Abstract Photography

In the series 'She Disappeared into Complete Silence' (2014) Mona Kuhn takes a new direction into abstraction. She turns to a highly austere and restrained reductionist geometry and distilled formal purity, connecting the interior to the exterior, the visible to the hidden. These reflections cause one to linger, as they merge to create a dynamic equilibrium of tension, spaces and rythms. AD7517 (She Disappeared into Complete Silence) 45" x 60" / 114cm x 152cm edition of 8 + 2AP 30" x 40" / 76cm x 102cm edition of 8 + 2AP limited edition photograph printed under artist supervision + accompanied by signed artist certificate: artist signature labels are 8x10 in size signed, editioned, dated and titled by the artist, and stamped for authenticity label is placed centered on verso of the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Mona Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Kuhn's monograph titled Bushes and Succulents has been published by Stanley/Barker Editions, with a debut at Jeu de Paume in Paris, in 2019. A stunning career retrospective of Mona Kuhn's works has been published by Thames & Hudson, Spring 2021. Kuhn's forthcoming publication Kings Road, will be published and released by Steid this Fall 2021. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2021 Mona Kuhn: Works, Edwynn Houk Gallery, New York Mona Kuhn: Works, Flowers Gallery, London Mona Kuhn: Works, Galerie XII, Los Angeles + Paris + Shanghai Mona Kuhn: 835 Kings Road, Art, Design and Architecture Museum, Santa Barbara 2020 Still Light, Jardin du Bra'haus, Montée du Château, Clervaux, Luxembourg Mona Kuhn: Early Depictions, Flowers Gallery, London Mona Kuhn: Intimate, UP Gallery, Taipei, Taiwan 2019 Bushes and Succulents, Euqinom Gallery, San Francisco Mona Kuhn: She Disappeared, Jackson Fine Art...

The stunning natural beauty of East Hampton's Louse Point is artistically recorded by photographer Mitchell Funk in a chorus of golden browns and warm ochers. The picture is ar...

Shipping should be around $100. Get lost in a floral dreamscape of vermillion, magenta, green and pink rendered with vivacious energy. We promise you will emerge in a happy state...

Mother and Child Abstract Signature: Signed , dated lower right and numbered verso 3 /15, Unframed, Other sizes available.

Shipping is $100. Art made by God. The first photo enlarged should be most accurate for color. You will see delicate purple, lavender and green hues Shot with a Hi-res 36 megap...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

Born in Paris in 1978, Robin Thurel leaves at a young age for London and then Barcelona where he begins his career as a photographer. When he embarks on t...

Aerial Views, California Plants 022 is a limited-edition photograph by German contemporary artist Bernhard Lang. Available dimensions and ...

Aerial Views, Boneyard 004 is a limited-edition photograph by German contemporary artist Bernhard Lang. Available dimensions and editions:...

Aerial Views, Boneyard 004 is a limited-edition photograph by German contemporary artist Bernhard Lang. Available dimensions and editions:...

Aerial Views, Boneyard 001 is a limited-edition photograph by German contemporary artist Bernhard Lang. Available dimensions and editions: * 60 x 60 cm : edition of 4 + 2 A.P. * 90 ...

Wave I by Christian Stoll a mesmerizing photographic rendering of blue acquatic surface 58 x 58 inches (147 x 147cm) edition of 7 signed 48 x 48 inches (122 x 122cm) edition of 7 s...

Untitled, Unique photograph. Center panel from larger scale installation. Shot in the 20X24 format. (this measures about 20X20 inches) Ellen Carey, American artist and photographer. Ellen Carey resides in Hartford, Connecticut, and teaches at the Hartford Art School. She holds a B.F.A. from the Kansas City Art Institute, Missouri, and an M.F.A. from State University of New York at Buffalo. Her photographs have been exhibited at numerous galleries and museums, including the International Center for Photography, New York and the Fogg Art Museum at Harvard University, Cambridge, Massachusetts. She has received many grants from her home state of Connecticut as well as the Massachusetts Council of the Arts, New Works Grant, New York State Federation for Artists Grant; and a National Endowment for the Arts Award. Her photographs are in the permanent collections of The Art Institute of Chicago; the Baltimore Museum of Art; Brooklyn Museum of Arts; Chase Manhattan Bank; Coca Cola Corporation; Fogg Art Museum; George Eastman House; International Center for Photography; and the Los Angeles County Museum of Art, among others. Abstract photography, sometimes called non-objective, experimental, conceptual or concrete photography, is a means of depicting a visual image that does not have an immediate association with the object world and that has been created through the use of photographic equipment, processes or materials. Some photographers pushed the boundaries of conventional imagery by incorporating the visions of surrealism or futurism into their work. Man Ray, Maurice Tabard, André Kertész, Curtis Moffat and Filippo Masoero were some of the best known artists who produced startling imagery that questioned both reality and perspective. Both during and after World War II photographers such as Minor White, Aaron Siskind, Henry Holmes Smith and Lotte Jacobi explored compositions of found objects in ways that demonstrated even our natural world has elements of abstraction embedded in it. Beginning in the late 1970s photographers stretched the limits of both scale and surface in what was then traditional photographic media that had to be developed in a darkroom. Inspired by the work of Moholy-Nagy, Susan Rankaitis first began embedding found images from scientific textbooks into large-scale photograms. By the 1990s a new wave of photographers were exploring the possibilities of using computers to create new ways of creating photographs. Photographers such as Thomas Ruff, Barbara Kasten, Tom Friedman, and Carel Balth were creating works that combined photography, sculpture, printmaking and computer-generated images. Any boundaries that remained between pure artists and pure photographers were eliminated by individuals who worked exclusively in photography but produced only computer-generated images. Among the most well-known of the early 21st century generation were Gaston Bertin...

Bleed # 202390 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Edition: 1/3...

This large montage of photographs (is not mounted onto aluminum) from Ken Gonzales-Day's dysmorphologies series. Fujifilm Fuji Color Crystal Archive paper color Photo paper. This is not signed or numbered. Ken Gonzales-Day's interdisciplinary and conceptually grounded projects consider the history of photography, the construction of race, and the limits of representational systems ranging from the lynching photograph to museum display. The Searching for California Hang Trees series offered a critical look at the legacies of landscape photography in the West while his most recent project considers the sculptural depiction of race. Profiled began as an exploration of the influence of eighteenth century "scientific" thought on twenty-first century institutions ranging from the museum to the prison and extended to the sculpture and portrait bust collections of several major museums including: The J. Paul Getty Museum; The Field Museum, Chicago; The Museum of Man, San Diego; L'École des beaux-arts,Paris. The Bode Museum, Berlin, Park Sanssouci, Potsdam; The National Museum of Natural History, Paris; The Yale Center for British Art, New Haven; among others. Gonzales-Day lives in Los Angeles and is Chair of the Art Department at Scripps College. Much of Gonzales-Day's work considers the larger political and social representational histories of the Mexican-American experience. His early work draws on the constructed photo methods of artists like Jeff Wall, Cindy Sherman, or Gregory Crewdson. For example, in Bone Grass Boy (1996), Gonzales-Day casts himself as all the central characters in a staged photonovella set during the Mexican American War...

Didier Fournet is a contemporary "painter" thanks to photography: he chose pixels instead of brushes and reveals the beauty of the world by turning landscapes into vibrations. Self-...

Adagio 3 - Limited edition pigment print of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ). The inks used are known for their longe...

No. 48355 (Abstract Photography) Photography / Archival pigment print — Unframed. Artwork exclusive to IdeelArt. Available on request - 2 weeks turnaround. Print can be mounted to ...

Picture done occasionally, reminded me to Mark Rothko, limited to 5, signed. I can imagine it on a white wall with a wonderful frame.

No. 43001 (Abstract Photography) Photography / Archival pigment print — Unframed. Artwork exclusive to IdeelArt. Available on request - 2 weeks turnaround. Print can be mounted to ...

Lambda digital c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 3/3 on verso. Artist Andrew George is based in Los Angeles. He recently pr...

Lambda digital c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 3/3 on verso. Artist Andrew George is based in Los Angeles. He recently pr...

From the series "Light Leaks" (2008) Type-c print on Ilford Ilfoflex Archival Super Gloss, 2008. Signed, dated, titled, and numbered 2/2 on verso. Artist Andrew George is based in L...

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

Bling Nature 2 - Limited edition pigment print - Editions of 5 Signed + numbered by artist, with certificate of authenticity This is an Archival Pigment print on fiber based paper ...

Recordings (Triptych) by Javier Rey Color Archival pigment print Overall size: 80 cm H x 159 cm W. Individual size: 80 cm H x 53 cm W. Edition of 5 + 1AP Unframed Recordings is...

Bleed # 202198 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Available on request 5-6 week turnaround. Backed with Dibond and C-channel hangi...

Print/Photography, abstract, limited 1/5, signed by the author.

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Hemisphere' Hemisp...

Rainbow Light can manifest anywhere and anytime, representing ominscience and it can dissolve instantly, representing impermanence. It is without shadow and represents awareness with...

Wild And Happy Spring is a signed original acrylic painting on canvas of a blossoming tree with white, pink and green in a flowery field of the same colours against a gold sky. Disc...

Ancient schemes, Minds etched, Unetched (Abstract painting) Mix media, C-print, and acrylic paint on a wood mount - Unframed Artwork exclusive to IdeelArt. Artworks are of the highe...

Desert canyon road (Abstract Photography) Mix media, C-print, and acrylic paint on a wood mount - Unframed Artwork exclusive to IdeelArt. Artworks are of the highest archival standa...

Adagio 2 - Limited edition pigment print of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ). The inks used are known for their longe...

Ouroboros suns desert road (Abstract painting) Mix media, C-print, and acrylic paint on a wood mount - Unframed Artwork exclusive to IdeelArt. Artworks ar...

Abstract photography, signed by the author.

Une ondulation, une vague ou un reflet particulier de la lumière, qui donnent vie à des formes abstraites, des visages humains ou des hallucinations... C’est au travers des paréidolies – inclinaison du cerveau humain à rapprocher des formes aléatoires à des formes existantes – que sont fixées la beauté...

Keever’s landscapes are paint and ink that he pours into a 200-gallon tank and then photographs.

Kalee Appleton's work blurs the line between drawing, sculpture and photography, while challenging the traditions of photography by exploring technology and materiality. This work investigates the complicated relationship between society and the nature by displaying visual platitudes of idealized depictions of flora. By controlling and restricting the physical frame to a gesture, a mark reminiscent of a photoshop post-production brush stroke, digitally manipulated imagery is manifested into a physical object that wavers from a flat 2D photograph to a 3D object. The digital nature of the altered photographs is repeated or obviously falsified through various digital techniques. This digital-ness is transferred to the physical realm through the display within irregularly shaped wooden frames that contradicts the materiality of what is typically associated with a solid wooden structure and creates a sense of cohesion between natural and virtual motifs. Kalee Appleton is a photography-based artist and Assistant Professor of photography at TCU in Fort Worth, Texas. Originally from Hobbs, NM, she attended Texas Tech University and received a BFA in Photography in 2005. Shortly after graduated she worked as a commercial corporate and aviation photographer before attending Texas Woman’s University, where she received an MFA in Photography in 2014. Kalee's work deals with the digital technologies and their effects on society and the landscape. She exhibits her artwork with Erin Cluley...

Abstract digital print on black/white photo paper 25.5 x 21.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Kalee Appleton's work blurs the line between drawing, sculpture and photography, while challenging the traditions of photography by exploring technology and materiality. This work investigates the complicated relationship between society and the nature by displaying visual platitudes of idealized depictions of flora. By controlling and restricting the physical frame to a gesture, a mark reminiscent of a photoshop post-production brush stroke, digitally manipulated imagery is manifested into a physical object that wavers from a flat 2D photograph to a 3D object. The digital nature of the altered photographs is repeated or obviously falsified through various digital techniques. This digital-ness is transferred to the physical realm through the display within irregularly shaped wooden frames that contradicts the materiality of what is typically associated with a solid wooden structure and creates a sense of cohesion between natural and virtual motifs. Kalee Appleton is a photography-based artist and Assistant Professor of photography at TCU in Fort Worth, Texas. Originally from Hobbs, NM, she attended Texas Tech University and received a BFA in Photography in 2005. Shortly after graduated she worked as a commercial corporate and aviation photographer before attending Texas Woman’s University, where she received an MFA in Photography in 2014. Kalee's work deals with the digital technologies and their effects on society and the landscape. She exhibits her artwork with Erin Cluley...

'Bay boys' Dubrovnik, Croatia 2014 Limited edition of 20.

Photography, printed as fine art print, limited edition of 15, signed by the author.

Photography, limited edition of 15, signed by the author.

Early fascinations with photography and science have inspired Don Dudenbostel throughout his extensive career. As a young student interested in Science, Dudenbostel was always trying...

"Emulsion 13" (FRAMED) Photography 40" x 40" in Edition of 20 by Giuliano Bekor Title: Emulsion EM13 Year: 2018 Print size: 40" x 40" Inch Artwork finished size: 42" x 42" Inch Ed...

This beautiful photograph Light 2 was shot by the Italian photographer Sofia Mattioli. From the series The lights I see since you are gone, limited edition of 50 copies in Arab numb...

Periphery Blue, an edition of 10, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 13" x...

Kalee Appleton's work blurs the line between drawing, sculpture and photography, while challenging the traditions of photography by exploring technology and materiality. This work investigates the complicated relationship between society and the nature by displaying visual platitudes of idealized depictions of flora. By controlling and restricting the physical frame to a gesture, a mark reminiscent of a photoshop post-production brush stroke, digitally manipulated imagery is manifested into a physical object that wavers from a flat 2D photograph to a 3D object. The digital nature of the altered photographs is repeated or obviously falsified through various digital techniques. This digital-ness is transferred to the physical realm through the display within irregularly shaped wooden frames that contradicts the materiality of what is typically associated with a solid wooden structure and creates a sense of cohesion between natural and virtual motifs. Kalee Appleton is a photography-based artist and Assistant Professor of photography at TCU in Fort Worth, Texas. Originally from Hobbs, NM, she attended Texas Tech University and received a BFA in Photography in 2005. Shortly after graduated she worked as a commercial corporate and aviation photographer before attending Texas Woman’s University, where she received an MFA in Photography in 2014. Kalee's work deals with the digital technologies and their effects on society and the landscape. She exhibits her artwork with Erin Cluley...

Early fascinations with photography and science have inspired Don Dudenbostel throughout his extensive career. As a young student interested in Science...

This beautiful photograph Light 4 was shot by the Italian photographer Sofia Mattioli. From the series The lights I see since you are gone, limited edition of 50 copies in Arab numb...

Pineapple VII 2022 Signed, titled, and dated in pencil, verso Wet photogram with ferric ammonium citrate, potassium ferricyanide, and suspended watercolor pigment (Unique) 22 x 14...

Pineapple VI 2022 Signed, titled, and dated in pencil, verso Wet photogram with ferric ammonium citrate, potassium ferricyanide, and suspended watercolor pigment (Unique) 22 x 14....

This extra large montage of photographs is mounted onto aluminum from Ken Gonzales-Day's dysmorphologies series. Photo paper mounted to aluminum. Ken Gonzales-Day's interdisciplinary and conceptually grounded projects consider the history of photography, the construction of race, and the limits of representational systems ranging from the lynching photograph to museum display. The Searching for California Hang Trees series offered a critical look at the legacies of landscape photography in the West while his most recent project considers the sculptural depiction of race. Profiled began as an exploration of the influence of eighteenth century "scientific" thought on twenty-first century institutions ranging from the museum to the prison and extended to the sculpture and portrait bust collections of several major museums including: The J. Paul Getty Museum; The Field Museum, Chicago; The Museum of Man, San Diego; L'École des beaux-arts,Paris. The Bode Museum, Berlin, Park Sanssouci, Potsdam; The National Museum of Natural History, Paris; The Yale Center for British Art, New Haven; among others. Gonzales-Day lives in Los Angeles and is Chair of the Art Department at Scripps College. Much of Gonzales-Day's work considers the larger political and social representational histories of the Mexican-American experience. His early work draws on the constructed photo methods of artists like Jeff Wall, Cindy Sherman, or Gregory Crewdson. For example, in Bone Grass Boy (1996), Gonzales-Day casts himself as all the central characters in a staged photonovella set during the Mexican American War. In a later series entitled Erased Lynchings (2004-2006), Gonzales-Day explores the history of lynching in the American West by appropriating and digitally altering an archive of 19th and 20th century postcards that depict Mexican and Mexican-American lynchings. In 2012, Gonzales-Day received the Creative Capital Award in the discipline of Visual Arts. In 2014, he created his project titled Run Up which pairs together recreated images of lynchings from the 1920s and images of police brutality from Ferguson and Los Angeles. The title, Run Up, stems from the term for an illegal lynching. Court-ordered executions were called hangings while hate crimes were referred to as "run-ups". Along with his artwork, Gonzales-Day has authored two monographs. His first, Profiled, deals with the works of Malvina Hoffman...