Bride Paintings

This painting is hand signed in oil by the artist "Mane-Katz" in the lower right corner. It was probably painted in the 1950's. Provenance: Christie's, London, 3rd December 1999, lo...

Laimonis Bubieris (1934-2012) Girl with a faun, cardboard/oil, 58x68 cm

Jacques Waben (Alkmaar ca. 1575-1641/1642 Hoorn) Signed in the bottom centre and dated ‘J. Waben f./1620’. The Announcement to the Shepherds Oil on oak panel 103 x 63 cm in frame 107 x 67 Provenance: Vienna Palais Dorotheum Old master painting 10.12.2015 (lot 143) This is a spectacular depiction of the theme of the annunciation to the shepherds, set in a nocturnal atmosphere dense with photos but refined, the episode of the birth of Jesus reported in the Gospel according to Luke (Lu 2:8-15), in which an angel announces the birth of Christ to a group of shepherds. We see the scene just as described in the Gospel passage that sets the event at night where the shepherds, intent on watching over their flock, were startled by the sudden appearance of an angel of astonishing beauty who we see here radiating a powerful golden light, while at his side a multitude of other angels from the heavenly army sing praises to God. After exhorting them not to be afraid, he informed them that a saviour, the Messiah, had been born in Bethlehem, whom they would find wrapped in swaddling clothes in a manger, cared for by the Virgin and St Joseph. The annunciation to the shepherds was the most depicted night scene in Flemish painting from the 15th century...

Vintage Contemporary Surrealist PAFA Artist Mark McCullen signed verso dated 1986 titled "A remarkable piece of Apparatus" 30 x 22" board, 32 x 24" Framed.

Jerusalem is an original old master artwork realized by Ludwig Viktor Krämer (1861-1949) in 1900. Oil on Canvas, Includes frame 98 x 145 cm Hand signed by the artist and dated 19...

Gloria Dudfield Driver with Hard Hat 1960s Gouache and Oil Pastel on Paper 27"x36" unframed Gloria (Fischer) Dudfield July 12, 1922 – May 27, 2015 Came from...

Josine Vignon (French 1922-2022) ...

Story illustration for “Marriage is a Private Affair” by Judith Kelly, published in the Ladies’ Home Journal, March 1941, page 13. Featuring a young bride and groom embracing as a ma...

Antoine Georges Rochegrosse 1859-1938 Lucrèce Borgia, circa 1880 Oil on canvas Signed lower right Canvas: 36 5/8" high x 29 1/8" wide Frame: 50 3/8" high x 40 1/8" wide Georges...

Il dipinto è uno studio piuttosto elaborato e finito della figura del decemviro Appio Claudio, e del suo entourage con i littori, che primeggia nella parte sinistra della monumentale...

The picture is painted "oil by oil" soft strokes create a kind of bas-relief of irises. Pleasant dynamics pleases the eye. It is no coincidence that irises are considered flowers of ...

HENRI EPSTEIN 1891-1944 Lodz (Poland) 1891-1944 Auschwitz (Polish/French) Title: White Flowers and Roses, circa 1930 Technique: Original Signed Oil p...

‘Petrarch’s First Sight of Laura’ early 19th century oil painting by Henry Nelson O’Neil British, c. 1840 Canvas: Height 129cm, width 176cm Frame: Height 165cm, width 207cm, depth 12cm Painted by a renowned Victorian artist, Henry Nelson O’Neil (British, 1817-1880) around 1840, this very fine oil on canvas depicts the first meeting of Petrarch and Laura in a Church in Avignon in 1327. Petrarch (1304-1374) was an Italian Early Renaissance...

Sir William Blake Richmond KCB, RA, PPRBSA 1842 - 1921 The Shepherd Egg tempera on wooden panel, signed with initials bottom left Image size: 8 ¼ x 5 ½ inches Period gilt oak frame A newly discovered work by the artist. Sir William Blake Richmond KCB, RA, PPRBSA was an English portrait painter, sculptor and a designer of stained glass and mosaic. He is best known for his portrait work and decorative mosaics in St Paul's Cathedral in London. He was the son of the portraitist George Richmond RA and studied at the Royal Academy Schools in the early 1860s. Influenced by his father and by Sir John Everett Millais, he is best known for his mosaic decorations below the dome and in the apse of St Paul's Cathedral in London. His father, George Richmond, was one of 'the Ancients' who were a group of artists who formed around the visionary artist and poet William Blake. Samuel Palmer was an other of the ancients and a close friend of the family. Our painting could have been inspired by George Richmond’s engraving 'The Shepherd', 1827, but in our panel the shepherd is turned round facing away, and is playing a flute instead of resting on a staff. But the sheep and other elements are there. It is also suggestive of Welby Sherman's engraving after Samuel Palmer of the same name and date, but here the shepherd is sitting but like ours turned away. William Blake's is an altogether happier image given the figure is playing to his sheep. Our painting is playing with some of the same ideas and feels like the same sort of period, and the ‘fresco’ like chalk ground is interesting, as is the pen and ink finishing on the tempera. All three are strongly influenced by Blake's illustrations to Thornton's 'Virgil'. The shepherd and his flock are clearly based on Thenot and his sheep in the Frontispiece to Thornton. Blake Richmond wrote:"If there be the least value in my pictures, it is due to such lovely early impressions derived from the sweet poetic work of many of my father's contemporaries, Calvert, Blake and others, whose shadows are substance still to me" [Sir William Blake Richmond, letter to his father, 50 years after the death of William Blake, from Stirling op. cit p. 28]. Richmond was given private art lessons by John Ruskin before attending the Royal Academy for three years. After that he spent a number of years in Italy, where an encounter with a shepherd called Beppino, 'a splendid speciman of a Sabine Shepherd', could also have gave him the inspiration for the painting we show here. Richmond recalls how he met Beppino on the hillside, and was invited to share the shade of the shepherd's capanna, a wooden hut. 'What a place! In an instant of time I was back into the age of kings, and I knew Romulus had lived and am sure that he lived in a hut exactly like this one'. That night Richmond dined at Beppino's hut 'on roast kid, hard bread dipped in Roman wine, goat's cream and white ricotta'. The shepherd had such an impression on Richmond that he sought him out on a return visit to Italy some years later, but was saddened to hear that Beppino 'had joined his fore-fathers in the shades'. He was moved to write the following, which perfectly expresses the mood of this painting and his tribute to a fleeting companion: 'Little events of this kind unite past times with present, create and emphasis continuity of human instincts, which seem to defy time and make travel so intensely interesting and invigorating to a citizen of this world. One need not go to the palace, far otherwise, or to cities and towns to discover the kernal of enduring civilisations. One finds it, if one wills to do so, in the backbone of the world, an ancient peasantry who have watched and still watch the progress of the stars'. Richmond was influential in the early stages of the Arts and Crafts Movement in his selection of bold colours and materials for the mosaics in St. Paul's Cathedral and in his collaboration with James Powell and Sons...

Gordon B. Coutts (Scottish/American, 1868-1937) A very fine and large orientalist oil on canvas titled "Ashura Rituals, Tangier" (Arabic: عاشوراء‎ ʻĀshūrā’ - Urdu: عاشورا‎ - Persian:...

"FRIDA" Portrait Oil Painting 48" x 36" inch by Isaac Pelayo Medium: oil and aeorosl on canvas ABOUT THE ARTIST: Isaac Pelayo is a head on crash collision between The Renaissance ...

Artist: Henry Perronet Briggs, Attributed to, English (1793 - 1844) Title: Juliet and Her Nurse with the Page Peter from Shakespeare's Romeo and Juliet Year: circa 1820 Medium: Oil o...

"Winnie" is a 16x12 original oil painting by Vermont-based artist Ray Simonini featuring a standing brown and white cow portrait with an abstract yellow and gray background. The sty...

Georges R. Quinio (1927 - 1999) After studying at Ecole Nationale des Beaux-Arts in Paris, Georges R. Quinio lived in his native Island of Corsica & devoted his time to the painting...

Portrait of Barbara Palmer 1st Duchess of Cleveland 1640-1709, half-length wearing a red dress and portrayed within a cartouche. Circa 1680 Oil On...

At the sea. Oil on canvas, 38x46 сm

Jean-Gabriel DOMERGUE (1889-1962) Maria, Nude on Blue Background, c. 1950 Oil on hardboard Signed lower left On hardboard, 55 x 46 cm (c. 22 x 18 in) Presented in a 74 x 64 cm (c. 3...

Jean-Gabriel DOMERGUE (1889-1962) Young Woman with Pink Ribbon and Hat, c. 1950 Oil on hardboard Signed lower left On hardboard, 45 x 38 cm (c. 28 x 15 in) Presented in a giltwood f...

Ulrich Gleiter's (Europe based) "Winter Sunset" is an impasto oil painting that depicts a blue tinted winter sunset peeking out from behind barren snow c...

The Vortex of Confusion is a contemporary artwork realized bin the 1970s by a german Artist. Mixed media on plywood. Includes frame: 84 x 3 x 63.5 cm

Wonderful abstract expressionist nude with heavy impasto of seated woman. Bay area find. Signed on verso "Swan," circa 1990. Unframed. Image size: 24"H x 18"W.

This early 19th century portrait depicts Ursula Margaret Nutt and Richard David Nutt as children. The infants are depicted against a vast landscape as they ...

Antique Italian painting from the second half of the 17th century. Artwork oil on canvas depicting the mythological subject Rape of Europa of excellent pictorial quality. Painting of...

Workshop of Maarten de Vos (Antwerp, 1532 - December 4, 1603) Christ mocked Oil on panel, 63 x 50 cm Framed, 80 x 100 cm The artist responsible for the execution of this painting...

Date: 1880s Medium: Ink and Wash Heightened with White on Paper Dimensions: 5.75" x 12.75" Signature: Signed in Initials on Lower Right

Scandinavian Family Portrait Artist 18th century 18th Century Scandinavian School Signature: Not signed Medium: Miniature Dimensions: Image size ...

Landscape Finder. Goyo painted this intriguing painting in 1994, when his inspiration from the old masters was most noticeable. The artist declares: “I feel a powerful attraction to ...

Oil on Canvas. Roman school of the second half of the 17th century. The scene recounts an episode in the love affair between the queen of Egypt and the Roman triumvir Antony: Cleopat...

Oil on panel

A striking oil depiction of a continental tower on a bridge. The artist has signed illegibly to the lower right corner and the painting has been presented in a handsome late 19th Cen...

Oil on canvas Teppei Ikehila is a Japanese artist born in 1978 who lives & works in Tokyo, Japan. He is graduated from Shimane University in 2001. Since 2000, he has held many priva...

Painting oil on canvas measuring 80 x 62 cm without frame and 105 x 82 cm with a contemporary frame by the painter Ernest daret, depicting the myth of Diana and Actaeon. According t...

Paul Alan Williams a famous Connecticut Impressionist Painter. Paul was color blind, his works were masterfully done with brush strokes full of different color paint, evoking a spec...

Symbolic figurative of woman having visions with religious themes and icons (cross, bride, salamander, crown, meeting Christ) while reading by Marguerite Louis Blasingame (American; 1906-1947), circa 1940-45. Marguerite and her husband Frank Blasingame...

Signed Lower Right

Panel depicting the Holy Family with San Giovannino. At the center of the scene is the Virgin, with a red tunic and a blue cloak edged with gold embroidery,...

Jean Salabet’s Avenue de l’Opéra, Paris, France captures the charm and energy of mid-century Paris through his signature impressionistic style. The painting depicts the bustling aven...

Playboy Magazine ran this joke cartoon illustration in color on page 43 for the October 1960 edition. Signed lower right. The work is executed on a heavy Whatman Illustration board....

Giustino Menescardi (Milan, Italy, c. 1720 - Venice, Italy, after 1779) Title: Ascent of Calvary Medium: Oil on canvas Dimensions: without frame 47 x 36 cm - with frame 57 x 43 cm Shaped and gilded wooden cassetta frame Publications: Bozzetti, modelletti, sketches: dalla collezione di Giorgio Baratti...

Artist: Alex Kalenyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on canvas Year: 2022 Title: Path Style: 8" x 10" x 0.8'' inch, (20x25x2 cm) Unframe...

Louis Icart (1880-1950) Canvas Size: 18 x 22" (46 x 55cm) Outside Frame Size: 26 x 30" (65 x 76cm) Signed and titled on the reverse. When Louis Icart returned to Paris after his s...

[Edith Thayer Cromwell (1893-1962)] Elephant n.d. Signed, u.r. Oil on canvas 23 x 29 inches This work is offered by ClampArt in New York City.

Bijan Choudhury - Untitled - 48 x 42 inches (unframed size) Mixed Media on Canvas, 2009 Inclusive of shipment in roll form. Style : The Marxist orientation did not allow Bijan Chowd...

The artwork is signed on the lower right. Ivar Albertovitch Puni, known as Jean Pougny, was born in Kuokkala (now Finland, then in the administrative district of St. Petersburg) in...

John Edward Costigan, N.A. American, 1888-1972 Bathers Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 20 by 24 in. W/frame 26 by 30 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...

Gerard Tunney Onstage Ballet Rehearsal Original Figurative Painting Acrylic Paint on Canvas Canvas Size: H 40cm x W 60cm x D 2cm Sold Unframed Please ...

Antique European School "Summer" Oil Painting After Nicolas Lancret c.1900 Original oil on board. Dimensions 37" wide x 21" high Frame dimensions 40....

Costume is an original painting in mixed media, tempera and watercolor on paper, realized by the Greek-French artist Alkis Matheos . Very good conditions. Signed by artist's stamp....

A refined interior study by the Scottish artist Joe McIntyre. Here the artist has captured a side table with a woman's hat, wine bottles and a lamp reflected in a large mirror. Typic...

This painting depicts a fascinating allegory of winter, attributed to Francesco Zucchi, an 18th-century Venetian artist. The work depicts an anthropomorphic figure composed of fruits...

Glowing bouquet with impasto--traditional and modern at the same time. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the art...

Antique American modernist landscape painting by Marion D Freeman Wakeman (1891 - 1953). Oil on canvas. Framed. Signed. Image size, 26H x 20L

In my pictures I try to combine the visual and the conceptual. For me, drawing is a medium of knowledge which, beyond direct expression, makes visible material and immaterial forces,...

Sedes Sapientiae 41 x 33 cm Acrylic on canvas Sedes Sapientiae by Grégoire Mathias is a striking cubist composition that deconstructs the human face into a network of angular planes...

Still life. 1964. Oil on cardboard, 61x78 cm