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Ted Collier
Linear Series 5, Black & White

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  • Irradiance Unveiling
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    One-of-a-kind, unique work. Lyès-Olivier Sidhoum discovered graffiti at the age of 11 on the streets of Lyon, France. In 1989, graffiti was a new kind of art: sophisticated, almost surrealistic, and linked to hip-hop and music. At the age of 18, Lyès decided to live out his passion as an independent artist. He and his wife lived in New York for 2 years, then moved on to Hong-Kong for 9 years. The artist developed his work through traveling experiences, drawing inspiration from meeting other fellow creatives, and attending expositions all over the world. During this period of time, he has been recognized for more than 400 projects all over the world, including ones completed for large companies. His work is also among many prestigious art collections. The works you are discovering at Markowicz Fine Art...
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  • In Gold We Trust
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    About Joseph: Joseph is a conceptual artist born in Paris in 1961. In his latest series of creations, the work assigns to the viewer a place, a function and a power, acting as an ab...
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  • Ultra Colors
    Located in Miami, FL
    Media: Mixed media, collage on glossy paper, bears (aluminum alloy and steel, flashed with gold) painted and varnished by hand. Wooden frame painted white and plexiglass protection. A designer and graphic artist, both by training and trade, Stéphane Gautier...
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    2010s Contemporary Abstract Paintings

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  • Pop Candy - dimensional wall sculpture
    By Chloe B
    Located in Miami, FL
    Artist: Chloe B, French Title: Pop Candy Edition of 8 + 4 AP. This work is numbered AP 4 of 4 Media: Mixed media on metal Dimensions: 47 x 20 x 7 in. / 119 x 5...
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    2010s Pop Art Abstract Paintings

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  • Shankha Turquoise
    Located in Miami, FL
    Resin, Murano crystal with matte turquoise inlay, nacre, ink, iron. Unique. Italian artist Annaluigia Boretto's dreamy sculptures enchant onlookers by her incorporation of hyper-r...
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  • Handmade Paper Collage Sculpture Art Assemblage with String Nancy Genn Modernist
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    Nancy Genn, American (b. 1929) Marshfield 25 (1977) Handmade paper collage Hand signed verso Dimensions: 20 1/8 x 22 inches Utilizing what is now known as the 'Genn Method,' Nancy Genn created three-dimensional abstract works of handmade paper, gaining international recognition in the 1970s Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition. Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions. Nancy Genn was born in 1929 in San Francisco, California. She recognized early that she would pursue a career as an artist. Her mother, Ruth Wetmore Thompson Whitehouse, was a painter and UC Berkeley alumna who played a leadership role in the San Francisco Women Artists organization. Genn studied at San Francisco Art Institute (then California School of Fine Arts) with painter Hassel Smith, and at the Art Department at the University of California, Berkeley (1948–49) with Professors Margaret Peterson and John Haley, and fellow students Sam Francis and Sonya Rapoport. In 1949 she married Vernon “Tom” Genn, an engineer raised in Japan, with whom she had three children. Career Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York. Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture, and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...
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