Alyssa Fortin

"Breaking Rothbart's Spell, " Contemporary Figural Photography, 30" x 34"

2021

This contemporary figural limited edition photograph by Alyssa Fortin captures a female figure, wearing a dress made of light, soft fabric, swimming thro...

This contemporary figural limited edition photograph by Alyssa Fortin captures a view from under water, looking at two women from behind wearing long, flowing dresses made of soft, light fabric. They face away, with heads above the water and out of view, embracing one another. The warm tones of the figures and fabrics contrasts with the cool blue and green of the water. An edition size of 10, this photograph is printed on Juniper Baryta Rag museum quality archival paper, and framed in a modern white Larson Juhl frame under high quality plexiglass. The print size itself is 40" x 60" with a frame face of 1 1/2". The work is framed flush with the edge of the print without a mat. Each print is individually signed, numbered, and accompanied by a Certificate of Authenticity. To purchase this limited edition print in a different size or unframed on paper, please contact us. Please allow 2-3 weeks for printing and production. Alyssa Fortin’s extensive scope includes portrait, travel and fine art photography. Known for her intimate black and white portraits and vibrant color travel photographs...

This abstract figural limited edition photograph by Alyssa Fortin captures a female form, enveloped in soft fabric as she is submerged in water. The light that shines through the sur...

This abstract figural limited edition photograph by Alyssa Fortin captures a female form, enveloped in soft fabric as she is submerged in water. The light that shines through the sur...

This limited edition fine art photograph by Alyssa Fortin captures a female form enveloped in off-white fabric as she is submerged in water. The reflection of the light refracted in ...

This contemporary figural limited edition photograph by Alyssa Fortin captures a female figure, enveloped in light, soft fabric, floating under the surface of blue water in a dancer'...

"OPTASIA 02" Abstract Photography 39" x 39" inch Edition 3/5 by Giuliano Bekor OPTASIA 02 39" x 39" inch Edition 3/5 Archival pigment print mounted on dibond. Custom frame comes with non-reflective museum plexiglass. OPTASIA 02 Inspired by a Corinthian mosaic floor from a Roman villa decorated with a medal, bearing the head of Dionysos, the god of wine, theatre and religious ecstasy, 2nd century AD. OPTASIA series A palimpsest of forms and emotions OPTASIA is the new body of work by Giuliano Bekor, the internationally acclaimed photographer, perpetually in love with Greece and Greek culture. On show for the first time, the collection is part of the Life Art Festival 2018 in Greece and an ideal opportunity for the photographer to create artworks inspired by emblematic ancient treasures: Cycladic art...

"OPTASIA 3" Abstract Photography 39" x 39" inch Edition 1/5 by Giuliano Bekor OPTASIA 02 39" x 39" inch Edition 1/5 Archival pigment print mounted on dibond. Custom frame comes with non-reflective museum plexiglass. OPTASIA 3 Inspired by a section of the torso of a Cycladic female figurine from the Museum of Cycladic Art...

"OPTASIA 14" Abstract Photography 39" x 39" inch Edition 3/5 by Giuliano Bekor OPTASIA 02 39" x 39" inch Edition 3/5 Archival pigment print mounted on...

"LB10" (FRAMED) Original photography Limited Edition 2/4 by Giuliano Bekor Print size 40x56 Inches Artwork finished size 42x58 Inches Limited edition ...

While in Central Park, Photographer Mitchell Funk captures a moment where a leafless tree trunk and a faceless human with a flowering hat have a symbiosis. They are both weird lookin...

SOME PEOPLE OF KUWAIT, 2000, Color iris print, on heavy rag photo paper signed on verso and inscribed "OK to print', from small edition of just 10. images 40 x 26 ¾", full margins; printed by Muse X. This was a series about Kuwaiti, Arab woman or men dressed in Burka's from up close it appears completely abstract from a bit of a distance an image emerges. Jack Butler was a Professor of Art at California State University Los Angeles from 1988 to 2010. He received his Master of Arts degree from California State University Los Angeles in 1972 and earned his Master of Fine Arts degree from UCLA in 1979. He was a dedicated teacher from 1971 to 2010 and taught at numerous educational institutions including California State University Los Angeles, the University of California, Riverside, UCLA Extension, Pasadena City College, East Los Angeles College, Los Angeles Southwest College and was a visiting instructor at the School of the Art Institute in Chicago. He has participated in approximately one hundred exhibitions during that time including sixteen solo exhibitions. His work has been shown at such institutions as the Los Angeles County Museum of Art, Fahey / Klein Gallery, Los Angeles, San Francisco Museum of Art, Gallery Min in Tokyo, Japan, the Museum of Contemporary Art in Osaka, Japan, Photo-Tableau in Paris, France, the Photographers Gallery in London England, the Kansas City Art Institute, The Friends of Photography Ansel Adams Center, the Laguna Beach Art Museum, the Long Beach Museum of Art, Sala Arcs Gallery, Barcelona, Spain, the California Museum of Photography, the Center of Contemporary Art, Santa Fe, New Mexico, the George Eastman House, Rochester, New York, the Corcoran Gallery, Boston Mass., and the Santa Barbara Museum of Art and was represented by the former Sherry Frumkin Gallery. He has been published in numerous books and catalogs. These include publications from such seminal exhibitions as “ Proof: Los Angeles Art and the Photograph 1960-1980”, “Photography and Art: Interactions Since 1946”, “Photography and Language” and “Attitudes: Photography in the Seventies” as well as having a catalog of his work published by Min Gallery in Tokyo, Japan. Recent publications include catalogs from the exhibition "Transfictions" at the Fisher Gallery USC and the exhibition "COLA 2004" at Barnsdall Municipal Art Gallery as well as “The Polaroid Years, Instant Photography and Experimentation”, The Francis Lehman Loeb Art Center, Vassar College 2013. During his career he has been involved in numerous workshops and lectures and has curated numerous exhibitions. He has participated in a Distinguished Artists Forum, 20x24 Polaroid Project in 1989 and was supported the by Polaroid Corporation to work on the 20x24 Polaroid camera in New York Studio in 1990 and again in 1998. Polaroid Corporation was also instrumental in assisting with the production of his project Hot Rod "Kulture / Culture.” He was also a recipient of a SECA Award from the San Francisco Museum of Art in 1980, National Endowment for the Arts Fellowship (major individual grant) in 1981 and received a City of Los Angeles Individual Artists Fellowship (COLA Grant) in 2004. His work is included in such collections as the Los Angeles County Art Museum, San Francisco Museum of Art, California Museum of Photography, Grunwald Center for the Graphic Arts UCLA, La Jolla Museum of Contemporary Art, Georges Pompidou National Center for Art and Culture, Seattle Art Museum, the Kiyosato Museum of Photographic Art, Japan, the Graham and Susan Nash Collection, the Aaron Spelling Collection as well as numerous other private collections. Going back to the 1840s, the earliest days of photography, people like Fox Talbot, Hippolyte Bayard and Oscar Gustave Rejlander were manipulating images and producing work that they referred to as Art or “Light Drawings”. Moving on to the 1920s and 30s we discover people such as Kurt Schwitters, Christian Schad, Hana Hoch, Raoul Haussmann, Man Ray, John Heartfield, Max Ernst, Laszlo Moholy-Nagy, Lucia Moholy...