Nick Veasey

Batman

2016

Edition 25, Diasec (behind Acrylic glass) This image shows the guitarist Slash of the famous Rock band Guns 'n Roses. A man with x-ray vision, NICK VEASEY creates art that shows wh...

X-Ray of a 1959 Porsche 365B Coupe. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick’s work with radiographic imaging equipment takes...

Edition 25, framed with Diasec In this image we can see the cult Fiat 500 from Italy. A man with x-ray vision, NICK VEASEY creates art that shows what it is...

In this image we can see James Bond X-rayed holding a gund and wearing a suit. A man with x-ray vision, NICK VEASEY creates art that shows what it is reall...

Edition 25, framed with Diasec In this image we can see a Mini with the Union Jack from 1970. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like ins...

In this image we can see a 1972 Corvette LT 1. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick’s work with radiographic imaging equip...

Limited Edition Archival pigment print 25.5 x 31.5 inches Unframed This elegant archival pigment print was created by Shelly Lependorf and Stan Shire as part of their Glyph series. The somewhat abstract nature of the photograph's subject makes it difficult to identify at first, but upon closer inspection, it depicts a highly reflective pond surface with thin, curved branches sticking out of it, is implicit of symbols or handwriting, thus the title. Artists' statement: The foundation for our work is the photographic image with the optimal quality of light. Selecting the interplay of composition, form, rhythm, and line is the focus for our imagery. Integrating these elements in the computer is the next stage in the process of merging our visual and intuitive sensibilities toward a completed vision. Different perceptual effects arise from recording the world in photographs as opposed to interpreting it in paint: Our goal is not to emulate painting. Conceptual work in all mediums has blurred the line between photographers who make art and artists who use photography. The digital medium has established itself in the natural continuum of art history and the ongoing relationship of art with technology. This work forces us to consider a more serene world while reminding us that no contemporary experience is unmediated; technology touches everything. The use of the computer as a tool does not create; it assists creativity resulting in a synthesis of disciplines to be realized as a limited edition. The combination of archival pigment inks on Crane Fine Art paper framed with archival mattes and backboards insures permanence in excess of 175 years. The creative process will always remain in the mind and the soul of the artist. About the artists: Stan Shire is Professor Emeritus and former chair...

"Béatrice Hug makes colours radiate in all directions and vibrate in a way thought to be restricted to painting, transparencies play like glazes to accent...

"Béatrice Hug makes colours radiate in all directions and vibrate in a way thought to be restricted to painting, transparencies play like glazes to accent...

"Béatrice Hug makes colours radiate in all directions and vibrate in a way thought to be restricted to painting, transparencies play like glazes to accent...

30 x 60 inches Edition of 5 Archival Pigment Print

40 x 60 inches Edition of 3 Archival Pigment Print Framed