Diego Ascencio

Stretching Landscapes Holei, Contemporary Art, Abstract Painting, Photography

2019

Stretching Landscapes Series: Nobody, not even the rain (Uruapan, Mexico) Set of 2 works Work 1: Photography in cotton paper premium quality 300gr Work 2: Acrylic on canvas 17x11in e...

Stretching Landscapes Series: The Last Lost Continent (Nice) Set of 3 works Work 1: Acrylic on canvas Work 2: Photography in cotton paper premium quality 300gr Work 3: Acrylic on can...

New Warning, 2020 Contemporary Art, Abstract Painting Acrylic and oil on canvas 130x130cm Signed and dated About the artist Adrian Gonzalez (Mexico, 1987). He graduated in Visual Arts from the Faculty of Arts and Design, UNAM (Universidad Autonoma de Mexico) in 2011. His work is part of the Sebastian Foundation Collection, Grupo Reforma and various private collections. He was a beneficiary of the FONCA “Young Creators” program in the specialty of Painting in the 2015/2016 edition. SOLO EXHIBITIONS 2020 - Dance Till U Drop. Pared Space. Galería Virtual. 2018 - SCROLL. Galería Plomo. México, D.F. 2016 - El aire de lo eventual. Galería Alterna. México, D.F. 2015 - Escenarios para habitar el mundo. Galería Luis Adelantado México. México, D. F. - El fin de la apariencia. Galería Central de la ENPEG La Esmeralda, CENART. México, D.F. 2012 - Patrones de la Realidad. Centro Cultural Periodista. México D. F. GROUP EXHIBITIONS 2021 - El Fin. The End Project Space. EU. Atlanta. 2019 - La Causa de las Causas. Museo de Arte Moderno. México, CDMX. 2018 - Pensamiento Especulativo. Fundación CALOSA. México, Guanajuato. - Creación en Movimiento. Jóvenes Creadores del FONCA. 2015 – 2016. Fotomuseo Cuatro Caminos. México, D.F. 2016 - Creación en Movimiento. Jóvenes Creadores del FONCA. 2015 – 2016. Capilla del Arte de la UDLAP. México, Puebla. - X Bienal Nacional de Pintura y Grabado “Alfredo Zalce”. MACAZ. México, Michoacán. - Parámetro 02. Arte Lumen. Museo de la Ciudad de México. México, D. F. - JUSTMAD 7. Feria de Arte Emergente. LASEDE/ Colegio Oficial de Arquitectos de Madrid. España, Madrid. - Efectos Especiales. Galería DIAGRAMA. México, D. F. 2015 - XI Bienal de pintura Joaquín Clausell...

Artificial Flowers, 2022 Contemporary Art, Abstract Painting Acrylic on canvas 82x62cm Frame included Signed and dated on the back About the artist Maite was born in Mexico City, where she now lives and works. Her work is based on the exploration and understanding of the use of colour as a tool to create a stronger connection between the viewer and the work displayed. Having her interest in colour arise from the common ground that exists between her personal experiences with the use of colour within the Mexican culture and the effects of colour she perceives from her personal artistic practice, she tries to use her work as a way to get familiar with both the far-reaching capabilities of colour and its resourcefulness when transforming everyday scenarios into desirable realities. As her practice has been developing, she has continually incorporated and simplified the idea of architectural shapes. The opportunity for objects to be defined by the simple outline of the flat colours that fill them paired with angular geometric devices has become integral to her practice. She has become increasingly captivated by the intensified sensation of placelessness that floods the compositions and transforms an everyday scene into a puzzling sight that stops the image from being simply an admirable image into a visually engrossing experience. EDUCATION 2018-2021 BA(Hons) Fine Art, Central Saint Martins (UAL), London 2020 Exchange, École Nationale Supérieure des Beaux Arts (ENSBA), Paris 2017-2018 Foundation Diploma, Camberwell College of the Arts (UAL), London GROUP EXHIBITIONS 2021, “What have we done?”, Lethaby Gallery, London 2021, “Melt Club”, Chrom Gallery, London 2021, “Central Saint Martins Degree Show” 2021, “Graduate Showcase”, S&P Gallery...

Diptych, 2 paintings Contemporary Art, Abstract Painting Acrylic on canvas 150x100cm each painting Signed on the back About the artist Alejandro Legorreta...

Sentimientos, 2022 Contemporary Art, Abstract Painting Acrylic on canvas 115x100cm Signed and dated on the back About the artist Alexa Perez Rea is ...

In the digital age we take photos. Sometimes I am inspired by interesting or beautiful content I see in day - to - day life. I had the idea to incorporate some of these photos into modified prints and incorporated paint. “ Party’s Over ” is the first piece in this process. This cartoon king head was lying in a parking lot in 2021. Beheaded from a Mardi Gras King Cake, I found it perfect timing to take the pic since we had just had a change in the White H ouse and January 6th was still fresh on everyone’s minds. This piece is an original work derived from my own imagination, all reproduction rights are retained by Brad Fuller...

Archival inks and acrylic on canvas. Gallery wrap continues the images on all the borders. Vibrant colors. About the Artist: Kat is an award-winning photographer, mixed m...

"Paradox" is a wildly colorful, abstract painting layered on top of a black and white photographic print. This is a wonderful bold abstract urban New York inspired scene. The piece ...

Desert canyon road (Abstract Photography) Mix media, C-print, and acrylic paint on a wood mount - Unframed Artwork exclusive to IdeelArt. Artworks are of the highest archival standa...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

unique chromoskedasic monoprint on B&W photo paper 14 x 11 inches unframed 20 x 16 inches in black metal frame with non-glare glass This contemporary, abstract style chromoskedasic ...