1990s Art

Duke Ellington Jazz Music Legend African American Grammys NY Times Published Al Hirschfeld (1903 – 2003) Duke Ellington Sight Size: 12 x 12 1/4 inches Etching with aquatint Signed ...

Xisco Mensua (Spain, 1960) Untitled from Portfolio "Junio - Julio", 1995 engraving on paper 12.6 x 9.5 in. (32 x 24 cm.) Edition of 6 Frame 16x20 in. ID: MEN1253-001-006_12 Hand-sign...

A multicoloured oil portrait by Clifford Hanley, depicting a casual male motorist caught in heavy traffic. Signed and dated to the lower right-hand edge. With a second artwork by the...

Escritura y Barcos original expressionist acrylic painting RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts...

Vue des Grands Boulevards à Paris by H. CLAUDE PISSARRO (b. 1935) Pastel on card 37 x 50 cm (14 ⅝ x 19 ⅝ inches) Signed lower right, H. Claude Pissarro This work is accompanied by a...

Xisco Mensua (Spain, 1960) Untitled from Portfolio "Junio - Julio", 1995 engraving on paper 12.6 x 9.5 in. (32 x 24 cm.) Edition of 6 Frame 16x20 in. ID: MEN1253-006 Hand-signed by a...

Suggestivo e luminoso interno cortile di una casa in campagna, melo in fiore Colori Verde e bianco

Luminosa opera di Maya Kopitzeva artista Georgiana Sulla parete crea un effetto trompe l'oeil MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya Kopitzeva’s works have been acquired by the Russian Ministry of Culture, by the Foundation for the Russian Culture, by various collectors in Europe...

Signed lower right Titled and signed verso Provenance Mallet Auction Japan, February 28, 2019, lot 206 Private collection, New York City (Purchased from above sale) This work is av...

SALE ONE WEEK ONLY Jennifer's "Untitled" piece appears to be a landscape with a colorful stripped form arising out of the grasses. It is an iconic image that she incorporates into her work. The following excerpt from her Artist Statement best describes her feeling about it: I stopped the slug imagery and started making purely abstract paintings. Eventually, abstract lines and forms evolved into “characters.” They lived in landscapes of a realistic sort. They were abstractions on a representational journey. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. They were the slugs transformed. Evolved slugs and broken out from their cocoons. They had become abstract “butterflies.” Jennifer Wynne Reeves was known for creating a body of paintings, drawings and photographs that speak to and confront formalist and humanist dilemmas. Beyond her achievements in the art world, Reeves enjoyed a considerable fan-base as a result of her astonishing Facebook presence where she chronicled and interwove her art and diaristic prose. Reeves solo exhibitions included Art & Public in Geneva, Gian Enzo Sperone in Rome; Max Protetch, Ramis Barquet and BravinLee programs, NYC. Reeves was also celebrated for her writing. She produced a graphic novel, The Anyway Ember and Soul Bolt, a book of images and prose. “Profoundly rewarding works” said LA Times writer, David Pagel, in a review her 2015 exhibition at CB1 Gallery. Reeves is a John Simon Guggenheim Fellow recipient. The following is an artist’s statement about her theory off work: “Twenty years ago, I called them slugs. In the beginning, they were like long lumps without arms or legs. Powerless. Difficult. Paralyzed. I thought maybe they were the symbols of sloth or depression or fear. They didn’t do anything. I wondered if I should stop making them? They were not beautiful. Nobody liked them. Nobody wanted to look at them. They were repellent and, worse, they were funny. I hated that. I wanted to be a “serious” artist. I was conflicted. I had to make the images that came to me but I was embarrassed. Maybe it wasn’t a fancy path but painting slugs was more honest than painting flowers (nothing against flower paintings, mind you). It came down to a moral choice. So, I determined to follow the slug road. Maybe it was a road that led somewhere? Or maybe not. After several years, I thought I hit a dead-end. I stopped the slug imagery and started making purely abstract paintings. Eventually, abstract lines and forms evolved into “characters.” They lived in landscapes of a realistic sort. They were abstractions on a representational journey. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. They were the slugs transformed. Evolved slugs and broken out from their cocoons. They had become abstract “butterflies.” Little kids liked them. I hated that. I wanted to be a “serious” artist. I’m not sure, exactly, who they are. They could be our conscience, our psychology, or simply the part inside us that yearns. They could be artists, modernists or the first of “us” that crawled out of the ocean. My best hunch is they are whatever it is that makes us want to make. I hope that’s a good thing and beautiful and seriously funny. Whatever the case, I’d like to know what it’s all about.” Jennifer Reeves...

The painting depicts a dramatic seascape featuring a large sailing ship battling through turbulent waters. The ship is painted with dynamic, sweeping lines that convey motion, and it...

"de Kus" (The Kiss) Abstract Monotype in Ink on Paper Bright and bold abstract monotype by Dutch-American artist Anouk Johanna (b. 1946). Two abstracted human-like dark grey shapes are mirror images of each other, surrounded in a multicolored background. The background has a textured look, with blended variations in shades of yellow, green, teal, and magenta. Signed and dated "Anouk Johanna '93" in the lower right corner. Numbered "1/1" in the lower left corner. Titled "de Kus" in the lower middle. Presented in a wood frame and an off-white mat. Frame size: 17.5"H x 15.75"W Image size: 9.25"H x 7.75"W Anouk Johanna (Dutch, b. 1946) grew up in Amsterdam Holland and already knew as a young child she was going to be an artist. In Amsterdam she was exposed to world class art and early on she showed signs of a multitude of talents in visual as well as performing arts. Her parents fully supported and encouraged her. She studied drama as well as costume and textile design and was part of a traveling theater group before she started studying sculpture at the prestigious Rietveld Akademie. In 1969 she was offered an opportunity to travel to the USA to study sculpture at the Brooklyn Museum Art School in Brooklyn, New York. There she met and married an American sculptor. They traveled and lived all over the US and in Holland and had two daughters. In Amsterdam they bought an old sailboat where they lived a romantic life as true bohemian artists and made art even when the children were very small. In 1971 they moved back to New York City and Johanna created large fiber art wall hangings for several years. In 1975 her husband and she, now living in L.A., learned to be silversmiths and started selling their jewelry at Arts and Crafts Fairs. This was a more lucrative way to raise a family than as sculptors. It was at the Californian Art Fairs that they were first introduced to the art of "scrimshaw" (engraving and inking of images on ivory or bone) and began to create their own scrimshaw pieces happy to be able to combine sculpture and drawing skills. In 1980, after a divorce, Johanna settled with her daughters in Santa Cruz, CA where she started taking classes at Cabrillo College and studied painting, drawing, jewelry, printmaking and art history while continuing to sell her scrimshaw jewelry...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed lower right; signed, dated, titled verso (underneath foamcore backing). 49.75 x 59.75...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Nowhere Man," first released on "Revolver" by the Beatles in 1965. This limited edition was releas...

sin titulo. acrylicc painting (CARLOS MENDEZ, ARGENTINA, 1943) Carlos Méndez is an Argentine plastic artist of great projection, based in Barcelona since the eighties. It uses a f...

Beautiful still life oil painting, abundant with color and texture in a variety of fruit and flowers. A full spectrum of rich color throughout. Signed lower left Gerdell (Gerdill) Sc...

Gorgeous vibrant coastal lookout landscape by San Francisco artist Frederico Domondon (American, b. 1964). Rendered in Domondon's unique style, an overgrown arch of flowers nearly ob...

Robert Morris Investigations (with Guggenheim Museum Labels), 1990 Graphite drawing on Mylar. Framed with the original Guggenheim Museum label (lent by Sonnabend), & Castelli Gallery...

James Siena Untitled t-nail drawing (reference: two against two), 1999 Graphite on paper Pencil signed, titled, annotated and dated on the reverse of the sheet (see photos) also penc...

Pierre Coquet – Abstract Composition Reference number A217 Framed with a natural oak floated frame 67 x 54 cm frame included (62 x 49 cm without frame) This work is painted with oil on a paper that is mounted on a board and placed in a made to measure wood strectcher. Stamp of the signature in the bottom right Pierre was very sensitive to abstract paintings. He did a lot of abstract works melting colors and shapes in different atmosphere and style. Nevertheless he could come back to figuration and again to abstraction with no precise period of time. Abstract paintings by Pierre Coquet represent a large part of his production. The constant search for balance between shapes and colors as well as his passion for Nicolas de Staël, André Lanskoy, Alfred Mannessier… takes him on different paths from what we know of him. His way of painting is strong and thoughtful, the lines stretch out and the harmonious touches, applied with sobriety, reveal a great sense of color. Provenance : Workshop of the artist (stamped and numbered on the back) Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin. He won a prize in 1945 and joined a movement that wanted to be outside of any school whose name ends with “ism”, (like impressionism, cubism…) between figuration and the renaissance of Abstract Art, bringing together young generations under thirty and eager not to submit to any technique. The “Sanzism” (literally without « ism ») will bring together, among others, painters: James Bansac, Roger Bravard, André Chaix, Jean Mélinand, Paul Clair, André Cottavoz, Pierre Doye, Jean Fusaro, Jacques Truphémus, André Lauran...

Still Life is an original contemporary artwork realized by the artist Santo Miano in 1990 Mixed colored oil painting on canvas. Hand signed on the lower left. Includes frame:59 x ...

John Baldessari Love and Work 1991: Baldessari’s Love & Work 1991, photogravure and color aquatint, features clasped hands clutching surrealistically amidst a black background. Classic, timeless Baldessari imagery that is sure to work well in any setting. Medium: Color photogravure and aquatint on wove paper. 1991. Dimensions: 26 x 11.5 inches. Well-preserved and in very good overall condition. Framed in acrylic plexiglass. One of the 15 numbered artist's proofs, aside from the general edition of 60. Signed, inscribed "A.P." and numbered 12/15 in pencil, lower margin. Published by Brooke Alexander, Inc., New York. Collections: MoMa New York John Baldessari: It is hard to characterize John Baldessari's varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his approach of good-humored irreverence. Baldessari is commonly associated with Conceptual or Minimalist art, though he has called this characterization “a little bit boring.” His two-dimensional works often incorporate found images, composed in layers or presented as distinct pieces with an element of surprise, like a brightly colored geometric shape in the place of a face or a starkly printed sardonic caption. Baldessari has demonstrated a lasting interest in language and semantics, articulating these concerns through the use of puns or the juxtaposition of seemingly unrelated images and words, as in his 1978 work Blasted Allegories. His self-referencing photomontages and use of text have been sources of inspiration for countless artists, including Cindy Sherman, David Salle, and Barbara Kruger. Baldessari identifies his own artistic lineage, saying, "I would prefer to go to the source with Duchamp rather than credit Warhol as an influence." Related Categories: Surrealist. Ed Ruscha. Los Angeles. Conceptual art. Photography. Minimalist. John Baldessari prints.

Donald Sultan Playing Card Prints - Artist Proofs (APs) We are excited to offer a rare collection of Artist Proof (AP) prints from Donald Sultan's acclaimed playing card series. Lim...

Ultra Realist Library Still-Life Books and Candles "Little Devil in the Details" Highly detailed library interior scene and still-life titled "Little Devil in the Detail" by Ken DeWaard (American, 20th-century). This intriguing artists performance in excellence piece, features realistically rendered books, paintings within paintings, candle light, and a devil or gargoyle sculpture. The artist creates a strong mood as well as interesting subject matter in this unique scene. Signed "Dewaard '99" upper right. Displayed in a wood frame. Image size, 13"H x 14"L. Frame: 20"H x 21"W x 2"D After receiving his Bachelor of Arts with honors, Ken began working in a commercial art studio in Chicago. He continued his studies at the American Academy of Art, where he studied with nationally recognized watercolorist, Irving Shapiro. Upon Irving's recommendation Ken joined the acclaimed Palette and Chisel Academy of Fine Art in Chicago, where he soon began studying with Scott Burdick as well as Dan Gerhartz...

Donald Sultan Playing Card Prints - Artist Proofs (APs) We are excited to offer a rare collection of Artist Proof (AP) prints from Donald Sultan's acclaimed playing card series. Lim...

When Johnny left school, there were many interests which ran alongside his career at the time in the City of London as an Aviation Insurance Broker at Lloyds – writing music, playing with a band, tinkering with Vintage cars, marketing various inventions and making painting trips when possible – it wasn’t long before the Arts beckoned and at twenty six he won a place at the Fine Arts Academy in Florence where he moved in 1972. A year later, moving near Lake Trasimeno, he continued his studies at the Fine Arts Academy in Perugia. Again on the move, he travelled to Pietrasanta near Carrara with some sculptors and stayed on this coast for nearly a year before moving eventually to Grimaldi, just inside Italy – a small medieval village about three hundred yards from the Italian /French frontier close to Monte Carlo. Here he began a series of backstage paintings – at the Opera and Orchestra rehearsals, fashion shows, at the Circus, Jazz and Cabaret – exhibiting regularly along the coast in Monaco, Nice, Cannes and Antibes. In 1984, circumstances changed and it was necessary to return to England – where a chance invitation to the races triggered a whole new series ‘At the Races’ which in time produced a wider series entitled ‘The British Sporting Year’ of Polo, The Henley Regatta, Derby Day, Wimbledon, Bowls, Cricket, Golf – even Jousting at Hever Castle...

Olivos 1 original impressionist acrylic painting.

James Williamson-Bell was a respected wildlife artist based in Newcastle and won several medals at the Paris Salon for his bird paintings. He was stro...

Charming "Yesterday's Ladies" drawing by Aptos, California artist Virginia J Hughins,(Virginia Brubaker DeWolf), (American, 1923-2004). Presented in a rustic black wood frame. Signed...

La obra va firmada por el artista en la parte trasera, también va fechada del año 1990 y titulada "Sibila III y IV" Se presenta enmarcada la pintura Medidas de la obra: 213 cm. alt...

Chama Hills by Roy Wilce Original Oil Pastel on Paper, signed lower right image 8x20", framed 16x28", floated on a linen mat, under glass in a simple wood frame Contemporary Southwes...

Edward Glafke (American 1925- 1997) Bird Rock, 1990 Oil on canvas Signed lower left 'Ed Glafke' Signed, titled and dated on the verso 15in H x 21in L In a giltwood vintage frame: 17...

Martha Lloyd (American, 1927-2018) Thaw, 1997 Oil and wax (encaustic) on canvas 20 x 20 in. Framed: 21 1/4 x 21 1/4 x 1 3/4 in. Inscribed verso Provenance: Carrie Haddad Gallery, Hudson, NY Martha Anne Lloyd...

Zao Wou-Ki (1920 - 2013) Hommage a Nobutaka Shikanai - 1991, (Agerup 354) Color lithograph on BFK Rives watermarked paper, full margins 24 x 18 1/4 inches Signed and titled in the sheet Published by Fuji Television Gallery, Tokyo Zao (Zhao) Wou Ki combines Oriental landscape abstraction with French influence. He was born in Beijing on February 13, 1921, and from the age of ten, Zao drew and painted with great freedom. He learned from his grandfather that calligraphy is an art when it transmits an emotion to the person looking at it. At age fourteen he enrolled at the School of Fine Arts in Hangzhou, where he remained for six years. He studied and then taught at the Hongchow National Academy of Fine Arts. In 1942, he organized an exhibition of works by his teacher, Wu Dayu, along with some of his own. In 1948, he moved to Paris where he has lived and worked ever since, although he has exhibited in New York City. He attended the Académie de la Grande Chaumière and lived at Rue du Moulin Vert nearby Alberto Giacometti's studio. Making the acquaintance of Hans Hartung, Nicolas de Staël, Pierre Soulages, Viera da Silva...

Modernist orchid flower still life oil painting by Abraham Pariente. Oil on canvas, circa 1980. Signed. Displayed in a modernist frame. Important large and impressive work!

Colorful scene of shoppers at a rural farm stand under cloudy skies, by Polish artist Gongor (Polish, 20th Century). Signed "Gongor" lower right. Displayed in a dark gold finish wood...

Untitled. SFE-080RC. Artwork size : 56 x 76 cm. Frame size : 75 x 97 x 4 cm Museum glass anti-reflective. Signed and numbered 46/75 ex. Sam Francis Archive Number : SF-353. Free shipment worldwide. Sam Francis’s paintings are a journey into a dream, a voyage into the landscapes of the soul where colours are lights on fire. Alongside names such as Jackson Pollock, Willem de Kooning and Franz Kline, Sam Francis is an artist who has succeeded in demonstrating a total mastery of abstract expressionism’s impassioned and spontaneous genre. The explosions of colour – red, blue, green and yellow – the streaks, strokes and bold lines of his pictures are the physical synthesis of the deepest crevices of the soul. His colours create rhythmical motifs that, characteristically enough, can be called the “musicality” of his paintings. The work of Sam Francis provides a visible meeting place for the conscious and the unconscious. His pictures are the cross-fertilisation of what has already been experienced with what exists still only as desire, a struggle between melancholy and merrymaking. Influenced by C.G. Jung, the father of psychoanalysis, Sam Francis spent a large portion of his life exploring the premise that dreams, instincts and intuition provide, the keys which unlock the mysteries and meaning of our inner lives. He was also fascinated by the four ancient elements – earth, water, air and fire – which developed into a leitmotif in his work. Sam Francis was born in San Mateo in California, USA in 1923. After starting to paint at the age of around twenty, he soon found himself increasingly consumed by the power of art. He spent much of the 1950s in Paris, from where he not only made frequent excursions to a number of European cities, but also embarked on many journeys to South America and Asia. He continued to move from place to place, primarily in the USA and Japan, right up until his death in 1994. Sam Francis’s first...

Cheryl Warrick (American, b. 1956), "Build a nest" 1998, Acrylic and mixed media painting on paper, Hand signed, titled and dated verso, matted and framed. (I have not opened thi...

Clarence Holbrook Carter (American, 1904-2000) The Way Out, 1992 Acrylic on paper Signed and dated upper right 24 x 30 inches Figural abstract vibrant orange geometric painting. C...

Howard Hodgkin Put Out More Flags, 1992 Lift-ground etching and aquatint from one copper plate, with carborundum from three aluminium plates, printed in black and three shades of gre...

UN, from 'Prints by Kazuo Shiraga 1990 Signed and numbered from an edition of 60.

Dramatic landscape by San Leandro, California artist Jaclyn Housman (American, b. 1937). Dark purple and grey and clouds roll across the sky, with small ro...

Compelling figurative abstract of the silhouette of a figure in white, in a minimalist monochromatic background by Jean Wallin (American). Signed “Wallin” in bottom right corner. Pre...

Artist: Ian Hornak (1944-2002) Title: Scarlet Blue Macaw Year: 1992 Medium: Acrylic on Panel with artist painted frame Size: 58.5 x 42.2 inches Condition: E...

Flowers, garden, children, turquoise,green, spring No frame 80 x 90 cm Framed cm. 94 x 100 GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can be found...

This artwork by noted American artist Inez Storer, b. 1933 is titled Homage to Matisse. The piece is composed of mixed media (oil paint, board, latex) with collage on board. The artwork measures 24 x 24 inches (25 x 25 inches, framed.) It is floating in a simple painted wood frame. It is hand signed in the lower right corner of the frame by the artist. The piece is in very good condition. I am estimating this work was created some time in the 1990s based on the subject and style, but that is only an educated guess. About the artist: From Inverness, California, north of San Francisco and working from a studio in Point Reyes, Inez Storer creates mixed-media narrative paintings, collages and assemblages in naive-sophisticated style, which she describes as Magic Realism: "I am a visual raconteur. I use paint to tell stories." Most of these stories are explorations of the human condition with characters who seem allegorically to be walking tightropes. She gets many ideas from her studio collection of old...

Reproduction of poster against signed and numbered 30/100

Modern Cubist inspired colorful abstract still life painting by the French artist Marcel Mouly. The work features a collection of bottles and vases arranged on a red table that has b...

A grey-earth tinted boat shape trailed by a dark triangular shape on a atmospheric ground of cool white pierces a band of brown and black in this acrylic painting by Rick Rivet. The ...

Toned silver gelatin print (printed 2003), , signed, dated and numbered (verso), edition '8/25', 33cm x 22cm (image size), (49cm x 37cm framed). (N.B. although this is an edition of ...

Wonderful English impressionist painting depicting an English windmill with a stormy sky at the beginning of fall. Hall painted scenes all over England , Eu...

Aleksandrs Zviedris (1905-1993) Yachts at sunset, cardboard/oil, 50x70 cm

A small, winding trail invites the viewer into this beautiful verdant landscape by California artist Ken Lucas (American, 20th Century). Signed "Ken Lucas" o...

Curated circles of silver, black, tangerine orange, and cherry red define the dove grey ground of this square minimalist acrylic painting on plexiglass. The areas between the shapes are completed with custard yellow and maroon. This work comes framed. Framed dimensions are approximately 20.5 x 20.5 inches. Cantine's work is a poetic and intellectual exploration of a pictorial problem, color as structure which has infinite variations. Cantine was quoted in the Alberta Biennial of Contemporary Art 2000: "For the past 26 years, I have painted essentially the same still life, which began as a pair of apples and its shadow, and evolved under pressure of color into the present imagery." Cantine may be referred to as a post-minimalist, a term coined by Robert Pincus-Witten in 1971 to describe work with a minimalist tendency but that uses modest materials and aims towards a pure formalist aesthetic. David Cantine is a senior Canadian painter who has been exploring the still life for many years. Cantine was born in Jackson...

Coloured Print of Photorealist Painting of Gleneagles Golf Course in Scotland by 20th Century Scottish Artist, Graeme Baxter, entitled 'The Gleneagles Hotel, Monarch's Course'. Art measures 14 x 10 inches Frame measures 19 x 15 inches Coloured Print on High Quality Paper Signed on the Front Glazed & Mounted Good Condition Frame (commensurate with age) Graeme Baxter is the official artist to some of the world's most important golf tournaments, such as The Ryder Cup...

Artist: Kathryn Hadley – American Title: Emerging Pomegranates Year: 1998 Medium: Monoprint Sight size: 15 x 15 inches. Framed size: 33 x 29.75 inches Signature: Signed, dated lower right Condition: Very good Frame: Framed in original frame. Frame in fair to good condition This monoprint is by Kathryn Hadley, a California contemporary artist...

Italy,Venice,Venice, grand canal Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949-56: he began artistic stud...

Vibrant fauvist landscape of redwood trees titled "Forest Wonder" by John Stenvall (American, 1907- 1998), 1993. Signed lower left corner. Presented in g...

Oranges in a Bowl is an original oil painting realized in 1998 by Zhang Wei Guang (Mirror). Mixed colored oil painting Includes frame Hand-signed and dated on the lower right corn...

Julian Schnabel was born in 1951 in Brooklyn, New York, to a father of Czechoslovakian descent and a mother from New York. After graduating from the University of Houston with a BFA, he began his artistic career in New York City. He was provided an artist’s studio through the Whitney Independent Study Program. He moved to Houston, Texas for a year, where he created his “first adult painting”, composed of oil, wax, and paste shaped on a canvas. This was the beginining of his signature artistic style, using pre-existing and unconventional materials to create his art. His first solo exhibition was at the Contemporary Arts Museum in Houston, Texas, in 1976. He moved back to New York City working as a cook, then spent time travelled in Europe, where he was fascinated by Caravaggio and Fra Angelico; these influences led lead to Schnabel’s creation of ten wax paintings in Milan. After another trip to Europe a few years later, he was inspired to create his now-famous plate paintings. The plate paintings incorporated smashed plates and later glass and porcelain to adhere onto a canvas, painting on top of them and thereby mixing objects with flat surfaces. Schnabel’s paintings often use unconventional materials, like velvet or putty. His work is featured in various US and international museums and galleries in New York City, including Switzerland, London, Los Angeles, Paris, Munich, and more. In 1990, Schnabel directed and wrote his first film, Basquiat, a biopic following the life of friend and fellow artist Jean-Michel Basquiat. He continued to create other films such as The Diving Bell and the Butterfly, At Eternity’s Gate...