 18 X 24 Being sold unframed Enid Munroe re-establishes the aesthetic worth of ordinary manufactured objects within the basic form language of Cubism. In her painting the artist uses trompe-l'oeil to render her composition, involving realistic imagery in order to create the optical illusion that the depicted objects exist in three dimensions. Enid Munroe is an artist and teacher who is well known regionally for her paintings, works on paper and Gold leaf, silver leaf, trompe l’oeil collage and assemblage series. She has been included in numerous invitational and juried exhibitions both nationally and regionally. Her works are in leading public, corporate and private collections including the Brooklyn Museum and the National Museum of American Art. Munroe cites painter Georgia O’Keeffe as one her influences and sources of inspiration. “Georgia O’Keeffe really helped lift the concept of women as artists,” stated Munroe. Munroe lived and worked in Mexico, Japan and Italy before settling in Connecticut. She is the author of An Artist in the Garden: A Guide to Creative and Natural Gardening (Henry Holt & Co, 1994) and has been active in regional art events including the founding of the annual Pequot Library...
Category

20th Century American Modern Still-life Paintings

Materials

Oil, Board

Modernist Floral Oil Painting Roses, Flowers in Vase WPA Artist Nicolai Cikovsky
By Nicolai Cikovsky
Located in Surfside, FL
framed: 23 x 19.75 image: 15.5 x 11.5 Nicolai S. (Nicola) Cikovsky (1894 - 1984) was active/lived in New York / Russian Federation. Nicolai Cikovsky is known for Shore landscape, figure, still life and portrait painting, printmaking. His mural "Irrigation," and "Gathering Dates" is at the Department of Interior, Washington, D.C. (WPA, GSA) Landscape and figure painter Nicolai S. Cikovsky, 1894-1984, was born in Russia, where he studied at the Vilna Art School, 1910-1914; the Penza Royal Art School, 1914-1918; and Moscow High Tech Art...
Category

Mid-20th Century American Modern Still-life Paintings

Materials

Canvas, Oil

Apple Still Life Oil Painting Betsy Podlach American Post Feminist Modernist Art
By Betsy Podlach
Located in Surfside, FL
Betsy Podlach (American, born 1964.) Still life with Fruit, a Bowl of Apples Framed 25 X 26 24 X 25 inches Betsy Podlach graduated from Harvard, cum laude, (she studied at Harvard with Alfred Decreido and William Reimann as well as Carlos Fuentes continuing her studies at the New York Studio School of Drawing, Painting, and Sculpture, Ms. Podlach was awarded an art fellowship and residency at The International School of Art in Umbria, Italy. Betsy Podlach is an American painter who considers the Italian Venetians and the american abstract expressionist painters her mentors. The two painters she is most inspired by are Titian and Jackson Pollock, Both use the picture plane and abstraction and space, light, movement and form to communicate a physicality built entirely on the principals of painting, in the “classical” sense of a flat plane and lines, color, shape, space and light applied to that flat surface to create magic – light, space, form, emotion, force, movement, the physical and the spiritual. She describes her work as a figurative version of abstract expressionism. She was influenced by many of the abstract expressionists from the NY school...
Category

1990s American Modern Still-life Paintings

Materials

Canvas, Oil

Large American Modernist Watercolor Painting Leeks Bernard Chaet Expressionist
By Bernard Chaet
Located in Surfside, FL
Hand signed and dated leeks on a kitchen table 31.5 X 39.5 framed. 21 X 28.5 sheet without frame. Bernard Chaet (born 1924, Boston, MA - 2012) was an American artist; Chaet is known for his colorful, dynamic modernist paintings and masterful draftsmanship, his association with the Boston Expressionists, and his 40-year career as a Professor of Painting at Yale University. His works also include watercolors and prints. In 1994, he was named a National Academician by the National Academy of Design. Chaet was instrumental in transforming Yale’s traditional art program into one with a more modernist approach that gained national prominence. Chaet melded landscape and abstraction in a traditional established by Vincent Van Gogh, Georges Seurat, Edvard Munch, Piet Mondrian, and Ferdinand Hodler. His own tenure began in 1951 at Yale, where he worked closely with Josef Albers to revamp Yale’s art program. Between 1959 and 1962 he was the chair of what was then called the Yale Department of Art of the School of Fine Arts — prior to becoming one of the independent professional schools at Yale in 1973. Chaet taught painting and drawing and mentored generations of emerging talents. Chaet was the author of the 1970 textbook “The Art of Drawing” and “An Artist’s Notebook 1979,” both of which have since been reissued several times. In the latter book, alongside examples of work by his favorite artists, are student drawings by Yale graduates such as Robert Birmelin, Michael Mazur and Eugene Baguskas. Born in Boston, Massachusetts, in 1924, Chaet studied at the School of the Museum of Fine Arts in Boston and then earned a B.A. at Tufts University. Known for his expressionist landscapes and still lifes, Chaet’s work has continuously been shown in galleries in his native Boston, in New York City, and around the country. In 2010, a retrospective of his seascapes was featured at the Cape Ann Historical Society in Gloucester, Massachusetts, where he had a home and a summer studio in nearby Rockport. His has also exhibited at David Findlay Gallery in New York and at Swarthmore College. Many of Chaet’s students went on to notable art careers, including Janet Fish, Chuck Close, and Richard Serra. His work is represented in the collections of the Brooklyn Museum, the Art Institute of Chicago, the Metropolitan Museum of Art in New York, the DeCordova Sculpture Park and Museum in Lincoln, Massachusetts, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., the Museum of Fine Arts in Boston, the Yale University Art Gallery in New Haven, CT, and the Addison Gallery of American Art in Andover, MA. Chaet is the recipient of many awards including: the National Foundation of the Arts and Humanities, Sabbatical Grant in 1967-68, the National Academy of Fine Arts, Benjamin Altman Award in Painting in 1997, and the American Academy of Arts and Letters Jimmy Ernst Prize in 2001. Chaet was born and raised in the Dorchester neighborhood of Boston, MA. He completed a dual program at the Museum of Fine Arts, Boston—studying painting with Karl Zerbe—and Tufts University, graduating with a B.S. in 1949. Chaet is known for his association as a first generation Boston Expressionist. (along with Hyman Bloom and Jack Levine) Chaet was a contributing editor to Arts Magazine. In 1960 he published the book Artists At Work, which features in depths conversations with artists Pat Adams, Anni Albers, Josef Albers, Al Blaustein, Hyman Bloom, James Brooks, Robert Engman, Esther Geller, Seymour Lipton, Conrad Marca-Relli, Gabor Peterdi, Irwin Rubin, Elbert Weinberg...
Category

1970s American Modern Still-life Paintings

Materials

Archival Paper, Gouache, Watercolor

Large American Modernist Watercolor Painting Irises Bernard Chaet Expressionist
By Bernard Chaet
Located in Surfside, FL
Hand signed Irises (purple and yellow flowers) 30 X 37 framed. 20.5 X 26.5 sheet without frame. Bernard Chaet (born 1924, Boston, MA - 2012) was an American artist; Chaet is known for his colorful, dynamic modernist paintings and masterful draftsmanship, his association with the Boston Expressionists, and his 40-year career as a Professor of Painting at Yale University. His works also include watercolors and prints. In 1994, he was named a National Academician by the National Academy of Design. Chaet was instrumental in transforming Yale’s traditional art program into one with a more modernist approach that gained national prominence. Chaet melded landscape and abstraction in a traditional established by Vincent Van Gogh, Georges Seurat, Edvard Munch, Piet Mondrian, and Ferdinand Hodler. His own tenure began in 1951 at Yale, where he worked closely with Josef Albers to revamp Yale’s art program. Between 1959 and 1962 he was the chair of what was then called the Yale Department of Art of the School of Fine Arts — prior to becoming one of the independent professional schools at Yale in 1973. Chaet taught painting and drawing and mentored generations of emerging talents. Chaet was the author of the 1970 textbook “The Art of Drawing” and “An Artist’s Notebook 1979,” both of which have since been reissued several times. In the latter book, alongside examples of work by his favorite artists, are student drawings by Yale graduates such as Robert Birmelin, Michael Mazur and Eugene Baguskas. Born in Boston, Massachusetts, in 1924, Chaet studied at the School of the Museum of Fine Arts in Boston and then earned a B.A. at Tufts University. Known for his expressionist landscapes and still lifes, Chaet’s work has continuously been shown in galleries in his native Boston, in New York City, and around the country. In 2010, a retrospective of his seascapes was featured at the Cape Ann Historical Society in Gloucester, Massachusetts, where he had a home and a summer studio in nearby Rockport. His has also exhibited at David Findlay Gallery in New York and at Swarthmore College. Many of Chaet’s students went on to notable art careers, including Janet Fish, Chuck Close, and Richard Serra. His work is represented in the collections of the Brooklyn Museum, the Art Institute of Chicago, the Metropolitan Museum of Art in New York, the DeCordova Sculpture Park and Museum in Lincoln, Massachusetts, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., the Museum of Fine Arts in Boston, the Yale University Art Gallery in New Haven, CT, and the Addison Gallery of American Art in Andover, MA. Chaet is the recipient of many awards including: the National Foundation of the Arts and Humanities, Sabbatical Grant in 1967-68, the National Academy of Fine Arts, Benjamin Altman Award in Painting in 1997, and the American Academy of Arts and Letters Jimmy Ernst Prize in 2001. Chaet was born and raised in the Dorchester neighborhood of Boston, MA. He completed a dual program at the Museum of Fine Arts, Boston—studying painting with Karl Zerbe—and Tufts University, graduating with a B.S. in 1949. Chaet is known for his association as a first generation Boston Expressionist. (along with Hyman Bloom and Jack Levine) Chaet was a contributing editor to Arts Magazine. In 1960 he published the book Artists At Work, which features in depths conversations with artists Pat Adams, Anni Albers, Josef Albers, Al Blaustein, Hyman Bloom, James Brooks, Robert Engman, Esther Geller, Seymour Lipton, Conrad Marca-Relli, Gabor Peterdi, Irwin Rubin, Elbert Weinberg...
Category

1970s American Modern Still-life Paintings

Materials

Watercolor, Archival Paper, Gouache

Colorado Woman Abstract Expressionist Oil Painting Modernist Still Life, Fruit
By Ruth Todd
Located in Surfside, FL
Ruth Todd (1909-2006, American Woman Artist) one of Colorado’s most prominent avant-garde artists and played a significant role in Colorado’s art history. Known for painting and collage. Still life with lemon and banana on kitchen table. Ruth Thomas Todd was born in 1909 in Sanford, North Carolina. She arrived in New York City in the 1930s where she began her career as a fashion model supporting herself as she attended classes at the Art Students League. For reasons of health she moved to Colorado Springs to treat her condition. During her recuperation she started to draw and studied under famous American abstract painter Robert Motherwell, who was teaching at the Colorado Springs Fine Arts Center at the time. By the 1950s, her career as an abstract expressionist painter was blooming. She was one of Colorado’s most visible and avant-garde artists. Ruth married Littleton Todd, a poet and a woodworker. In 1953, Todd traveled to Europe (Paris, France) to study art and to paint. Littleton Todd opened a design studio in Denver where he manufactured and sold modern furniture. She would incorporate sawdust and other found materials from the workshop imbued with oil paint into her abstract work to create unique topographies and patterns. She showed at numerous Gilpin County Art Exhibitions, the Denver Art Museum, the Colorado Springs Fine Arts Center, Colorado Women’s College, the University of Colorado, Boulder, the Colorado State Fair, and the Jewish Community Center. Among the Colorado Modernists that she exhibited with were Vance Kirkland, Frank Vavra, Martha Epp, Ardis Sturdy...
Category

1950s Modern Still-life Paintings

Materials

Oil, Board

You May Also Like

Modern Abstracted Still-Life with Antique Coffee Grinder by Anthony Rappa
By Anthony Rappa
Located in Soquel, CA
Modern Abstracted Still-Life with Antique Coffee Grinder by Anthony Rappa Modern textural still-life by California artist Anthony Rappa (America...
Category

1980s American Modern Still-life Paintings

Materials

Canvas, Oil, Cardboard

Tabletop Still Life, Modernist Still Life with Food, Flowers, and Wine
By Leon Kelly
Located in Doylestown, PA
"Tabletop Still Life" by Philadelphia born modernist and surrealist painter Leon Kelly, is a framed painting of a set dinner table with food, flowers, and wine. The 36" x 44" oil on ...
Category

1930s American Modern Still-life Paintings

Materials

Oil, Board

"Dering Harbor Sunset" contemporary blue and purple seascape with sailboats
By Kelly Carmody
Located in Sag Harbor, NY
"Dering Harbor Sunset" is a contemporary blue & purple seascape with sailboats. Kelly Carmody’s work has been widely exhibited and collected. One of her major figurative works was c...
Category

21st Century and Contemporary American Modern Interior Paintings

Materials

Oil, Panel, Wood Panel, Board

Still Life (double-sided)
By Alfred Henry Maurer
Located in Concord, MA
ALFRED MAURER (1868-1932) Still Life (double-sided), n.d. Oil on board 22 x 13 ½ inches Signed verso: A. H. Maurer PROVENANCE Estate of Gaston Lachaise [Salander-O'Reilly...
Category

1920s American Modern Still-life Paintings

Materials

Oil, Board

Richard Jerzy Watercolor "Red Chair" Interior with Flowers & Chair
By Richard Jerzy
Located in Detroit, MI
"Red Chair," though an interior scene, is arranged like a still-life with the furniture and objects slightly off-kilter in the creative manner of Marc Chagall's interiors, the Russian-French artist of Belarusian Jewish origin. These non-fixed objects lend a floating energetic atmosphere and the brilliant colors contribute to the liveliness of this warm inviting interior. Richard Jerzy was a well-known watercolor artist from the Detroit, Michigan area. His signature works were figures and still lives, and many famous Michigan families are collectors. "He was probably the most promising, successful, exciting artist in the state of Michigan," said Miriam Parel, a fellow artist and friend for more than 30 years. He grew up on Detroit's east side and developed an interest in painting as a teenager. He attended Detroit's Center (now College) for Creative Studies. Other well- known CCS faculty and graduates are Susan Aaron-Taylor, Harry Bertoia, Doug Chaing, Stephen Dinehart, Tyree Guyton...
Category

Late 20th Century American Modern Interior Paintings

Materials

Oil, Board

Basket with Fruit
By Marsden Hartley
Located in Miami, FL
Bold outlines and strong weighty forms coalesce with a compositional delicacy that forms the hallmark of Hartley's work. The work has a long and distinguished provenance and exhibit...
Category

1920s American Modern Still-life Paintings

Materials

Oil, Canvas

Recently Viewed

View All