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Andy Warhol
Andy Warhol, photography by ZOA, signed by Andy Warhol and ZOA, colour print

1982

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  • "Human Palm", framed black and white print, Berlin 1960s
    By Sigmar Polke
    Located in Cologne, DE
    Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of K...
    Category

    Late 20th Century Post-War Prints and Multiples

    Materials

    Paper, Lithograph, Offset

  • "Blanket", unframed black and white print, Berlin 1960s
    By Sigmar Polke
    Located in Cologne, DE
    Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of K...
    Category

    Late 20th Century Post-War Prints and Multiples

    Materials

    Offset, Paper, Lithograph

  • "The Correction of the Handlines", unframed black and white print, Berlin 1960s
    By Sigmar Polke
    Located in Cologne, DE
    Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of Karl Otto Götz at the Kunstakademie Düsseldorf and these four upcoming artists presented their latest works in an in their own initiative curated exhibition to bring the newest art movements from oversea and Paris to Germany. On the invitation cards they printed the terminologies „Pop Art, Junk Culture, Nouveau Realisme, Common Object Painting, Neo Dada, New Vulgarismus, Antikunst, Know-Nothing-Genre“ and they proclaimed for theirselves to be the first artists to show a indepently grown Pop Art in Germany, not just as a copy or American import. But Polke showed right from the beginning an ironic distance to the sociocritical style of his combatants, that will run through his entire Ouevre. Influenced by the Fluxus and Neo Dada scene around Joseph Beuys, Daniel Spoerri, Dick Higgins...
    Category

    Late 20th Century Post-War Prints and Multiples

    Materials

    Paper, Lithograph, Offset

  • "Whip", unframed black and white print, Berlin 1960s
    By Sigmar Polke
    Located in Cologne, DE
    Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of Karl Otto Götz at the Kunstakademie Düsseldorf and these four upcoming artists presented their latest works in an in their own initiative curated exhibition to bring the newest art movements from oversea and Paris to Germany. On the invitation cards they printed the terminologies „Pop Art, Junk Culture, Nouveau Realisme, Common Object Painting, Neo Dada, New Vulgarismus, Antikunst, Know-Nothing-Genre“ and they proclaimed for theirselves to be the first artists to show a indepently grown Pop Art in Germany, not just as a copy or American import. But Polke showed right from the beginning an ironic distance to the sociocritical style of his combatants, that will run through his entire Ouevre. Influenced by the Fluxus and Neo Dada scene around Joseph Beuys, Daniel Spoerri, Dick Higgins and others in the early 1960s Polke developed is own style characterised by an anarchic mind and esprit. Simliar to the Pop Art Polke searched for the asthetic in the trivial but here too he simoultanesly disavowed the trivial through irony. Very typical for Polke are the famous grid images, known from newspaper printings, where there are horizontal, uniform lines of small dots and by combining certain dots there arises a form. By using perforated sheets and airbrush he could overlay more monochrome grids to create vibrating images and he often played in the printing process with enforced mistakes and errors to disassemble the firm surface of an image to a process of dekomposition. Next to irony and anarchy other keywords to his works are heterogeneity, polyperspectivity and multivalent metamorphoses in which every reality could be something possibly different at the same time. A world where everything is connected; not by fundamental unity but by fragmentary dispersion. Because there is no one true reality, he transfers his works in an intermediate state of transformability. Peitsche (The Whip, 1968) From the portfolio ".....Höhere Wesen befehlen" (.....Higher beings ordain) Offset lithograph after photographs by Polke and Chris Kohlhöfer on beige art...
    Category

    Late 20th Century Post-War Prints and Multiples

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    Paper, Lithograph, Offset

  • "The Defoliation of a Tree", unframed black and white print, Berlin 1960s
    By Sigmar Polke
    Located in Cologne, DE
    Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of K...
    Category

    Late 20th Century Post-War Prints and Multiples

    Materials

    Paper, Lithograph, Offset

  • "Glaspalm", unframed black and white print, Berlin 1960s
    By Sigmar Polke
    Located in Cologne, DE
    Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of K...
    Category

    Late 20th Century Post-War Prints and Multiples

    Materials

    Paper, Lithograph, Offset

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  • Bandstand, Eastbourne - Black & White Set of Three Framed Photographs
    By Samuel Field
    Located in Cambridge, GB
    'Bandstand', set of three framed artworks, captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of da...
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    20th Century Post-War Black and White Photography

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    Photographic Paper, Black and White, C Print, Silver Gelatin

  • Picasso Ceramics Exhibition 2012-13 Invitation with pendant by Joan Dvorsky
    Located in Milwaukee, WI
    Presented here is an invitation to the Picasso Ceramics exhibition held at the Museu Picasso de Barcelona in 2012-13. The front of the invitation displays David Douglas Duncan...
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  • Marilyn 12, No. 15
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    A chromeogenic print by Post War artist Lawrence Schiller. "Marilyn 12, No. 15" is a color, photographic print depicting a close up of Marilyn Monroe, fresh from the pool on the set ...
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    Street Photographer Mitchell Funk breaks with tradition and shoots street photography in color. Today in 2022, this does not seem like a big deal. But 50 years ago, in 1972, it was q...
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  • "Let's Make Love", Marilyn Monroe
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    A silver gelatin print by Post War artist Lawrence Schiller. ""Let's Make Love", Marilyn Monroe" is a black and white photograph of Marilyn Monroe...
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