Minimalist Abstract Photography

Since 1969, Mitchell Funk has been a Minimalist Photographer. His signature style focuses on reducing pictorial elements to their essentials. In this recent image, shot in 2023, he continues the tradition but takes it to a new level. Funk captures a magic moment of a flock of alternating dark and light-colored pigeons in flight. He frames the shot as if it were a painting by Kenneth Noland...

Ancient Page Angel, Book of Faith, Ancient Page (Triptych), 2017 by Shine Huang From the Series “Carry the Ocean” Archival Pigment Print on Hahnemuhle fine art paper. Overall size: 3...

Interstellar, II and III (Triptych), 2019 by Shine Huang Archival Pigment Print on Hahnemuhle fine art paper. Overall size: 42 in. H x 126 in. W Individual size: 42 in. H x 42 in. W ...

Pentti Sammallahti was born in 1950 in Helsinki, Finland. Sammallahti was surrounded by works from his grandmother, Hildur Larsson, who was a photographer in the early 1900s. Sammallahti has been photographing the world around him with a poetic eye since the age of eleven. At the age of nine, he visited "The Family of Man...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Pentti Sammallahti was born in 1950 in Helsinki, Finland. Sammallahti was surrounded by works from his grandmother, Hildur Larsson, who was a photographer in the early 1900s. Sammallahti has been photographing the world around him with a poetic eye since the age of eleven. At the age of nine, he visited "The Family of Man...

Pentti Sammallahti was born in 1950 in Helsinki, Finland. Sammallahti was surrounded by works from his grandmother, Hildur Larsson, who was a photographer in the early 1900s. Sammallahti has been photographing the world around him with a poetic eye since the age of eleven. At the age of nine, he visited "The Family of Man...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Pentti Sammallahti was born in 1950 in Helsinki, Finland. Sammallahti was surrounded by works from his grandmother, Hildur Larsson, who was a photographer in the early 1900s. Sammallahti has been photographing the world around him with a poetic eye since the age of eleven. At the age of nine, he visited "The Family of Man...

Pentti Sammallahti was born in 1950 in Helsinki, Finland. Sammallahti was surrounded by works from his grandmother, Hildur Larsson, who was a photographer in the early 1900s. Sammallahti has been photographing the world around him with a poetic eye since the age of eleven. At the age of nine, he visited "The Family of Man...

Camera Obscura Image of Manhattan View Looking West in Empty Room, 1996 Attributed to Abelardo Morell- unsigned. This is a black-white image marked " F...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #03 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-light. Details: + Title: Blue Beaded Bracelet...

Passing Through 1A (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides...

Circulation (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides and 7....

Systems 2 (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides and 7.6 ...

To and Fro 2 (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides and 7...

Passing Through 2A (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides...

Passing Through 1B (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the side...

Passing Through 1A (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides...

Junction 1 (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides and 7.6...

Passing Through 3 (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides ...

Junction 2 (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides and 7.6...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Egg Study 18, 2021 by Shine Huang Silver gelatin print on Ilford Fiber Paper. Image size: 14 in. H x 21 in. W Edition 1/9 Signed on verso in ink. unframed __________________________...

Artwork sold in perfect condition - Off-Print # 1 (Saint Tropez 1978) from the portfolio Lines (Coffret Prestige # 2) This image was captured on film (1978) The selected negative was printed on Baryta paper by the author and then limited digital reproduction printed later (2021) on fine art paper Photo Rag Baryta 310 gsm for highest age resistance using pigment inks which are known for their longevity. The sun, the sea, the waves, the spray, the bodies lying on the sand. Krichbaum's photos are like the antithesis of "postcard". No bather, no walker, not even a seagull, and yet everything is there. In his desire to leave the viewer free to imagine everything from his photos, the artist did not give titles to his photos, just an indication of date and place. Limited Edition 1/5 Unframed Please note this will include any custom sizes requested German photographer Jörg Krichbaum...

Artwork sold in perfect condition - Off-Print # 1 from the portfolio Au Chic Parisien (Coffret Prestige # 8 on 1stdibs) This image was captured on film (1981) The selected negative ...

Egg Study 4, 2021 by Shine Huang Silver gelatin print on Ilford Fiber Paper. Image size: 20 in. H x 16 in. W Edition 1/9 Signed on verso in ink. unframed ___________________________...

Rebirth III, 2018 by Shine Huang Archival Pigment Print on Hahnemuhle fine art paper. Image size: 20 in. H x 16 in. W Edition 1/9 + 1AP Signed on verso in ink. unframed ____________...

Artwork sold in perfect condition - Off-Print # 1 from the portfolio Au Chic Parisien (Coffret Prestige # 8 on 1stdibs) This image was captured on film (1981) The selected negative was printed on Baryta paper by the author and then limited digital reproduction printed later (2021) on fine art paper Photo Rag Baryta 310 gsm for highest age resistance using pigment inks which are known for their longevity. In a text devoted to him, evoking these seemingly silent photos of Krichbaum, one critic used the term "din" to define the flow of thoughts and feelings that escaped from it. In this too quick glimpse of Paris, the artist creates a dialogue between the white glass balls of a hotel chandelier with two ostrich eggs in the window of a fashionable decorator, while the fashion models, scattered at will shops and seasons, endless stories are exchanged. Limited Edition 1/5 Unframed Please note this will include any custom sizes requested German photographer Jörg Krichbaum...

Artwork sold in perfect condition - Off-Print # 1 from the portfolio Au Chic Parisien (Coffret Prestige # 8 on 1stdibs) This image was captured on film (1981) The selected negative ...

This is an exclusive handprinted limited edition cyanotype. This beautiful diptych is titled "Tranquil Water Patterns", and depicts calming ocean ripples at low tide. Details: + ...

Rebirth II, 2018 by Shine Huang Archival Pigment Print on Hahnemuhle fine art paper. Image size: 20 in. H x 16 in. W Edition 1/9 + 1AP Signed on verso in ink. unframed _____________...

Artwork sold in perfect condition - Off-Print # 2 (Roma 1980) from the portfolio Garden 2 (Coffret Prestige # 9) This image was captured on film (1980) The selected negative was printed on Baryta paper by the author and then limited digital reproduction printed later (2021) on fine art paper Photo Rag Baryta 310 gsm for highest age resistance using pigment inks which are known for their longevity. From Germany to Portugal, from Portugal to Italy, the artist continues his research on light and its games, this time taking nature and trees as the theme. The black and white, the strong intensity of the contrasts, the immobility that seems to emerge from them, all combine to suggest that the vegetation has also mineralized, frozen, under the ascetic gaze of the artist. But put together, close together (which is the very principle of Jörg Krichbaum...

Artwork sold in perfect condition - Off-Print # 3 (Roma 1983) from the portfolio Garden 2 (Coffret Prestige # 9) This image was captured on film (1983) The selected negative was pri...

“Untitled: Movement 2” by Ben Cope 2019 Photo on deconstructed paper on wood panel with oils and paint pigments 24” X 24” inch Ben is a Georgia native gradu...

Artwork sold in perfect condition - Off-Print # 3 (Roma 1976) from the portfolio Statuary (Coffret Prestige # 7) This image was captured on film (1976) The selected negative was printed on Baryta paper by the author and then limited digital reproduction printed later (2021) on fine art paper Photo Rag Baryta 310 gsm for highest age resistance using pigment inks which are known for their longevity. It is undoubtedly in this portfolio that the artist's will is best seen. The dialogues and interactions are so powerful and numerous that the cacophony awaits us. To attempt an iconoclastic reference, it would be Shawn Levy's funny and crazy film, "Night at the Museum", rather than the wise alignment of a statuary at the British Museum. Whether they are warriors, scholars or politicians, these statuettes speak for themselves, speak to each other, and speak to us about ourselves: the polyphony is complete. Limited Edition 1/5 Unframed Please note this will include any custom sizes requested German photographer Jörg Krichbaum...

Artwork sold in perfect condition - Off-Print # 1 (Munich 1979) from the portfolio Garden 2 (Coffret Prestige # 9) This image was captured on film (1979) The selected negative was p...

Things aren´t always what they seem, 2021 by On Hansen Pigment print Image size: 69 cm. H x 100 cm. W Edition of 10 unframed ____________________________ On Hansen originally from Sc...

There is a hand that protects me, 2021 by On Hansen Pigment print Image size: 69 cm. H x 100 cm. W Edition of 10 Unframed ____________________________ On Hansen originally from Scand...

Artwork sold in perfect condition - Off-Print # 2 (Florence 1976) from the portfolio Statuary (Coffret Prestige # 7) This image was captured on film (1976) The selected negative was...

Artwork sold in perfect condition - Off-Print # 3 (Munich 1978) from the portfolio Statuary (Coffret Prestige # 7) This image was captured on film (1978) The selected negative was printed on Baryta paper by the author and then limited digital reproduction printed later (2021) on fine art paper Photo Rag Baryta 310 gsm for highest age resistance using pigment inks which are known for their longevity. It is undoubtedly in this portfolio that the artist's will is best seen. The dialogues and interactions are so powerful and numerous that the cacophony awaits us. To attempt an iconoclastic reference, it would be Shawn Levy's funny and crazy film, "Night at the Museum", rather than the wise alignment of a statuary at the British Museum. Whether they are warriors, scholars or politicians, these statuettes speak for themselves, speak to each other, and speak to us about ourselves: the polyphony is complete. Limited Edition 1/5 Unframed Please note this will include any custom sizes requested German photographer Jörg Krichbaum...

A rock cannot burnt to ashes, 2021 by On Hansen Pigment print Image size: 69 cm. H x 100 cm. W Edition of 10 Unframed ____________________________ On Hansen originally from Scandinav...

Artwork sold in perfect condition - Off-Print # 2 (Lisbon 1982) from the portfolio Rivages (Coffret Prestige # 2) This image was captured on film (1982) The selected negative was printed on Baryta paper by the author and then limited digital reproduction printed later (2021) on fine art paper Photo Rag Baryta 310 gsm for highest age resistance using pigment inks which are known for their longevity. The sun, the sea, the waves, the spray, the bodies lying on the sand. Krichbaum's photos are like the antithesis of "postcard". No bather, no walker, not even a seagull, and yet everything is there. In his desire to leave the viewer free to imagine everything from his photos, the artist did not give titles to his photos, just an indication of date and place. Limited Edition 1/5 Unframed Please note this will include any custom sizes requested German photographer Jörg Krichbaum...

Mid Point 3 (Abstract Photography) Black and white photogram. Unframed. Tenesh Webber is a Canadian artist who works in abstract black and white photography. She lives and works in...

The capability to transform into any shape, 2021 by On Hansen Pigment print Image size: 69 cm. H x 100 cm. W Edition of 10 Unframed ____________________________ On Hansen originally ...

Egg Study 3 and Egg Study 2, 2021 by Shine Huang Silver gelatin print on Ilford Fiber Paper. Overall size: 14 in. H x 42 in. W Individual size: Image size: 14 in. H x 21 in. W Editi...

Artwork sold in perfect condition - Off-Print # 1 (Donaustauf 1973) from the portfolio Step by Step (Coffret Prestige # 1) This image was captured on film (1973) The selected negati...

Egg Study 4 and 5 (Diptych), 2021 by Shine Huang Silver gelatin print on Ilford Fiber Paper. Overall size: 20 in. H x 32 in. W Individual size: Image size: 20 in. H x 16 in. W Editi...

Artwork sold in perfect condition - Off-Print # 1 (Roma 1979) from the portfolio Statuary (Coffret Prestige # 7) This image was captured on film (1979) The selected negative was pri...

Artwork sold in perfect condition - Off-Print # 1 (Florence 1976) from the portfolio Lines (Coffret Prestige # 6) This image was captured on film (1976) The selected negative was pr...

Egg Study 6, 7, and 8 (Triptych), 2021 by Shine Huang Silver gelatin print on Ilford Fiber Paper. Overall size: 20 in. H x 48 in. W Individual size: Image size: 20 in. H x 16 in. W ...

Rebirth I, III, and II (Triptych), 2018 by Shine Huang Archival Pigment Print on Hahnemuhle fine art paper. Overall size: 20 in. H x 48 in. W Individual size: Image size: 20 in. H x...

Egg Study 6 and 8 (Diptych), 2021 by Shine Huang Silver gelatin print on Ilford Fiber Paper. Overall size: 20 in. H x 32 in. W Individual size: Image size: 20 in. H x 16 in. W Editi...

Mid point 2 (Abstract photography) Black and white photogram. Unframed. Tenesh Webber is a Canadian artist who works in abstract black and white photography. She lives and works in...

Artwork sold in perfect condition - Off-Print # 2 (Munich 1979) from the portfolio Step by Step (Coffret Prestige # 1) This image was captured on film (1979) The selected negative was printed on Baryta paper by the author and then limited digital reproduction printed later (2021) on fine art paper Photo Rag Baryta 310 gsm for highest age resistance using pigment inks which are known for their longevity. Steps, a ladder, almost all from the bottom to the top, to show you are climbing. Or ? It's up to everyone to decide, to think about which metaphor they prefer. But it's still a personal matter. For some it will be happy, easy or joyful, while for others, Jörg says in a text written in 1982, the image will refer to a painful memory, a painful sensation, an ordeal. Because this image is "us", it is only us but it is all of us. Limited Edition 1/5 Unframed Please note this will include any custom sizes requested German photographer Jörg Krichbaum...

Egg Study 11, 2021 by Shine Huang Silver gelatin print on Ilford Fiber Paper. Image size: 20 in. H x 16 in. W Edition 1/9 Signed on verso in ink. unframed...

Artwork sold in perfect condition - Off-Print # 2 (Florence 1976) from the portfolio Statuary (Coffret Prestige # 7) This image was captured on film (1976) The selected negative was...