1960s Art

SF64-045, Sam Francis, Acrylic, American Abstraction, Postwar, Work on paper 1964 Acrylic on paper 73 x 56.5 cm 94 x 75 cm / 37 x 29.5 in. (w...

66 x 94 cms (26 x 37 ins) Edition of 20 Rives BFK paper Proofs: I BAT, 4 AP, 7 CTP, 9 XP Signed lower left; numbered lower left; publisher's chop lower left. Published by Tama...

Sam Francis Untitled Abstract Expressionist from the Deluxe [signed] edition of the 1 Cent Life Portfolio (hand signed twice, #85/100, from the Estate of Robert Indiana), 1964 Lithograph on wove paper (Hand signed twice by Sam Francis) Pencil signed twice by Sam Francis on the front; numbered 85/100 on the portfolio colophon (copy of the colophon page affixed to the verso of frame) Acquired from original, complete 1 Cent Life Portfolio, # 85/100 (Artists & Collaborators) from the Estate and Collection of Robert Indiana Frame included About 1 Cent Life "1 Cent Life" began as a simple idea by artist Walasse Ting in 1962, developed during talks he had with his friend the artist Sam Francis. Ting wanted to combine international artists and different styles into a single book, linking them together in one collective spirit alongside his own art and poetry. It was a landmark publication from 1964, and now a somewhat rare collectible portfolio based on the impressive artwork it contains. It was a revolutionary tract for a collective aesthetic; an assembled vision of Pop and European abstraction, featuring flat hard-edged and splatter painting; biomorphic art, splashing florescent colors and monochromes all meeting up in a single loud and dynamic package. "1 Cent Life" is among the most beautifully conceived and artistic book-works of the 1960s, unlike anything published before or after. "1 Cent Life" is a large elephant-folio unbound book containing 62 lithographs made by 28 European and American artists with 62 letterpress poems by Ting and set in multi-colored inks. The lithography was realized and printed in Paris by Maurice Beaudet and the typography carried out in handset letterpress by George Girard. The book was published by E. W. Kornfeld, Bern, Switzerland in 1964, and edited by artist Sam Francis. In addition to the original printing of 1900 unsigned copies, there was a numbered portfolio edition of 100 signed copies. These two Sam Francis signed...

Sam Francis The Coldest Stone (Lembark, 15), 1960 Lithograph on BFK Rives wove paper with deckled edges 25 × 36 inches Signed and numbered 8/65 by Sam Francis on the front in graphite pencil on the front Unframed Marvelous 1960 Sam Francis lithograph...

SAM FRANCIS Affiche Moderna Museet Stockholm (Catalogue Raisonne L-16, p.66), 1960 Color lithograph on Rives BFK Paper with deckled edges Pencil signed lower right of center; numbered 39/75 lower left of center Published by Kornfeld and Klipstein, Bern; printed by Emil Matthieu at Emil Matthieu Atelier, Zurich (Catalogue Raisonne L-16, p.66) 37 1/4 × 27 inches Provenance: Estate of Wolf Kahn and Emily Mason Unframed Editions of this iconic Sam Francis work have been exhibited in museums throughout the world over the past half center; many remain in the permanent collection of major museum and institutions . In addition to this pencil signed and numbered lithograph, there was, separately a poster edition of 500 (unsigned) published by Moderna Museet featuring the same image on different paper. About Sam Francis B. 1923, SAN MATEO, CALIFORNIA; D. 1994, SANTA MONICA, CALIFORNIA Samuel Lewis Francis was born on June 25, 1923, in San Mateo, California. He began painting in 1944 after being diagnosed with spinal tuberculosis, resulting from a U.S. Army Air Corps accident. In 1947 he studied privately with painter David Park, and soon gave up his intended medical studies, earning a BA in 1949 and an MA in 1950 at the University of California, Berkeley. He experimented with the dominant and emerging styles of the late 1940s, particularly Abstract Expressionism and Surrealism, eventually developing a personal style of abstraction focused on dripping, cell-like forms, an allover instability, and sensitivity to color and light, as in Opposites (1950). In 1950 Francis moved to Paris and attended the Atelier Fernand Léger, where he was exposed to the work of Pierre Bonnard and Henri Matisse, which reinvigorated his interest in light and vibrant color, visible in his 1953 painting Big Red. Producing such work led to his association with Art Informel, although Francis never fully associated with any movement. A visit to Japan in 1957 coincided with an opening up of expanses of white space in much of his work, and his subsequent move to a larger studio in Paris resulted in the production of large-scale paintings and mural commissions, including a 1959 painting...

Artist: Sam Francis Title: Pink Venus Kiki Portfolio: 1 Cent Life Medium: Lithograph Year: 1964 Edition Size: 2000 Frame Size: 20 5/8" x 28 3/4" Sheet Size:...

Sam Francis A Sail, 1969 is an exciting expression of color and movement formatted in a landscape orientation. Emblematic of two of the artist’s most recognized approaches, A Sail, 1...

Tokyo Mon Amour is an artwork realized by Sam Francis (1923 San Mateo, California) in 1963. Color lithograph. Hand signed and numbered 4/25. 80x47 cm not framed. Printed by Joe ...

Sam Francis Untitled (SF64-121) 1964 Gouache and oil on paper 69.9 x 104.4 cms (27 1/2 x 41 1/8 ins) SF14605 Exhibited: New York, 'Chamberlain/Francis', Van Doren Waxter, July 11- ...

Sam Francis Untitled (#2 Pri-Rain) (SF64-592) 1964 Gouache on paper 57.2 x 75.6 cms (22 1/2 x 29 3/4 ins) Frame size: 82.9 x 103.2 cms (32 5/8 x 40 5/8 ins) SF14652 $300,000 Exhibit...

Sam Francis Composition in Red c. 1960 Gouache on paper 52.5 x 24.5 cms (20 11/16 x 9 11/16 ins) SF14434 $125,000 Exhibited: Bernard Jacobson Gall...

Artist: Sam Francis Medium: Lithograph Title: Round Breast of Jayne Mansfield Portfolio: 1964 1¢ Life Year: 1964 Edition: 2000 Framed Size: 21 1/4" x 16 1/4" Sheet Size: 16 1/8" x 11...

Sam Francis (1923-1994) is one of the most distinctive and collected 20th-century abstract artists. After serving in the air force in WWII, Francis returned to his native Californi...

Created circa 1963, this color lithograph on Rives BFK paper is hand signed by Sam Francis in pencil in the lower right and inscribed “Special Proof Marlene” in pencil in the lower m...

Lithograph in colours, 1969, on BFK Rives paper, signed and inscribed ‘AP’ in pencil, an artists’s proof aside from the standard edition of 20, printed and published by Tamarind Lith...

Lithograph in colours, 1969, on BFK Rives paper, signed and annotated ‘AP’ in pencil, an artist’s proof aside from the standard edition of 20, printed and published by Tamarind Litho...

Artwork size : 72 × 102 cm Frame size : 92 x 121 x 3 cm Signed and numbered AP (Artist proof) Edition of 40 + Proofs 8 Artists Proof, 6 Trial Proof, 6 State Proof. Sam Francis Archive Number: SF-106A. Literature: Lembark L108. Museum glass anti-reflective. Free shipment worldwide. Sam Francis’s paintings are a journey into a dream, a voyage into the landscapes of the soul where colours are lights on fire. Alongside names such as Jackson Pollock, Willem de Kooning and Franz Kline, Sam Francis is an artist who has succeeded in demonstrating a total mastery of abstract expressionism’s impassioned and spontaneous genre. The explosions of colour – red, blue, green and yellow – the streaks, strokes and bold lines of his pictures are the physical synthesis of the deepest crevices of the soul. His colours create rhythmical motifs that, characteristically enough, can be called the “musicality” of his paintings. The work of Sam Francis provides a visible meeting place for the conscious and the unconscious. His pictures are the cross-fertilisation of what has already been experienced with what exists still only as desire, a struggle between melancholy and merrymaking. Influenced by C.G. Jung, the father of psychoanalysis, Sam Francis spent a large portion of his life exploring the premise that dreams, instincts and intuition provide, the keys which unlock the mysteries and meaning of our inner lives. He was also fascinated by the four ancient elements – earth, water, air and fire – which developed into a leitmotif in his work. Sam Francis was born in San Mateo in California, USA in 1923. After starting to paint at the age of around twenty, he soon found himself increasingly consumed by the power of art. He spent much of the 1950s in Paris, from where he not only made frequent excursions to a number of European cities, but also embarked on many journeys to South America and Asia. He continued to move from place to place, primarily in the USA and Japan, right up until his death in 1994. Sam Francis’s first...

Untitled is an original contemporary artwork realized by Sam Francis in 1964 Original Color Lithograph on BFK Rives, belonging to the suite "Pasadena Box Series". Hand signed and ...

Artist: Sam Francis Medium: Two lithographs printed on full page sheet Title: Cloud Rock and Kayo 4 Years Old -- Red Eye Portfolio: 1¢ Life Year: 1964 Edition: 2000 Framed Size: 23 x...

Very good impressions of these extremely scarce, early color lithograph proofs, double-sided, on Rives BFK. Each an unique proof with color variations, aside from the edition of 100. One side signed, inscribed "monoprint" and numbered 10/16 in pencil. Printed by Joe Funk at Joseph Press...

Lithograph, 1969 Handsigned by the artist in pencil and annotated "Color Trial Proof #5" Publisher : Tamarind Lithography Workshop (Los Angeles) Printer : Tamarind Lithography Worksh...

101.6 x 71.1 cms (40 x 28 ins) Edition of 40 Signed lower left; numbered lower centre, printer's chop lower right. Publisher: Hollander's Workshop, New ...

Sam Francis (1923‐1994) UNTITLED [SF69-005] acrylic on paper 104.7 x 74.9 cm (41 1/4 x 29 1/2 in) Executed in 1969 Signed and dated on the base This work is identified with the int...

Sam Francis Damp 1969 Lithograph, Edition of 20 66 x 94 cms (26 x 37 ins) SF14868

Sam Francis Chinese Wall 1969 Lithograph, Edition of 20 76.5 x 57.2 cms (30 1/8 x 22 1/2 ins) SF15156

SAM FRANCIS 1923-1994 San Mateo, California 1923 – 1994 Santa Monica (American) Title: Sun Up, 1964 Technique: Original Hand Signed and Inscribed Lithograph in Colours on BFK Rives...

Sam Francis An Other Set - Y (From The Pasadena Box) 1964 Lithograph, Edition of 100, experimental proof 39.4 x 57.2 cms (15.51 x 22.52 ins) SF15493

Sam Francis Mercury 1963 Lithograph on BFK Rives paper, Edition of 20 60 .3 x 47.6 cms (23 3/4 x 18 3/4 ins) SF16664 Literature: The Prints of Sam Francis: A Catalogue Raisonne 196...

Sam Francis Untitled 1968 Lithograph, Edition of 3, experimental proof 66 x 47 cms (26 x 18 1/2 ins) SF15155

Vintage 1960s Sam Francis Lithograph: Sam Francis, "Blackstone," 1964. Lithograph in colors. 16 x 23 inches (Dimensions including frame: 27.5 x 21.5 inches). Framed in glass. Cente...

97.5 x 66 cms (38 3/8 x 26 ins) Edition of 20

Artist: Sam Francis Medium: Two lithographs printed on full page sheet Title: 1¢ Life (Left) and Uncle Sam Loves Marilyn (Right) Portfolio: 1¢ Life Year: 1964 Edition Size: 2000 Fram...

SAM FRANCIS 1923-1994 San Mateo, California 1923 – 1994 Santa Monica (American) Title: Sketch SF65-076, 1965 Technique: Signed and Dated Acrylic Painting on Paper Size: 33 x 55.9 ...

SAM FRANCIS 1923-1994 San Mateo, California 1923 – 1994 Santa Monica (American) Title: Untitled SF64-572 (Acrylic Watercolour), 1964 Technique: Signed and Dated Acrylic and Waterco...

Lithograph 38.4 x 56.5 cms (15 1/8 x 22 1/4 ins) Edition of 100

55.9 x 76.2 cms (22 x 30 ins) Edition of 20 Signed lower left verso, numbered lower left verso, publisher's chop lower left verso. Publisher: Tamarind Lithography Workshop, Los ...

64.8 x 46.3 cms (25 1/2 x 19 ins) Edition of 3 Paper: Rives BFK Proofs: 1 UP (Hand colored) Signed lower left, numbered lower left. Publisher: Joseph Press...

Framed Sam Francis (American, 1923-1994) Edition 58/100 in pencil Lower Left Signed in pencil Lower Right 17 x 22 inches 25.5 x 30.5 inches An Abstract Expressionist* painter known ...

1963 Lithograph in colors, on Rives BFK paper Sheet: 23 7/10 x 18 7/10 in. (60.2 x 47.5 cm) Edition of 20 Signed and numbered in pencil, lower margin Unframed, excellent condition