Cyrille Druart

Original Photography by Cyrille Druart

2016

Black and white original photography by Cyrille Druart. Edition: I/VIII Dimensions: 112 x 200 cm Signed and Numbered Cyrille Druart is a French photograph and architect, a book a...

Black and white original photography by Cyrille Druart. Edition: II/VIII Dimensions: 50 x 40 cm Cyrille Druart is a French photograph and architect, a book about his new series w...

Black and white original photography by Cyrille Druart. Edition: I/V Dimensions: 120 x 90 cm Signed and Dated Cyrille Druart is a French photograph and architect, a book about his...

Black and white original photography by Cyrille Druart. Edition: I/VIII It is the last available. Dimensions: 50 x 40 cm Cyrille Druart is a French photograph and architect, a boo...

Ralph Gibson Nude Woman Portrait Signed and Dated 2013 Dimensions: 19" x 13" Ralph Gibson was born in Los Angeles, California, in 1939. Today he lives and works in New York. He se...

Antonio Segui 38 x 46 cm Distraido Oil on Canvas Signed and Dated on the back Antonio Segui Biography Born in Córdoba, Argentina in 1934, Antonio Seguí currently lives and works in Paris. He studied at the San Fernando Academy in Madrid, Spain as well as the Ecole des Beaux-Arts in Paris, France. His first solo exhibition was in Argentina at age 23. Antonio Seguí is one of the most internationally renowned Argentinian artists. He began his artistic endeavors at a young age after leaving Argentina to travel the world and study art. His journeys through Latin America, Europe and Africa exposed him to new ideas and encouraged his culturally diverse approach to art. Influenced by artists like Fernand Leger and Diego Rivera, Seguí’s work is generally satirical, critiquing society and human nature. In a pre-computer age, the artist created a vocabulary that is now being explored by a new generation of artists through comics and Manga, yet his visual language and social commentaries remain poignant, both symbolically and literally. Throughout his career, Seguí has developed a fascination for urban life, creating in his work the idea of the “everyman.” The city movement, the fast pace at which life happens and the people who live in these urban spaces are some of the elements that constitute the world depicted in his paintings. It is a prototypical realm inhabited by speedy automatons that take immutable routes leading nowhere. Up close, each figure is an individual, walking down dark alleys, pointing, waving and emerging from potholes. But from a distance, the individuals morph into complex patterns swallowed up in a labyrinth of buildings and cookie-cutter trees. Utilizing cubist techniques, Seguí’s repeated elements give shape to the cities causing planes to vibrate between line and color. Numerous perspectives unfold with each vibration and reflect the many angles of life of the urban man. Always in action, the little figures trample, tip-toe, dodge and advance through Seguí’s imaginary metropolis of life. His work is representated on a series of narratives and criticisms reflected on paintings that show many little men, dressed in 20's style clothes. He uses his own recourse based on comic strip characters, texts, arrows and various signs, juxtaposed onto the figures that resemble comic strip style language. Seguí’s work is collected and exhibited worldwide in places such as the MoMA, New York; Art Museum of the Americas, Washington, D.C.; Frissiras Museum, Athens, Greece; Museo de Arte Moderno de Buenos Aires, Argentina; Museum der Moderne Salzburg, Austria; Museum of Modern Art Dubrovnik, Croatia; and Museo Tamayo, Mexico City, Mexico. The Musée National d´Art Moderne, Paris organized a retrospective of his works on paper in 2005. A monograph on the artist by Daniel Abadie was published in 2010 by Hazan. Antonio Segui Resumé 1995 Art Miami '95, USA. S. Zannettacci, Geneva, Switzerland Marwan Hoss, Paris, France Gallerie du Cirque Divers, Belgium Le Moulin du Roc, France Fundacao C. Gulbenkaian, Portugal Gallerie J. Rubeiz, Beirut, Liban 1994 F. Santos, Portugal E. Franck Gallery, Belgium 1993 Galleria San Carlo, Milan, Italy Galería I. Vega, Puerto Rico Winance-Sabbe, Belgium FIAC, Paris, France 1992 Casa Rosada, Buenos Aires, Argentina Espace Julio Gonzales...

Michael Childers Andy Warhol in his studio, 1987, 2007 Photographic print Hand Signed on the lower right front in black felt tip marker Frame Included This is one of a series of port...

Victor Arimondi (1942-2001). Portrait of Senegalese Model, ca. 1975. Period print measures 8.5 x 11.5 inches; 17 x 20 inches frames. Artist studio stam...

Victor Arimondi (1942-2001). Portrait of Tom Petchlsig, ca. 1975. Period print measures 8 x 10 inches; 16 x 20 inches frames. Artist studio stamp on ve...

"Sidewalk Club of the Motherlode" a Lithobrome photograh by Sigismund Blumann (American, 1872-1956). Signed "Sigismund Blumann" lower right. Titled "Sidewalk Club of the Motherlode" on verso. Image size, 11.25"H x 13.25"W. Between 1923 and 1932, his pictures were accepted at photographic salons in Amsterdam, Toronto, Rochester, Seattle, and Los Angeles. In 1927, a one-person exhibition of his bromoil prints traveled to camera clubs in Chicago, Akron, Cincinnati, and New York. In addition to bromoil, a process that yields pointillistic images, Blumann utilized such unusual processes as kallitype (Vandyke brown), lithobrome, and pastelograph (the latter two probably his own inventions) to create original photographs using chemical processes he invented. Sigismund Blumann (1872–1956) (figure 1) was a prominent tastemaker in Californian photography during the 1920s and 1930s. Based in the San Francisco Bay Area for his entire career, he edited magazines, wrote books, and made creative photographs. From 1924 to 1933 Blumann edited Camera Craft, the leading West Coast photographic monthly. Subsequently he established his own periodical, Photo Art Monthly, which he published until 1940. In these two magazines — for over fifteen years — Blumann found a large audience of mainstream pictorial photographers. In addition, he wrote five instructional books on photography...

Stunning 1960's Japanese black and white photo of a young boy with his bike standing behind a light Porsche.

Rare black and white photograph, a portrait of a handsome man by Edward Henry Weston (March 24, 1886 – January 1, 1958). Signed "EW 1949" lo...