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Black and White Photography For Sale
Style: Old Masters
Style: Post-War
Paul Newman in the motion picture "Cool Hand Luke", black and white portrait
Located in Palm Desert, CA
This black and white portrait of actor Paul Newman was taken by Lawrence Schiller in 1967 on the set of the movie "Cool Hand Luke". A silver gelatin photograph by Post War artist Larry Schiller. This celebrity photograph...
Category

Mid-20th Century Post-War Black and White Photography

Materials

Silver Gelatin

Bandstand, Eastbourne - Black & White Set of Three Framed Photographs
Located in Cambridge, GB
'Bandstand', set of three framed artworks, captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of da...
Category

20th Century Post-War Black and White Photography

Materials

Photographic Paper, Black and White, C Print, Silver Gelatin

Bandstand I, Eastbourne, UK - Black and White Vintage Photography
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by. This artwork is a...
Category

1980s Post-War Black and White Photography

Materials

Photographic Paper, Black and White, C Print, Silver Gelatin

Watching the horse races with binoculars, Deauville, France
Located in Los Angeles, CA
Robert Capa (born Endre Ernő Friedmann October 22, 1913 – May 25, 1954) was a Hungarian–American war photographer and photojournalist. He is considered by some to be the greatest com...
Category

1950s Post-War Black and White Photography

Materials

Silver Gelatin

Closure
Located in London, GB
'Closure' London, United Kingdom 2018 Limited edition of 20. John Gibson 'Hylas Surprised by the Naiades' According to Greek mythology, Hylas was the beautiful son of King Thiodom...
Category

2010s Old Masters Black and White Photography

Materials

Photographic Paper, Giclée

Pablo Neruda - b/w photo - 1962
Located in Roma, IT
Pablo Neruda Vintage Photo, b/w photo is realized in 1962. With the stamp of " Scarmiglia, Roma" Good conditions, consumed margins.
Category

1960s Old Masters Black and White Photography

Materials

Photographic Paper

Closure
Located in London, GB
'Closure' London, United Kingdom 2018 Limited edition of 20. John Gibson 'Hylas Surprised by the Naiades' According to Greek mythology, Hylas was the beautiful son of King Thiodom...
Category

2010s Old Masters Black and White Photography

Materials

Giclée, Photographic Paper

Bandstand III, Eastbourne, UK - Black and White Vintage Photography
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by. This artwork is a...
Category

1980s Post-War Black and White Photography

Materials

Photographic Paper, Black and White, C Print, Silver Gelatin

521 – René Groebli, Black and White, Nude, Photography, Body, Woman, Erotic, Art
Located in Zurich, CH
René GROEBLI (*1927, Switzerland) 521, 1952 Vintage silver gelatin print on Baryta paper Image 27.6 x 19 cm (10 7/8 x 7 1/2 in.) Sheet 34 x 23 cm (13 3/8 x 9 in.) Unique Framed Signed and dated on verso This photograph is part of the MoMA permanent collection. René Groebli (born in Zurich, Switzerland in 1927) secured his place among the elite of Swiss post-war photographers with his 1949 portfolio MAGIE DER SCHIENE (RAIL MAGIC). In the early fifties Groebli worked as reporter for Life, Picture Post and other international magazines. During the following years he owned a studio for industrial and advertising photography. In 1957 the American Color Annual named him MASTER OF COLOR. In the early 80s Groebli stopped working for advertising and rediscovered for himself the possibilities of expression that black & white photography offers. In 1999 the Zurich Kunsthaus (Art Museum) showed a representative selection of his photographs from the years 1946 to 1996. With NUDES René Groebli gives us a work for sensuous pleasure that had grown over half a century. In the long history of sensual art photography one is hard pressed to find anyone comparable to the Swiss photo...
Category

1950s Post-War Black and White Photography

Materials

Silver Gelatin

Marilyn Monroe
Located in Palm Desert, CA
A photograph by Lawrence Schiller. ""Marilyn Monroe"" is a nude, figurative vintage silver gelatin photograph in black and white by American Post-War artist Lawrence Schiller. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. ""It was a time in which things happened awfully fast,"" Schiller says of the decade. ""It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future."" When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...
Category

Mid-20th Century Post-War Black and White Photography

Materials

Silver Gelatin

307 – René Groebli, Black and White, Street Photography, Art, Vintage Print
Located in Zurich, CH
René GROEBLI (*1927, Switzerland) 307, 1946 / 1952 Vintage silver gelatin print on Baryta paper Sheet 21.5 x 17 cm (8 1/2 x 6 3/4 in.) Unique Print only S...
Category

1940s Post-War Black and White Photography

Materials

Silver Gelatin

Robert Kennedy, San Diego
Located in Palm Desert, CA
A photograph by Lawrence Schiller. “Robert Kennedy, San Diego” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Schiller. The artwork is signed on the verso. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. "It was a time in which things happened awfully fast," Schiller says of the decade. "It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future." When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...
Category

Mid-20th Century Post-War Black and White Photography

Materials

Silver Gelatin

Bandstand II, Eastbourne, UK - Black and White Vintage Photography
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by. This artwork is a...
Category

1980s Post-War Black and White Photography

Materials

Photographic Paper, Black and White, C Print, Silver Gelatin

Bandstand I, Eastbourne, UK - Black and White Vintage Photography
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by. This artwork is a...
Category

1980s Post-War Black and White Photography

Materials

Photographic Paper, Black and White, C Print, Silver Gelatin

Bandstand II, Eastbourne, UK - Black and White Vintage Photography
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by. This artwork is a...
Category

1980s Post-War Black and White Photography

Materials

Photographic Paper, Black and White, C Print, Silver Gelatin

Bandstand III, Eastbourne, UK - Black and White Vintage Photography
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by. This artwork is a...
Category

1980s Post-War Black and White Photography

Materials

C Print, Silver Gelatin, Photographic Paper, Black and White

Bandstand I, Eastbourne, UK - Black and White Vintage Photography
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by. This artwork is a...
Category

1980s Post-War Black and White Photography

Materials

Photographic Paper, Black and White, C Print, Silver Gelatin

Bandstand III, Eastbourne, UK - Black and White Vintage Photography
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by. This artwork is a...
Category

1980s Post-War Black and White Photography

Materials

Black and White, C Print, Silver Gelatin, Photographic Paper

Bandstand II, Eastbourne - Black and White Vintage Portrait Photography
Located in Cambridge, GB
Captured on a visit to Samuel Field's grandparents in Eastbourne, this collection is a beautiful reminder of days gone by. This artwork is a limited edition of 25, gloss photographi...
Category

1980s Post-War Black and White Photography

Materials

Photographic Paper, Black and White, C Print, Silver Gelatin

Bandstand I, Eastbourne - Black and White Vintage Portrait Photography
Located in Cambridge, GB
Captured on a visit to Samuel Field's grandparents in Eastbourne, this collection is a beautiful reminder of days gone by. This artwork is a limited edition of 25, gloss photographi...
Category

1980s Post-War Black and White Photography

Materials

Photographic Paper, Black and White, C Print, Silver Gelatin

Bandstand III, Eastbourne - Black and White Vintage Portrait Photography
Located in Cambridge, GB
Captured on a visit to Samuel Field's grandparents in Eastbourne, this collection is a beautiful reminder of days gone by. This artwork is a limited edition of 25, gloss photographi...
Category

1980s Post-War Black and White Photography

Materials

Photographic Paper, Black and White, C Print, Silver Gelatin

Louvre, Aile Denon, La Victoire de Samothrace, Paris, France
Located in New York City, NY
Edition of 9. Signature label. Framed work. A prominent French architectural photographer, Jean-Christophe Ballot’s body of work concerns itself with space: be it cities with urb...
Category

Early 2000s Old Masters Black and White Photography

Materials

Archival Pigment

Louvre, Statue I
Located in New York City, NY
Edition of 9. Signature label. Framed work. A prominent French architectural photographer, Jean-Christophe Ballot’s body of work concerns itself with space: be it cities with urb...
Category

Early 2000s Old Masters Black and White Photography

Materials

Archival Pigment

Louvre, Statue III
Located in New York City, NY
Edition of 9. Signature label. Framed work. A prominent French architectural photographer, Jean-Christophe Ballot’s body of work concerns itself with space: be it cities with urb...
Category

Early 2000s Old Masters Black and White Photography

Materials

Archival Pigment

Louvre, Depois le toit du pavillon de Flore, Paris, France
Located in New York City, NY
Edition of 9. Signature label. Framed work. A prominent French architectural photographer, Jean-Christophe Ballot’s body of work concerns itself with space: be it cities with urb...
Category

Early 2000s Old Masters Black and White Photography

Materials

Archival Pigment

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A photograph by Lawrence Schiller. ""Marilyn Monroe"" is a nude, figurative vintage silver gelatin photograph in black and white by American Post-War artist Lawrence Schiller. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. ""It was a time in which things happened awfully fast,"" Schiller says of the decade. ""It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future."" When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...
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Shop Black and White Photography

There’s a lot to love about black and white photography.

The unique and timeless quality of a black and white photograph accentuates any room. Some might argue that we’re naturally drawn to color photography because it’s the world we know best. This is a shared belief, particularly in the era of camera-phone photography, editing apps and the frenetic immediacy of sharing photos on social media. But when we look at black and white photography, we experience deep, rich shadows and tonal properties in a way that transfixes us. Composition and textures are crisp and engaging. We’re immediately drawn to the subjects of vintage street photography and continue to feel the emotional impact of decades-old photojournalism. The silhouettes of mountains in black and white landscape photography are particularly pronounced, while portrait photography and the skylines of urban cityscapes come to life in monochrome prints.

When decorating with fine photography, keep in mind that some color photographs may not be suitable for every space. However, you can be more daring with black and white photos. The gray tones are classic, sophisticated and generally introduce elegance to any corner of your home, which renders black and white prints amazingly versatile.

Black and white photography adapts to its surroundings like a chameleon might. A single large-scale black and white photograph above the sofa in your living room is going to work with any furniture style, and as some homeowners and designers today are working to introduce more muted tones and neutral palettes to dining rooms and bedrooms, the integration of black and white photography — a hallmark of minimalist decor — is a particularly natural choice for such a setting.

Another advantage to bringing black and white photography into your home is that you can style walls and add depth and character without worrying about disrupting an existing color scheme. Black and white photographs actually harmonize well with accent colors such as yellow, red and green. Your provocative Memphis Group lighting and bold Pierre Paulin seating will pair nicely with the black and white fine nude photography you’ve curated over the years.

Black and white photography also complements a variety of other art. Black and white photos pair well with drawings and etchings in monochromatic hues. They can also form part of specific color schemes. For example, you can place black and white prints in colored picture frames for a pop of color. And while there are no hard and fast rules, it’s best to keep black and white prints separate from color photographs. Color prints stand out in a room more than black and white prints do. Pairing them may detract attention from your black and white photography. Instead, dedicate separate walls or spaces to each.

Once you’ve selected the photography that best fits your space, you’ll need to decide how to hang the images. If you want to hang multiple photos, it’s essential to know how to arrange wall art. A proper arrangement can significantly enhance a living space.

On 1stDibs, explore a vast collection of compelling black and white photography by artists such as Mark Shaw, Jack Mitchell (a photographer you should know), Berenice Abbott and David Yarrow.

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