Post-Impressionist Paintings

A. J. Bennett (South African, fl. Early 20th century) Light and Shade • Oil on canvas artist board ca. 42.5 x 29.5 cm • Later frame ca. 53.5 x 41 cm Worldwide shipping is complime...

Antique early 1900's still life on stretched canvas, signed in the bottom right corner, Morel. A very attractive interior scene oil painting of cherries on a silver plate and even m...

Axel Erdmann's painting "View Over Gamla Stan, Stockholm, 1910" is a luminous celebration of Stockholm's historic heart, Gamla Stan, as seen from Södermalm. Erdmann, a Swedish paint...

Antique French riverscape/landscape in a beautiful ornate frame by French artist, Pierre Louis Cazaubon, signed in the lower right corner. This attractive post-impressionist oil on ...

Stormy Weather, Colchester by Lucien Pissarro (1863-1944) Oil on canvas 54.3 x 65.3 cm (21 ³/₈ x 25 ³/₄ inches) Signed with monogram and dated lower left, 1911 Provenance: The Brook...

Signed oil on canvas circa 1910 by French post impressionist painter Michel Korochansky. This autumnal landscape depicts a view of women washing linen on the bank of a river. The las...

This expressive landscape painting by Danish artist Stefan Viggo Pedersen (1891-1965) was produced during the early part of his career and has an intere...

George Oberteuffer was an American Impressionist but he spent much of his career painting in France which is where this may have been done. He embraced the Post - Impressionist styl...

Italo Giordani (1882 - 1956) "Les Iris" A charming landscape painted in oil, using a heavy impasto and depicting a bed of irises by a woodland pond. Signed bottom right, presented in its original carved frame with name plaque. There are two images of the artist verso showing him presenting works to the French and Italian ambassadors in London. Giordani was an Italian post impressionist...

Signed figure in landscape oil on board circa 1910 by French Post-Impressionist painter Victor Charreton. The piece depicts a lone figure taking a walk beside a stream in a wooded ar...

"Sunset Over the Lake" by Carl Kjellin is a Nordic Light painting capturing the ephemeral beauty of a lake at sunset. The vibrant canvas, dominated by a brilliant orange sky reflecti...

Signed seascape oil on panel circa 1910 by French painter post impressionist painter Adolphe Louis Gaussen. The work depicts a view of the bright blue sea from a rocky shoreline on t...

This early 20th-century post-impressionist oil painting by Swedish artist Nils Kjellberg (1871-1938) depicts a field worker sowing the land. It’s inspired by Jean-François Millet’s w...

We are delighted to present a beautiful landscape by Carl Johansson (1863-1944), a piece that showcasing the breathtaking landscape of Nordingrå, part of the High Coast in Sweden. Th...

*This price excludes 5% import duty applicable if the work remains in the UK. Paysage de neige by Gustave Loiseau (1865-1935) Oil on canvas 54.5 x 65.5 cm (21 ¹/₂ x 25 ³/₄ inches) Signed and dated lower left, G. Loiseau 1911 Provenance: Galerie Rämi, Zurich Private collection, Switzerland This work is accompanied by a photo-certificate of authenticity issued by Didier Imbert...

Anders Loman (1879–1953) Sweden Northern Landscape, 1913 oil on canvas signed and dated And.Loman 1913 canvas dimensions framed 67.5 x 120 cm unframed 56.5 x 109 cm Essay: In the realm of early 20th-century Swedish art, Anders Loman may not have been the most widely recognized name, yet his talent is evident in this painting that echo both traditional Scandinavian motifs and avant-garde techniques. "Northern Landscape" from 1913 is a prime example of this juxtaposition. At first glance, the canvas is dominated by imposing evergreens in the foreground. Their detail is painstakingly rendered, providing a stark contrast to the background. Beyond these trees lies a tranquil lake and distant mountains, but it is here that Loman's boldness in technique is most apparent. Inspired by the Pointillism movement, the background is rendered using short brush strokes, with the waters shimmering in shades of pink and lilac, and the mountains painted...

Vue de la Salute à Venise by Henri Martin (1860-1943) Oil on canvas 76.2 x 66 cm (30 x 26 inches) Signed lower left, Henri Martin. Executed in 1910 This work is accompanied by a ce...

This lovely British Post Impressionist oil painting is by noted artist Gerald Spencer Pryse. Painted circa 1910 the painting depicts Queen Mary greeting a large group of school child...

This wonderful Post Impressionist exhibited horses portrait oil painting is by noted British artist Edgar Downs. Painted in 1912 it was exhibited the same year at the Royal Academy L...

Nu Assise by Ludovic-Rodo Pissarro (1878-1952) Oil on canvas
 55 x 47 cm (21 ⅝ x 18 ½ inches) 
Signed lower left, Ludovic Rodo
 Executed circa 1910 This work is accompanied by a cer...

This early 20th-century oil painting by Dutch artist Jelle Troelstra (1891-1979) depicts a seated woman wearing a floral top and dark grey dress. With eyes closed and hands held upo...

This charming early twentieth century Post Impressionist portrait oil painting is by British Jewish female artist Amy Julia Drucker. Of German descent, Drucker was born in England i...

Signed lower right, 'M. Bomund' for Marius Madsen Bomund (Danish, 1882-1963). Additionally inscribed, verso, 'Madsen Bomund', titled indistinctly, 'Studie fra ...' and dated 1915. M...

A beautiful oil on original canvas circa 1910 by French post impressionist painter Georges D'Espagnat. The work depicats a nude woman in a yellow shawl standing by a blue vase filled with pink, red and white flowers. Signature: Signed lower right Dimensions: Framed: 28"x20" Unframed: 21"x13" Provenance: Doyle New York - May 2003 From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque...

This early 20th-century oil painting by Danish artist Carla Colsmann Mohr (1887-1974) depicts a view from Amager towards the centre of Copenhagen, Denmark. It was exhibited at the pr...

In the vast realm of art history, there are certain works that transcend time and space, transporting us to a world of beauty and serenity. One such painting is by the renowned Swedi...

An outstanding example of the new-impressionist work of Rodolphe Wytsman . This large canvas depicts a tranquil summer day on the Meuse river near the town of Dave. Wytsman painted a number of landscapes in this area between 1910 and 1911 at the height of his artistic career. The use of colour and neo-impressionist execution are testament to his position as one of the finest Belgian painters of this period alongside Van Rysselberghe, Claus, Montigny and Georges Morren...

Signed oil on original canvas nude circa 1914 by French post impressionist painter Georges D'espagnat. The work depict a nude woman standing beside a wash basin in a boudoir. Signature: Signed lower right Dimensions: Framed: 45"x34" Unframed: 37"x26" Provenance: Private collection - Netherlands From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

We have a stunning painting by the Swedish artist Pelle Swedlund (1865-1947) that is available for sale. The painting depicts a dramatic scene with a to...

Signed figures in interior oil on panel circa 1915 by Russian-born post impressionist painter Elie Anatole Pavil. The piece depicts a couple in the famous "White Cross" cafe at the P...

"Maria Van Rysselberghe au coin du feu" is a portrait painting by Post-Impressionist Théo van Rysselberghe. The portrait is signed lower right, "Atelier Van Rysselberghe". The framed...

Signed lower left

Here for your consideration is a light filled oil on canvas painting by the American artist, David Clark. The meandering path, apple blossoms. the first ...

Post-impressionist work by early 20th-century French painter Gaston Balande

Signed with monogram lower left * The Robert Lehman Collection at the Metropolitan Museum of Art contains more paintings (nine) by Georges D’Espagnat than any other nineteenth- or ...

Dick Beer (b. London 1893 - d. Stockholm 1938) The Church in Taormina, Sicily (Kyrkan i Taormina) oil on canvas canvas dimensions 54 x 47 cm signed and dated Dick Beer 1914 painted 1914 Exhibited: Varias Konstsalong, Stockholm, 1916; Millesgården – Dick Beer – Impressionist & Kubist, 2012 Provenance: Within the family Beer until today Dick Beer (1893-1938) Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside. Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred Bergström...

Dick Beer (b. London 1893 - d. Stockholm 1938) Saint Cloud, 1912 oil on board board dimensions 40.5 x 32.5 cm frame 51.5 x 43.5 cm signed Dick Beer painted 1912 Exhibited: The Swedish-French Art Gallery, Memorial Exhibition, Catalog nr 5, 1942 Provenance: A private collection, Sweden Dick Beer (1893-1938) Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside. Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred Bergström...

Carl Johansson (1863-1944), also known as "Ultramarin Johansson," was a highly skilled Swedish landscape painter who is known for his ability to capture...

Dick Beer (b. London 1893 - d. Stockholm 1938) Title: Stormy Weather in St.Arnoult Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside. Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Nu au canapé bleu y Ludovic-Rodo Pissarro (1878-1952) Oil on canvas 46 x 38 cm (18 ¹/₈ x 15 inches) Signed lower left, Ludovic Rodo Executed circa 1910 This work is accompanied by a certificate of authenticity from Lélia Pissarro. Provenance: Private collection, France Artist biography: Ludovic-Rodolphe Pissarro, born in Paris in 1878, was Camille Pissarro’s fourth son. Encouraged by his father...

Antique American school pointillist landscape painting. Oil on board, circa 1920. Unsigned. Displayed in a period impressionist frame. Image size, 14"L x 16"H.

Signed nude oil on original canvas circa 1910 by French post impressionist painter Georges D'espagnat. The work depict a nude woman seated on a stall turned away from the artist. Paintings hang on the wall and there's a vase filled with pink and red flowers on the wooden mantlepiece beside her. Signature: Signed upper left Dimensions: Framed: 30"x26" Unframed: 22"x18" Provenance: Private French collection. Exhibition stamp verso From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier...

Literature: Bazetoux, Henri Lebasque Catalogue Raisonne (Neuilly, 2008), vol. 1, p. 223 (no. 820) (illus)

Signed fauvist figurative oil on panel by French painter Louis Valtat. The work depicts two girls playing with red marbles. Behind them we see the legs of elegantly dressed ladies - ...

"Interior with Chair and Vanity" circa 1918 Ricardo Gomez-Gimeno (Spain/France 1892-1954) Oil on cardboard Signed 17 1/4 x 14 1/4 (22 1/2 x 19 1/2 f...

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Baigneuses en Bord de Rivière by Georges Manzana Pissarro (1871-1961) Oil on cardboard 98.2 x 79.4 cm (38...

This colorful painting by Eleanor Parke Custis is in the spirit of Louis Valtat and the Fauves. The subject of flowers in the foreground is repeated in the backdrop. It straddles the line between abstraction and representation. Signed lower right - Work is framed. Eleanor Parke Custis studied in Corcoran School of the Arts and Design under Edmund C. Tarbell and Pennsylvania Academy of the Fine Arts with Henry B. Snell. Initially, she began her art career as a painter, creating watercolors. Custis created illustrations for Scribner's Magazine, Harper's, Doubleday, Harcourt. She started to take photographs in her youth, using a Brownie camera...

Stunning signed pointillist oil on panel circa 1910 by sought after French post impressionist painter Henri Martin. The work depicts a view of a bastide in France. A bastide is a vil...

Signed lower right, 'Ludvig Jacobsen' (Danish, 1890-1957) and dated 1926. An exceptional early twentieth-century figural work by this notable Danish modernist and follower of Wattea...

Femme à la cravatte by Ludovic-Rodo Pissarro (1878-1952) Oil on canvas 65 x 54 cm (25 ⁵/₈ x 21 ¹/₄ inches) Signed lower right, Ludovic Rodo Executed circa 1910 This work is accompan...

Signed post impressionist landscape oil on board circa 1914 by French painter Paul Elie Gernez. The work depicts figures walking in the shade of trees...

Signed post impressionist figurative oil on panel circa 1910 by sought after French painter Henri Le Sidaner. This absolutely stunning piece depicts elegant people taking an evening ...

Emile CHAUMONT (Perigueux 1877 - 1927) Summer landscape in Périgord Oil on panel H. 32 cm; L. 41 cm Signed lower left, dated 1912 Provenance: Private c...

Signed center left, 'M. Vantore' for Erik Mogens Christian Vantore (Danish, 1895-1977) and painted circa 1915. A dramatic, early twentieth-century, Cubist-derived figural oil of a y...

Artist: Adriano Baracchini Caputi Title: The Coal Pit Medium: oil on canvas Signature: Signed and dated lower right “A. Baracchini Caputi 1911”. Notes: Inscribed on the back “La car...

Signed lower right, 'Ludvig Jacobsen' (Danish, 1890-1957) and painted circa 1915. Previously with: Arnbaks Kunsthandel, Bredgade 24, Copenhagen, from label verso. Framed dimensions: ...

Elisée MACLET (1881-1962) Normandy : The Old Roman Church, c. 1915 Original oil on panel Signed bottom left On board 50 x 65 cm (c. 20 x 26 in) Presented in a golden frame, 69 x 8...

Maurice UTRILLO Montmartre, Moulin de la Galette, c. 1918 Original oil on canvas Signed in the bottom right cornerOn canvas 50 x 67 cm (c. 20 x 27 in) In golden wood frame 64 x 81 c...