Tulio de Sagastizabal

Meteoro No.11

Vertical composition on paper with a saturated wine red ground over which bristle brushed lines are cross hatched in black and royal blue. Layered over these central marks is a structure of stacked, collaged geometric strips of paper painted with intersecting lines and shapes of marine blue, red and white. This work is unframed. Please ask us about framing options. Titled "listening to Scarlati" the piece may certainly be a response to the structured sonatas for harpsicord and pianoforte of Domenico Scarlatti, an Italian composer and contemporary of Bach and Handel. Scarlati spent much of his life at the service of the Portugese and Spanish royalty...

Vertical composition on paper with a canary yellow acrylic ground over which bristle brushed lines are cross hatched in black. Layered over these central marks is a central collaged strip of paper highlighted in ultra marine blue and grey topped by a tache of white paint. This is balanced by a horizontal strip in white and grey at the foot of the composition held down by another white swipe of white acrylic. A small horizontal collaged rectangle at the upper left keeps the eye moving upwards in the picture plane. This work is unframed. Please ask us about framing options. Titled "listening to Scarlatti", or en ecoutant Scarlatti in French, the piece may certainly be a response to the sonatas of Domenico Scarlatti, an Italian composer and contemporary of Bach and Handel. Scarlatti spent much of his life at the service of the Portugese and Spanish royalty...

Born in New Orleans, Horton Humble is a self-taught American painter. His debut show in 2007, entitled Debris, featured a series of paintings using wood from the Hurricane Katrina wreckage centered on themes of a lost city and water as a powerful force. In 2008, he embarked on a one-year journey through Africa for his next series Transit Urban, which included twelve paintings using local traditional fabrics depicting the energy of the people, land and culture. Each piece was drafted on site and later accompanied him on his other travels from Europe to US. Enchanted by the old and mestizo city, he returned to Lisbon in 2012 where he lived for almost three years and created The Lisbon Series influenced by the discovery of a new medium; ceramics and its modeling techniques. After this productive period in Portugal, Humble again returned home and established his studio with a group of fellow artists in New Orleans and co-founded the Level Artist Collective in 2015. At this time, his paintings on wood panels captured his impressions of a post- Katrina city represented inside of human head figures transitioning his previous subject matter into a new territory (US) and its social problematic. In 2017, Horton Humble was a resident artist at the Joan Mitchell Center in New Orleans and named “one of the most talented young painters producing in the South today” by Bradley Sumrall, curator of the Ogden Museum of Southern Art (Curator's Choice, Country Roads Magazine). Through the summer he created his first public sculpture in steel, The Guardian, commissioned by the Helis Foundation for the Pyodras Corridor project- Sculpture for New Orleans. Currently, Humble is creating his most ambitious work, large-scale canvases in which he is releasing the formality of his detail obsession into a more dynamic and expressive work. Horton Humble is a founding member of LEVEL Collective and was a 2015/2017 nominee for the United States Artists Fellowship. His works are included in public and private collections, showcased at the Poydras Corridor, LA; Prizm Art Fair, FL; Atlanta Contemporary Biennial, GA; Ohr-O`Keefe Museum of Art, MS; Luciano´s...

Born in New Orleans, Horton Humble is a self-taught American painter. His debut show in 2007, entitled Debris, featured a series of paintings using wood from the Hurricane Katrina wreckage centered on themes of a lost city and water as a powerful force. In 2008, he embarked on a one-year journey through Africa for his next series Transit Urban, which included twelve paintings using local traditional fabrics depicting the energy of the people, land and culture. Each piece was drafted on site and later accompanied him on his other travels from Europe to US. Enchanted by the old and mestizo city, he returned to Lisbon in 2012 where he lived for almost three years and created The Lisbon Series influenced by the discovery of a new medium; ceramics and its modeling techniques. After this productive period in Portugal, Humble again returned home and established his studio with a group of fellow artists in New Orleans and co-founded the Level Artist Collective in 2015. At this time, his paintings on wood panels captured his impressions of a post- Katrina city represented inside of human head figures transitioning his previous subject matter into a new territory (US) and its social problematic. In 2017, Horton Humble was a resident artist at the Joan Mitchell Center in New Orleans and named “one of the most talented young painters producing in the South today” by Bradley Sumrall, curator of the Ogden Museum of Southern Art (Curator's Choice, Country Roads Magazine). Through the summer he created his first public sculpture in steel, The Guardian, commissioned by the Helis Foundation for the Pyodras Corridor project- Sculpture for New Orleans. Currently, Humble is creating his most ambitious work, large-scale canvases in which he is releasing the formality of his detail obsession into a more dynamic and expressive work. Horton Humble is a founding member of LEVEL Collective and was a 2015/2017 nominee for the United States Artists Fellowship. His works are included in public and private collections, showcased at the Poydras Corridor, LA; Prizm Art Fair, FL; Atlanta Contemporary Biennial, GA; Ohr-O`Keefe Museum of Art, MS; Luciano´s...

Born in New Orleans, Horton Humble is a self-taught American painter. His debut show in 2007, entitled Debris, featured a series of paintings using wood from the Hurricane Katrina wreckage centered on themes of a lost city and water as a powerful force. In 2008, he embarked on a one-year journey through Africa for his next series Transit Urban, which included twelve paintings using local traditional fabrics depicting the energy of the people, land and culture. Each piece was drafted on site and later accompanied him on his other travels from Europe to US. Enchanted by the old and mestizo city, he returned to Lisbon in 2012 where he lived for almost three years and created The Lisbon Series influenced by the discovery of a new medium; ceramics and its modeling techniques. After this productive period in Portugal, Humble again returned home and established his studio with a group of fellow artists in New Orleans and co-founded the Level Artist Collective in 2015. At this time, his paintings on wood panels captured his impressions of a post- Katrina city represented inside of human head figures transitioning his previous subject matter into a new territory (US) and its social problematic. In 2017, Horton Humble was a resident artist at the Joan Mitchell Center in New Orleans and named “one of the most talented young painters producing in the South today” by Bradley Sumrall, curator of the Ogden Museum of Southern Art (Curator's Choice, Country Roads Magazine). Through the summer he created his first public sculpture in steel, The Guardian, commissioned by the Helis Foundation for the Pyodras Corridor project- Sculpture for New Orleans. Currently, Humble is creating his most ambitious work, large-scale canvases in which he is releasing the formality of his detail obsession into a more dynamic and expressive work. Horton Humble is a founding member of LEVEL Collective and was a 2015/2017 nominee for the United States Artists Fellowship. His works are included in public and private collections, showcased at the Poydras Corridor, LA; Prizm Art Fair, FL; Atlanta Contemporary Biennial, GA; Ohr-O`Keefe Museum of Art, MS; Luciano´s...

Acrylic, coal on paper on canvas