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19th Century Art

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Period: 19th Century
Artist: Charles François Daubigny
"Pommiers a Auvers" original etching
Located in Henderson, NV
Medium: original etching. Catalogue reference Delteil 126. This impression on cream laid paper is from the edition printed for "French Etchers", published in New York in 1884. Plate ...
Category

19th Century Art

Materials

Etching

Bords de l'Yonne
Located in Barbizon, FR
"Bords de l'Yonne" also referred to as "Le Canal" Oil on canvas, signed in the bottom left corner, 33x41cm, circa 1867 Origin: -Sotheby's sale July 05-06 1961, lot no. 131 -Walter ...
Category

Barbizon School 19th Century Art

Materials

Canvas, Oil

"Les Vendanges (L.D. 117 III/V)" an Original Etching
Located in Milwaukee, WI
Charles Francois Daubigny's etching from around 1865 is an example of the Barbizon painters' preoccupations. Entitled "Les Vendages," the work depicts peasants bringing in the harves...
Category

Barbizon School 19th Century Art

Materials

Etching

Le Ruisseau Dans La Clairière (The Brook in the Clearing)
Located in Middletown, NY
Paris: 1862. Cliché-verre on lightweight photosensitive wove paper, 8 3/4 x 7 1/8 inches (220 x 180 mm) (sheet), full margins. Signed in the plate, lower right. Because this impressi...
Category

Realist 19th Century Art

Materials

Photographic Paper

Le gué (The Ford).
Located in Storrs, CT
Original cliché-verre. Delteil, Melot 139. 11 1/2 x 14 1/4 (image and sheet). Edition 150, #71. Posthumous impression from the 1921 edition of 150 printed in Paris by Sagot-Le Garrec...
Category

Barbizon School 19th Century Art

Materials

Photographic Paper

La Machine hydraulique (The Hydraulic Machine).
Located in Storrs, CT
La Machine hydraulique (The Hydraulic Machine). 1862. Original cliché-verre. Delteil, Melot 147. Delteil 147. 8 3/8 x 13 1/2 (sheet 11 x 14). Edition 150, #85. A posthumous impressio...
Category

Barbizon School 19th Century Art

Materials

Photographic Paper

Le marais aux canards (Marsh with Ducks).
Located in Storrs, CT
1862. Original cliché verre. Delteil, Melot 133. 6 1/2 x 7 7/8 (image and sheet). Edition 150, #85. Posthumous impression from the 1921 edition of 150 printed in Paris by Sagot-Le ...
Category

Barbizon School 19th Century Art

Materials

Photographic Paper

Le Bateau a Conflans/Le Paysagiste au Bateau
Located in Milwaukee, WI
"Le Bateau a Conflans/Le Paysagiste au Bateau" or "The Boat at Conflans/Landscape with Boat" is an original etching by Charles Francois Daubigny...
Category

Barbizon School 19th Century Art

Materials

Etching

Le bouquet d'aunes ((The Clump of Alders)
Located in Storrs, CT
. 1862. Original cliché-verre. Counterproof. Delteil, Melot 145. 6 1/2 x 8 3/4 (image and sheet). Edition 150, #71. Posthumous impression from the 1921 edition of 150 printed in Pari...
Category

Barbizon School 19th Century Art

Materials

Photographic Paper

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Pollonaise No. 24, 1988 by Karl Gerich of Bath - Playing Card Print Sheet
Located in Meinisberg, CH
Karl Alexander Gerich (English, 23.4.1956 - 4.1.2016) Pollonaise No. 24, 1988 - Etching - Sheet ca. 27.8 X 42 cm - No plate mark - Varnished ('Glossy Antique French') Finished, coloured, backed and varnished print likely to be a spare sheet (over production), which were never used. Possibly at some later stage, Karl experimented by partially painting the back with divering number of layers of pink. Held up as finished cards the pink would then shine through the varnished card. By holding up the sheet, this effect can be observed in areas with and without the pink backing. Sheets is in good condition and suitable to be framed. Karl was a brilliant playing card maker and certainly one of the most genius artist-craftsmen I had the pleasure to learn about his work and know. He could do it all: Come up with the tale, weave meaning(s) into it, fill it with spirited characters of his liking, draw it, etch it, print it, colour it and handcraft the inks, paper and card into wondersome packs of playing cards, each of them living in their own, most exquisitely crafted boxes. Every pack a magical marvel, filled with the spirit of this genius card maker … All this he did using his Adana printing press, very simple hand tools and great skill. When Karl closed down his studio in St.Peter’s Terrace in Bath, England and moved to Poplar Close, he sold off work for which he felt he no longer wanted to be the custodian. So a number of prints reached the market then. Printed sheets by Karl Gerich...
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Siebengebirge, circa 1920s Etching, Germany, Tugboat
Located in Grand Rapids, MI
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Mayday No. 28, 1989, by Karl Gerich of Bath - Playing Card Proof Print
Located in Meinisberg, CH
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Located in Marlow, Buckinghamshire
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A distinctive painting by Charles Francois Daubigny. A very popular artist in his time and admired amongst his peers. Oil on panel signed and dated 1872 lower right. Charles François Daubigny belonged to a family of painters and engravers: his grandfather; his father, Edme-François; his sister, Rolande; his uncle, Pierre; his aunt, Amélie Dautel; and his son after him were artists. Daubigny studied first with his father. In 1840 he started to work for the historical painter Paul Delaroche. He earned a living by producing decoration for sweet boxes and countless illustrations mostly for wood engravings, being paid 20 sous for each. From 1844 his standing as an artist grew, and he was commissioned to decorate the reception rooms of the state ministry at the Louvre. Furthermore, the paintings resulting from his travels on barge-cum-studio were in great demand, to the extent that he was criticised for bucking the market. Daubigny painted first and foremost water and, as nobody else before him, he did so ‘on the water’, in this respect reminiscent of Claude Monet. He spawned followers throughout the second half of the 19th century until the beginning of World War I, just a few of which are Eugène Louis Boudin, Johan Jongkind, Stanislas Lépine, Antoine Chintreuil...
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