1990s Art

Javier Calleja 199 drawing: A rare, early drawing by Javier Calleja featuring classic Calleja character stylings in a tropical setting. Medium: Mixed media on paper. Dimensions: 5....

A monumental 59" x 82" with frame oil on canvas painting of a rocky mountain vista by John Terelak. Signed and dated lower left and inscribed verso. It...

Richard Serra (born 1939) Videy Afangar #6, from Videy Afangar Series, 1991 Etching on Hahnemühle paper Signed and dated in pencil lower right Edition 73/75 (there were also 20 artis...

Michael Coleman Born 1946 Utah Artist Image Size: 15.5 x 10 Frame Size: 22 x 16 Medium: Oil on Masonite Dated 1990 "Gyrfalcon" Largest of the Falcons Michael Coleman Born 1946 Born a...

The print is a lithograph with a print run of 150 copies, in very good condition. The lithograph print bears the print number in the lower left margin and the artist's hand signatur...

Harry Benson was born near Glasgow, Scotland. The photographer was assigned to travel with the Beatles on their first American tour in 1964. His iconic photograph shows the band in a gleeful pillow fight in a hotel room. Benson has photographed every U.S. president from Eisenhower to Barack Obama. He was feet away when Bobby Kennedy was assassinated; in the room when Nixon resigned; with Martin Luther King, Jr. on the Meredith march; and with Coretta Scott King...

In excellent condition measures 62x62x4 Oil on canvas In my opinion one of the artist best pieces

This is an Guido Borelli Italian Landscape Oil Painting Signed. In good condition measures 30x26

"Les mouettes à Kastel-Meur" - Bretagne, Finistère, France “The seagulls at Kastel-Meur" - Brittany, Finistère, France Oil on canvas signed ​lower right, 90 x 30 ​x 2,5 cm, titled an...

Richard Haas Central Synagogue - Lexington Avenue Looking North, 1991 Etching and aquatint on wove paper Signed, dated and numbered 8/35 in graphite pencil on the front; bears the or...

This Blue Dog work consists of a mostly pink with yellow background. There are 2 blue leafless trees and a single portrait sized face of a white and black dog (Tiffany). The dog ha...

Xisco Mensua (Spain, 1960) Untitled from Portfolio "Junio - Julio", 1995 engraving on paper 12.6 x 9.5 in. (32 x 24 cm.) Edition of 6 Frame 16x20 in. ID: MEN1253-003 Hand-signed by a...

Richard Haas Downtown Los Angeles MOCA (Museum of Contemporary Art), 1991 Etching and aquatint on paper with printers blind stamp SIgned, dated '91 and numbered 14/35 in graphite pen...

From Interior Series. Woodcut and screen print in colors on Museum Board. Hand signed, dated and numbered by Roy Lichtenstein. Published by Gemini G.E.L., Los Angeles.. Corlett 247...

'The Flea Market', oil on canvas, by Catherine Garros (circa 1990s). The viewer can feel the light of the French Riviera shine through this seductive ...

PETER HALLEY 6/21/96.9, 1998 Graphite and ink drawing Hand-signed by artist, signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 Frame included: elegantly matted and framed in a hand made museum frame with UV plexiglass signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 This is a unique work Frame included: elegantly floated and framed in a museum quality hand made white wood frame under UV plexiglass Measurements: Framed 16.5 inches vertical by 13 inches horizontal by 1.5 inches Artwork (visible) 10 inches vertical by 8 inches horizontal Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

A very good impression of this large lithograph on Arches Cover. Signed, dated and numbered 44/170 in pencil by Longo. There were also 30 artist’s proofs and 18 hors-commerce Publish...

Judy Chicago Through the Flower, 1991 Silkscreen on Stonehenge natural white paper with deckled edges Publisher: Unified Arts, Albuquerque, New Mexico Signed, titled and numbered 24/...

Original oil painting by Lelia Pissarro, "Steve, the Fisherman, On The River, Wallingford" Oil on canvas Signed and dated lower left and verso along with title and illustration "fig....

At once an Abstract Expressionist and Color Field painting, this large colorful work by Robert Goodnough bursts with the energy of confetti. This acrylic and oil on canvas painting i...

Vintage Israeli American modernist oil painting. Oil on board. Signed. Framed. Measuring 17 by 23 inches overall and 12.25 by 18.75 painting alone.

Melvyn Goode is an English Impressionist landscape painter. His work is highly collected throughout the world and he has had many single artist exhibitions of his work in various g...

original expressionist acrylic painting. Framed During its first exhibition in Paris, the French press catalogs it like "The Catalan Sorolla". Honorary Member of the MECOART (Medit...

By Martha Ochoa Oil on Canvas Canvas Size: 23.75" x 15.75" Framed Size: 27" x 19.25" This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artist...

Highball on the Redball Manifest is a limited edition serigraph by Robert Indiana, signed and numbered 100 out of 395 in pencil. This print is part of the celebrated portfolio and bo...

Robin Hill, Australian (1932 - ) - Study of The Green Chimney Oil, Year: 1992, Medium: Oil on Canvas, signed, Size: 8 x 11 in. (20.32 x 27.94 cm), Frame Size: 11 x 14 inches

Grandfather, Grandson, Countryside, summer, child, dog,impressionist Published in a monographic catalogue Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 193...

La obra va firmada por el artista en la parte inferior y fechada del año 1990 El estado de conservación es bueno Se presenta enmarcada la obra (sin cristal) Medidas de la obra: 70...

Giner Bueno (1935-2000) Painter from Alicante, son of the painter Luis Giner Valls. He studied at the School of Arts and Crafts of Valencia and finished his studies in Paris, where...

Dee Shapiro Illustrate Illusion, 1990 Oil painting on panel Signed twice: once on the front, and once on the back, with copyright, date and title Unique Oil on panel painting, unique Signed twice: once on the front, and once on the back, with copyright, date and title Provenance: Acquired from the estate of renowned New York art dealer Andre Zarre Frame included: Double framed in an elegant white wood museum quality frame Measurements: Framed 14.5 inches by 16.75 inches by 1.75 inches Artwork: 7.75 inches by 9.5 inches DEE SHAPIRO BIOGRAPHY Biography • Dee Shapiro (b. 1936) Dee Shapiro was born in Brooklyn, NY. She studied art and psychology in college, receiving both a BA and an MA from Queens College (1954-1960). There she studied color with abstract artist John Ferren. A semester in Mexico in 1956 introduced her to bright patterns and colors, as well as the murals of River, Orozco, and Siqueiros. From 1960 to 1968, Shapiro taught, got married, and raised kids. She still made time for art, taking painting classes with Richard Mayhew at the Brooklyn Museum. When she and her family moved to Great Neck in 1968, she founded Central Hall, the first women’s cooperative gallery in Long Island. Shapiro was also a contributor to Heresies, a feminist publication on art and politics. Shapiro explores the intersections of pattern, geometry, nature, and craft in her work. As a child, knitting instilled an interest in how patterns develop from small individual components into larger compositions, as well as the importance of counting and learning numerical patterns. Her first abstract paintings in the 1970s were based on mathematical concepts, particularly the Fibonacci sequence that generates the Golden Mean. Early works included arrangements of ordered tally marks in bright colors or gridded diagrams of the Fibonacci sequence. Shapiro soon moved to patterns that allowed her to use color intuitively within a grid. She built up the surface of the paintings by squeezing paint directly from the tube to create a woven or knitted texture. Shapiro was included in Pattern Painting at PS 1 in 1977, organized by noted curator John Perreault, which presented work by twenty-two artists working in the P&D Movement. The Everson Museum in Syracuse, NY organized a solo exhibition of her work in 1981. Her New York dealer was Andre Zarre. Shapiro was a member of the Criss-Cross Artist Collective, founded in 1974. The group originated in Boulder, CO as artists interested in Systemic Pattern Painting or Structuralism. The group expanded into New York, California and Europe with its art journal Criss-Cross Art Communications, published from 1974 to 1981. They aimed to foster group work, interaction, integration, and synthesis. The artists were interested in geometry and pattern yet worked in a variety of art forms including text, sound, film, and dance. What connected the artists were: a capacity for visual organization; valuing the importance of pattern on perception and knowledge; and a methodology of system, ordering, and counting. The artists that crossed over with the Pattern and Decoration Group were Dee Shapiro, Gloria Klein...

George Dannatt (1915-2009) Crystals Emerging from a Solid 1991 Pencil on a blue oil wash on paper 23.0 x 18.0 cm George Dannatt’s long career as a painter and sculptor ended with...

George Dannatt (1915-2009) Estruscan Wall 1992 Oil on card 13.4 x 19.5 cm 31.8 x 36.8 cm (Frame) George Dannatt’s long career as a painter and sculptor ended with the artist’s dea...

LEONID VAICHLIA (St. Petersburg, 1922) Works by Leonid Vaichlia can be found in various private collections in Europe, Japan, United States and in the following museums: Mosca, T...

Interior photograph from Richard Heeps, Prefab series. "Prefab came about as an offshoot of 'A View of the Fens Car with Wings' and I feel the square format artworks are a continuati...

"Vue plongeante sur la porte d’Amont – Etretat" - Normandy, France "Overlooking the Porte d'Amont - Etretat" - Normandy, France Oil on canvas signed lower right, 92 x 60 x 2,5 cm, ti...

flowers ,violet, violets MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya Kopitzeva’s works have been acquired by the Russian Ministry of Culture, by the Foundation for the Rus...

Well painted and very decorative Modern British view on the Thames at Sonning Bridge. The artist was a local person living and painting in the area of Sonning. He painted along the...

Early autumn. 1990, cardboard, oil, 70x93 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seaso...

Sammy Davis Jr Legendary Actor Singer Dancer African American 20th Century Litho Al Hirschfeld (1903-2003) "Sammy Davis" Hand-Signed, Limited-Edition Lithograph, A.P. XV/XV Sight s...

Vintage American modernist interior scene with figures by Carol Lauttenbauch. Oil on canvas. Large scale work. Amazing detail and an intricate composition. Very impressive in per...

A little fantasy on the theme of dance. In dance, I am attracted by rhythm and movement, which can be expressed through decorative spots. Graphic lines emphasize the plastic shapes. ...

ROBINSON, Geoffrey (b.1945) Geoffrey Robinson Nowhere to Go 1997 21.0 x 29.7 cm Unframed Geoffrey Robinson trained at Bournemouth College of Art in the 1960’s, before a career in ad...

Gorgeous abstract landscape lithograph of an outdoor picnic scene with kite by Katherine Chang Liu, (American, 20th century). Hand signed lower right. N...

Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural compositions, portraits, landscapes, flowers and still life. She is one of the most productive wate...

Frame size 73x81 cm. Oil on canvas laid on cardboard. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, nephew of the also painter Rafael Benet. He is a di...

James Williamson-Bell was a respected wildlife artist based in Newcastle and won several medals at the Paris Salon for his bird paintings. He was stro...

Raymond Pettibon (untitled) Clock drawing 1995: Medium: ink and graphite on paper. 1995. Dimensions: 121⁄4 x 12 7/8 inches (31 x 33 cm.) Dimensions including frame: 16x16 inches. Very good overall vintage condition; floated in a wood glass frame. Hand signed and dated 'Raymond Pettibon 95' (on the reverse). Provenance: Private collection, acquired directly from the artist; Phillips, London 2014; Christie’s 2023. Raymond Pettibon emerged from Southern California DIY culture and its punk-rock sensibility, and his work still embraces a youthful edginess and sense of political engagement. Drawing from disparate cultural sources—which range from Marcel Proust and William Blake to the Bible—the artist makes cartoon-inspired ink drawings on paper which evoke the aesthetics of fanzines and concert flyers...

Henry Rayburn Table 2, Couple 1 (unique framed collage by beloved Texas artist), 1995 Acrylic and Mixed media collage on paper Signed in graphite pencil on the front Unique Frame inc...

Beautiful textural abstract by Sasha Rogers (Canadian, 20th/21st Century). Signed "Sasha S. Rogers '91", titled "Minoan" on verso. Two identifying labels on verso. Displayed in a sla...

Vintage American school modernist street scene painting. Oil on canvas, circa 19990. Signed. Image size, 20L x 18H. Housed in a period frame.

Donald Sultan Playing Card Prints - Artist Proofs (APs) We are excited to offer a rare collection of Artist Proof (AP) prints from Donald Sultan's acclaimed playing card series. Lim...

This Blue Dog work consists of a red background with 3 animals, 1 each Boogie Bear, Dudley the dog and Blue Dog. All the animals have soulful yellow eyes and there is a bright yello...

Golden Reticulum is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 1993. Original Oil Painting on Canvas. Hand-signed and dated by the artist on the lback of the can...

Artist: Squeak Carnwath American (1947- ) Title: Intelligence of a Three Year Old Date: 1997 Media: Color Sugarlift And Soapground Aquatint With Hardground, Scrape And Burnish Dimen...

US artist from San Antonio, TX. Very well represented in the multiple galleries and private collections. “Bluebonnets Field” , late 20th century Oil on canvas, signed lower left ...

Robert Harrison (Born 1949) San Antonio Artist Image Size: 36 x 48 Frame Size: 44 x 56 Medium: Oil on canvas Dated 1999 "Coreopsis & Daggers" Texas Hill Country. Wildflowers Biograph...

The mermaid who couldn't climb the iceberg painting by Suzzane Law Image size: 12.6 in. H x 17.1 in W Framse size: 18.1 in. H x 22.4 in W x 1 in D W...

"Untitled" is a painting by Cuban artist Manuel Mendive, created in 1996. This Oil on Canvas represents an encounter between divine creatures, surrounded by water and fish. This pain...

Gorgeous seascape of Pacific Grove, California just north of Carmel by Marie Duncan (American, 20th Century), c. 1990. Signed lower right corner. Excelle...

The Arrows of Love French School, dated 1998 indistinctly signed to each painting each inscribed verso and with former collectors label pair of acrylic paintings on canvas, framed ea...