Daniel Kramer

Bob Dylan's Stuff in Dressing Room, Buffalo, New York

1964

Archival Pigment Print

American photographer Julius Shulman’s images of Californian architecture have burned themselves into the retina of the 20th century. A book on modern architecture without Shulman is inconceivable. Some of his architectural photographs, like the iconic shots of Frank Lloyd Wright’s or Pierre Koenig’s remarkable structures, have been published countless times. The brilliance of buildings like those by Charles Eames, as well as those of his close friend, Richard Neutra, was first brought to light by Shulman’s photography. The clarity of his work demanded that architectural photography had to be considered as an independent art form. Each Shulman image unites perception and understanding for the buildings and their place in the landscape. The precise compositions reveal not just the architectural ideas behind a building’s surface, but also the visions and hopes of an entire age. A sense of humanity is always present in his work, even when the human figure is absent from the actual photographs. Today, a great many of the buildings documented by Shulman have disappeared or been crudely converted, but the thirst...

31.5 x 23.6 in (50 x 60 cm) Silver Gelatin Print Edition of 50 Price does not include tax.

Shaken, Not Stirred The most complete account of the making of the James Bond series, in an Art Edition signed by Daniel Craig and 007 producers Michael G. Wilson and Barbara Broccoli Limited Art Edition (No. 501–1,000), numbered and signed by Daniel Craig, Michael G. Wilson and Barbara Broccoli with the print No Time To Die, 2021 by Greg Williams...

20 x 23 in (50.8 x 58.4 cm) Silver Gelatin Print Edition 14 and 15 of 30 Price does not include tax.

American photographer Julius Shulman’s images of Californian architecture have burned themselves into the retina of the 20th century. A book on modern architecture without Shulman is...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later from the original negative by Cole ...

Signed on the front of print. Writing and signature on back of print. Printed in the 1940's. Vintage Gelatin Silver Print.

Initialed and dated front of mount. Negative number annotated on back of mount. Negative Code B-PC-9G. Printed in 1938.

Signed by the artist.

Signed on the front of the mount by the artist.

Artist stamp, monogrammed 'W.J.', titled in pencil and numbered in red crayon on mount verso.