Black and White Photography

Bond Girls (1968) - Silver Gelatin Fibre Print (Photo by Alfred Hind Robinson/Getty Images Archive) Australian actor George Lazenby poses with several of his female co-stars whilst filming the new James Bond film 'On Her Majesty's Secret Service' in the Swiss Alps, 22nd October 1968. From left to right, the actresses are (at the back) Helena Ronee, Zaheera, Catherina von Schell, (sitting) Anouska Hempel...

High Wire Motorcycle (1960) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) A high-wire act with a man standing on his head on a motorcycle with man a...

Marilyn Monroe Vintage press photo. Photographer Eve Arnold for Magnum Photos. 1962 printed later. (I believe in the early 80's) Eve Arnold, OBE, Hon. ...

Framed Dimensions (inches): 14.5" x 16.5" Ernst Haas (1921–1986) is acclaimed as one of the most celebrated and influential photographers of the 20th century and considered one of the pioneers of color photography. Haas was born in Vienna in 1921, and took up photography after the war. At the invitation of Robert Capa, Haas joined Magnum in 1949, developing close associations with Capa, Henri Cartier-Bresson, and Werner Bischof. His images were disseminated by magazines like Life and Vogue and, in 1962, were the subject of the first single-artist exhibition of color photography at New York's Museum of Modern Art. He served as president of the cooperative Magnum Photos, and his book The Creation (1971) was one of the most successful photography books ever, selling 350,000 copies. A Poet’s Camera (1949), which combined poetry with metaphoric imagery by artists like Edward Weston, was particularly important to Haas's early development. Unsure of his career path, Haas realized that photography could provide both a means of support and a vehicle for communicating his ideas. He obtained his first camera in 1946, at the age of 25, trading a 20-pound block of margarine for a Rolleiflex on the Vienna black market. In 1954 Robert Capa, Magnum's first president, was killed while on assignment covering the First Indochina War. That same year, Werner Bischof died in a car accident in the Andes. Following their deaths, Haas was elected to Magnum's board of directors and traveled to Indochina himself to cover the war. After the death of David “Chim” Seymour in Suez in 1959, Haas was named the fourth president of Magnum. In 1962 the Museum of Modern Art in New York presented a ten-year survey of Haas's color photography. Haas had been included in Edward Steichen's exhibition The Family of Man, which premiered in 1955 and traveled to 38 countries. In addition to editorial journalism and unit stills work, Haas was also highly regarded for advertising photography, contributing groundbreaking campaigns for Volkswagen automobiles and Marlboro...

Lunch Time (1955) - Silver Gelatin Fibre Print - Limited Estate Stamped (Photo by Michael Webb/Getty Images) Five British models eating lunch in their swi...

The funeral of Malcolm XFred W. McDarrah, 1926-2007 Veteran Village Voice photographer Fred W. McDarrah Over a 50-year span, McDarrah documented the rise of...

Frank Sinatra Boardwalk In Miami 1968 by Terry O'Neill (1938 – 2019) Lifetime Hand Signed Framed Silver Print TITLE: Frank Sinatra in Miami 1968 PHOTO: Terry O’Neill SIGNED LIMITED...

Malcolm X Funeral signed in ink Veteran Village Voice photographer Fred W. McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generatio...

Programmer (1964) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) 1st November 1964. A technician programming mainframe computer at control room conso...

Francoise Hardy (1969) - Silver Gelatin Fibre Print (Photo by Reg Lancaster/Express/Getty Images) 1969: French singer, Francoise Hardy sitting on a m...

Princess Audrey (1953) (Photo By Phillip Harrington) Audrey Hepburn preparing for a scene in the 1953 film “Roman Holiday” dir. William Wyler, in which Hepburn plays Ann, the crown princess of a European nation, whose state visit to Rome, Italy, turns into the adventure she'd hoped for when she meets American journalist, Joe (Gregory Peck). Assisting Hepburn is dresser Sally Gordon, and in the background is the costume designer Edith Head. Additional Information: Unframed Paper Size: 16x20'' Note image size may vary from paper size - please contact us directly for exact image dimensions Printed Later Limited Edition Silver Gelatin Fibre Print NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12'' 12 x 16'' 16 x 20'' 20 x 24'' 20 x 30'' FRAMING AVAILABLE ON REQUEST About the Artist: Phillip A. Harrington was born in 1920 and grew up in Holland, Michigan. He developed an interest in photography at an early age, joining the high school camera club at 16. At the age of 19, Harrington moved to New York City to study at the Clarence. H. White school of photography, a prestigious institution with graduates such as Margaret Bourke-White, Dorothea Lange, Laura Gilpin...

Brimful Of Fashion (1960) - Silver Gelatin Fibre Print (Photo by William Vanderson/Getty Images) Fashion model Brenda Harper wearing a Feather Crown o...

'Sophia Loren' Limited Edition Silver Gelatin Print Italian sex symbol and actress, Sophia Loren, 1966 / Everett Collection. Large silver gelatin fibre print - limited gallery e...

Dirk Bogarde had, by the time Jack Robinson photographed him on January 17, 1968, survived a long period as the pin-up idol of postwar British cinema to b...

Ravishing Rampling (1966) (Photo By Phillip Harrington) '60s icon Charlotte Rampling at The Pair of Shoes, a casino in London, 7th September 1966. Additional Information: Unframed Paper Size: 16x20'' Printed Later from Archive Source Limited Edition Silver Gelatin Fibre Print Edition of 100 NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12'' 12 x 16'' 16 x 20'' 20 x 24'' 20 x 30'' FRAMING AVAILABLE ON REQUEST About the Artist: Phillip A. Harrington was born in 1920 and grew up in Holland, Michigan. He developed an interest in photography at an early age, joining the high school camera club at 16. At the age of 19, Harrington moved to New York City to study at the Clarence. H. White school of photography, a prestigious institution with graduates such as Margaret Bourke-White, Dorothea Lange, Laura Gilpin...

Churchill in Richmond Park (1963) - Silver Gelatin Fibre Print (Photo by Terry Fincher/Express/Hulton Archive/Getty Images Archive) British wartime pri...

Sophia Loren - Venice 1955 Oversize Archival Pigment Print Absolutely Exquisite HUGE 40 x 40" inches / 101 x 101 cm paper size print. Unframed. Produced on authentic Hahnemühle p...

Salk Institute (1966) (Photo By Phillip Harrington) Detail of the architecture at the Salk Institute for Biological Studies, San Diego, California. The campus was designed by award-winning American architect, Louis Kahn. Additional Information: Unframed Paper Size: 10x12'' Printed Later from Archive Source Limited Edition Silver Gelatin Fibre Print NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12'' 12 x 16'' 16 x 20'' FRAMING AVAILABLE ON REQUEST About the Artist: Phillip A. Harrington was born in 1920 and grew up in Holland, Michigan. He developed an interest in photography at an early age, joining the high school camera club at 16. At the age of 19, Harrington moved to New York City to study at the Clarence. H. White school of photography, a prestigious institution with graduates such as Margaret Bourke-White, Dorothea Lange, Laura Gilpin...

Steptoe And A Beatle (1964) - Silver Gelatin Fibre Print (Photo by Kaye/Express/Getty Images) 5th April 1964: Beatle Paul McCartney at Marylebone, London with Wilfrid Brambell (1...

California Sports Car Club Air Show (1965) - Silver Gelatin Fibre Print (Photo by W.R.C. Shedenhelm/The Enthusiast Network via Getty Images/Getty Images) UN...

Ali In Training (1966) - Silver Gelatin Fibre Print (Photo by R. McPhedran/Hulton Archive/Getty Images) American heavyweight boxer Muhammad Ali throws bare-handed punches in the ri...

Charlotte Rampling (1966) (Photo By Phillip Harrington) 7th September 1966 Charlotte Rampling and Joanna Pettit, gambling at The Pair of Shoes, a...

Pacific Diver (1950) - Silver Gelatin Fibre Print (Photo by Evans/Three Lions/Getty Images) circa 1950: Swimmer diving into rough water lashing against rocky cliffs at Acapulco, the Riviera of Mexico. Additional Information: Unframed Paper Size: 40x40'' Printed 2020 Silver Gelatin Fibre Print NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 10'' 12 x 12'' 16 x 16'' 20 x 20'' 30 x 30'' 40 x 40'' FRAMING AVAILABLE ON REQUEST Fashion, Retro, Vintage, Car, High Society, Legends, Acting, Diving, Ocean...

On Target (1966) - Silver Gelatin Fibre Print (Photo by George W. Hales/Fox Photos/Getty Images) 18th July 1966: A beret by Simone Mirman is modelled b...

Film And Field Stars (1966) - Silver Gelatin Fibre Print (Photo by Larry Ellis/Express/Getty Images) 12th July 1966: From left to right, Jimmy Greaves, Sean Connery, Yul Brynner (1915 - 1985), and Bobby Moore (1941 - 1993) during a visit by the England football team to Pinewood Studios...

The Washington Monument (1960) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) The Washington Monument seen from Lincoln Memorial Washington DC USA, ...

'Private Dancer' Brigitte Bardot 1961 by Giancarlo Botti Wonderfully intimate shot of the French sex symbol and icon, Brigitte Bardot, on set of the film 'A Very Private Affair' w...

Chorus Formation (1933) - Silver Gelatin Fibre Print (Photo by Sasha/Getty Images) 14th February 1933: The Albertina Rasch chorus girls who are appearin...

Throbbing Gristle In Culver City (1981) - Silver Gelatin Fibre Print (Photo by Brian Duff/Daily Express/Express/Getty Images) circa 1968: Young m...

Josef Sudek Prague : National Theatre, 1963 Original gelatin silver print Hand signed in pencil in the lower right corner (see picture) 17 x 23 cm (c...

Lord Snowdon Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland and Marc Asnin. His mailbox was simply marked "McPhoto." An exhibit of McDarrah’s photos of artists presented by the Steven Kasher Gallery in Chelsea was hailed by The New York Times as “a visual encyclopedia of the era’s cultural scene.” artists in their studios, (Alice Neel, Philip Guston, Stuart Davis, Robert Smithson, Jasper Johns, Franz Kline), actors (Dustin Hoffman, Robert De Niro on the set of “Taxi Driver”), musicians (Janis Joplin, Alice Cooper, Bob Dylan) and documentary images of early happenings and performances (Yayoi Kusama, Charlotte Moorman, Al Hansen, Jim Dine, Nam June Paik). The many images of Andy Warhol include the well-known one with his Brillo boxes at the Stable Gallery in 1964. Woody Allen, Diane Arbus, W. H. Auden, Francis Bacon, Joan Baez, Louise Bourgeois, David Bowie, Jimmy Breslin, William Burroughs, John Cage, Leo Castelli, Christo, Leonard Cohen, Merce Cunningham, William de Kooning, Jim Dine, Mark di Suvero, Marcel Duchamp, Bob Dylan, Federico Fellini, Allen Ginsberg, Robert Indiana, Mick Jagger, Jasper Johns, Kusama, John Lennon, Sol Lewitt, Roy Lichtenstein, Nam June Paik, Elvis Presley, Claes Oldenburg, Yoko Ono, Robert Rauschenberg, Lou Reed, James Rosenquist, Mark Rothko, Ed Ruscha, Robert Smithson, Susan Sontag, Andy Warhol, and others. McDarrah’s prints have been collected in depth by the J. Paul Getty Museum and the National Portrait Gallery, Washington. His work is in numerous public and private collections. Antony Charles Robert Armstrong-Jones, 1st Earl of Snowdon, GCVO, FRSA, RDI (7 March 1930 – 13 January 2017), commonly known as Lord Snowdon, was a British photographer and filmmaker. He was the husband of Princess Margaret and brother-in-law of Queen Elizabeth II. Armstrong-Jones was educated at two independent boarding schools: first at Sandroyd School in Wiltshire from the autumn term of 1938 to 1943. Armstrong-Jones then attended Eton College. He then matriculated at the University of Cambridge, where he studied architecture at Jesus College. After university, Armstrong-Jones began a career as a photographer in fashion, design and theatre. Much of his early commissions were theatrical portraits, often with recommendations from his uncle Oliver Messel, and "society" portraits highly favoured in Tatler, which, in addition to buying a lot of his photographs, gave him byline credit for the captions. He later became known for his royal studies, among which were the official portraits of Queen Elizabeth II and the Duke of Edinburgh for their 1957 tour of Canada. In the early 1960s, Armstrong-Jones became the artistic adviser of The Sunday Times Magazine, and by the 1970s had established himself as one of Britain's most respected photographers. Though his work included everything from fashion photography to documentary images of inner city life and the mentally ill, he is best known for his portraits of world notables, many of them published in Vogue, Vanity Fair, and The Daily Telegraph magazine. His subjects include Marlene Dietrich; Laurence Olivier; Maggie Smith; David Bowie; Elizabeth Taylor; Rupert Everett; Anthony Blunt...

Lawrence Alloway Museum Director Jan 28 1964 Photographer - Fred McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland and Marc Asnin. His mailbox was simply marked "McPhoto." An exhibit of McDarrah’s photos of artists presented by the Steven Kasher Gallery in Chelsea was hailed by The New York Times as “a visual encyclopedia of the era’s cultural scene.” artists in their studios, (Alice Neel, Philip Guston, Stuart Davis, Robert Smithson, Jasper Johns, Franz Kline), actors (Dustin Hoffman, Robert De Niro on the set of “Taxi Driver”), musicians (Janis Joplin, Alice Cooper, Bob Dylan) and documentary images of early happenings and performances (Yayoi Kusama, Charlotte Moorman, Al Hansen, Jim Dine, Nam June Paik). The many images of Andy Warhol include the well-known one with his Brillo boxes at the Stable Gallery in 1964. Woody Allen, Diane Arbus, W. H. Auden, Francis Bacon, Joan Baez, Louise Bourgeois, David Bowie, Jimmy Breslin, William Burroughs, John Cage, Leo Castelli, Christo, Leonard Cohen, Merce Cunningham, William de Kooning, Jim Dine, Mark di Suvero, Marcel Duchamp, Bob Dylan, Federico Fellini, Allen Ginsberg, Robert Indiana, Mick Jagger, Jasper Johns, Kusama, John Lennon, Sol Lewitt, Roy Lichtenstein, Nam June Paik, Elvis Presley, Claes Oldenburg, Yoko Ono, Robert Rauschenberg, Lou Reed, James Rosenquist, Mark Rothko, Ed Ruscha, Robert Smithson, Susan Sontag, Andy Warhol, and others. McDarrah’s prints have been collected in depth by the J. Paul Getty Museum and the National Portrait Gallery, Washington. His work is in numerous public and private collections. Lawrence Reginald Alloway was an English art critic and curator who worked in the United States from 1961. In the 1950s, he was a leading member of the Independent Group in the UK and in the 1960s was an influential writer and curator in the US. He first used the term "mass popular art" in the mid-1950s and used the term "Pop Art" in the 1960s to indicate that art has a basis in the popular culture of its day and takes from it a faith in the power of images. Alloway started writing reviews for the British periodical ArtReview, then styled Art News and Review in 1949 and for the American periodical Art News in 1953. In Nine Abstract Artists (1954) he promoted the Constructivist artists that emerged in Britain after the Second World War: Robert Adams, Terry Frost, Adrian Heath, Anthony Hill...

'Cocktail Dress' Limited Edition silver gelatin print selected from V&A Collection. A model wearing a cocktail dress, John French (1907-66), London, 1963 © Victoria and Albert Muse...

Edward Steichen, John Durniak, Monroe Wheeler and Edward D. Museum of modern art on Feb 10, 1962 Photographer Fred McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland and Marc Asnin. His mailbox was simply marked "McPhoto." An exhibit of McDarrah’s photos of artists presented by the Steven Kasher Gallery in Chelsea was hailed by The New York Times as “a visual encyclopedia of the era’s cultural scene.” artists in their studios, (Alice Neel, Philip Guston, Stuart Davis, Robert Smithson, Jasper Johns, Franz Kline), actors (Dustin Hoffman, Robert De Niro on the set of “Taxi Driver”), musicians (Janis Joplin, Alice Cooper, Bob Dylan) and documentary images of early happenings and performances (Yayoi Kusama, Charlotte Moorman, Al Hansen, Jim Dine, Nam June Paik). The many images of Andy Warhol include the well-known one with his Brillo boxes at the Stable Gallery in 1964. Woody Allen, Diane Arbus, W. H. Auden, Francis Bacon, Joan Baez, Louise Bourgeois, David Bowie, Jimmy Breslin, William Burroughs, John Cage, Leo Castelli, Christo, Leonard Cohen, Merce Cunningham, William de Kooning, Jim Dine, Mark di Suvero, Marcel Duchamp, Bob Dylan, Federico Fellini, Allen Ginsberg, Robert Indiana, Mick Jagger, Jasper Johns, Kusama, John Lennon, Sol Lewitt, Roy Lichtenstein, Nam June Paik, Elvis Presley, Claes Oldenburg, Yoko Ono, Robert Rauschenberg, Lou Reed, James Rosenquist, Mark Rothko, Ed Ruscha, Robert Smithson, Susan Sontag, Andy Warhol, and others. McDarrah’s prints have been collected in depth by the J. Paul Getty Museum and the National Portrait Gallery, Washington. His work is in numerous public and private collections. Edward Jean Steichen (March 27, 1879 – March 25, 1973) was a Luxembourgish American photographer, painter, and art gallery and museum curator. Steichen's were the photographs that most frequently appeared in Alfred Stieglitz's groundbreaking magazine Camera Work during its publication from 1903 to 1917. Together Stieglitz and Steichen opened the Little Galleries of the Photo-Secession, which eventually became known as '291', after its address. Steichen laid claim to his photos of gowns for the magazine Art et Décoration in 1911 being the first modern fashion photographs ever published. From 1923 to 1938, Steichen was a photographer for the Condé Nast magazines Vogue and Vanity Fair while also working for many advertising agencies including J. Walter Thompson. During these years, Steichen was regarded as the best known and highest paid photographer in the world. In 1944, he directed the war documentary The Fighting Lady, which won the 1945 Academy Award for Best Documentary. From 1947 to 1961, Steichen served as Director of the Department of Photography at New York's Museum of Modern Art. While at MoMA, he curated and assembled exhibits including The Family of Man, which was seen by nine million people. In 1904, Steichen began experimenting with color photography. He was one of the earliest in the United States to use the Autochrome Lumière process. In 1905, Stieglitz and Steichen created the Little Galleries of the Photo-Secession, which eventually became known as 291 after its address. It presented some of the first American exhibitions of Henri Matisse, Auguste Rodin, Paul Cézanne, Pablo Picasso, and Constantin Brâncuși. He worked with Robert Frank even before his The Americans was published, exhibited the early work of Harry Callahan and Aaron Siskind, and purchased two Rauschenberg prints...

Sophia Loren - Oversize Silver Gelatin Print Absolutely Exquisite HUGE 40 x 40" inches / 101 x 101 cm paper size silver gelatin print. Unframed. Produced on authentic silver gelat...

'The Misfits' Oversize Limited Edition silver gelatin print A gorgeously candid portrait of the first rebel of Hollywood and greatly respected young son of method acting - before ...

'Cocktail Dress' Limited Edition silver gelatin print selected from V&A Collection. A model wearing a cocktail dress, John French (1907-66), London, 1963 © Victoria and Albert Muse...

'Bird Of A Feather' Limited Edition silver gelatin print V&A Portfolio A model wearing a cocktail dress and feathered hat, John French (1907-66), London, 1960s © Victoria and Albert...

'Make Up Mirror' Limited Edition V&A Portfolio silver gelatin fibre print. Model in cap and white gloves, London, mid 20th century, John French (1907-66) London, circa 1950 © Vict...

'Cocktail Dress' Limited Edition silver gelatin print selected from V&A Collection. A model wearing a cocktail dress, John French (1907-66), London, 1963 © Victoria and Albert Muse...

'Make Up Mirror' Limited Edition V&A Portfolio silver gelatin fibre print. Model in cap and white gloves, London, mid 20th century, John French (1907-66) London, circa 1950 © Vict...

'Ravishing Rampling' Limited Edition silver gelatin print 1966 Charlotte Rampling at The Pair of Shoes, a casino in London, 7th September 1966. (Photo Phillip Harrington) EXTRA LA...

'Ravishing Rampling' Limited Edition silver gelatin print 1966 Charlotte Rampling at The Pair of Shoes, a casino in London, 7th September 1966. (Photo Phillip Harrington) EXTRA LA...