David Johndrow

Beetle on Onion Flower

2006

Platinum print (Edition of 100) Titled and dated in pencil, recto Signed and dated in pencil, verso 10 x 12 inches, sheet size 8 x 10 inches, image size This artwork is offered by...

Pagoda 1975 Signed, titled, dated, and numbered in pencil, verso Platinum print (Edition of 49) 10 x 7.5 inches, image This platinum print is from the “Street Materials Series.” ...

Untitled (Buffaloes) 1988/1994 Estate stamp in black ink, vesro Also initialed “TWR” and numbered in black ink, vesro Platinum print (Edition of 100 + 20 unnumbered artist’s proofs...

Platinum palladium print (Edition of 25) Signed, titled, dated, and numbered in pencil, verso This artwork is offered by ClampArt, located in New York City. David McDermott was born in 1952 in Hollywood, California. He studied at Syracuse University, New York from 1970 to 1974. Peter McGough was born in 1958 in Syracuse, and studied at the same university in 1976. Their paths never crossed until they both moved to New York City some years later and started their artistic collaboration in 1980. Their photography involves appropriating images and objects from the late 19th century to the mid 20th century, as well as projecting an image of themselves as gentlemen, posing as erudite, impertinent characters. During the 1980s, McDermott & McGough dressed, lived, and worked as artists and “men about town,” circa 1900-1928: they wore top hats and detachable collars, and converted a townhouse on Avenue C in New York City’s East Village...

Toned gelatin silver print (Edition of 25) Signed, titled, dated, and numbered, verso This artwork is offered by ClampArt, located in New York City. Dave Anderson is an award-winning, cross-media storyteller best known for his work behind the lens. His photography and films have been exhibited, published, screened, and lauded across the planet. Anderson’s work has been profiled on numerous media outlets ranging from “Good Morning America” to "The New York Times" to "The New Yorker," where Vince Aletti...

Gelatin silver print Signed, titled, dated, and inscribed, verso 20 x 16 inches, sheet size This artwork is offered by ClampArt, located in New York City. David Armstrong was born...

Jean-Paul Goude & Toukie Smith in NYC Subway, 1976 Photographed by Jonathan Becker Contemporary 14" x 14.5" Platinum/Palladium Print Edition Nº 1 of 6 Ce...

Martha Graham at New York City Center after her final onstage bow - backstage with Madonna and Calvin Klein, October 1990 "Martha was my godmother, and she was posing." - JB Photog...

Emma in Botafogo, Rio de Janeiro, 1984 Pão de Açucar, (Sugarloaf Mountain), Rio’s defining landmark looms in the background. Photographed by Jonathan Becker Contemporary 14" x 14.5...

Julian Schnabel at his Outdoor Studio, Montauk, New York, 13 August 2001 Schnabel's magnificent open-air studio benefits fully from the special light of Long Island's East End as oi...

Elaine's Kitchen - Andy Warhol and Elaine, New York, 1976 Photographed by Jonathan Becker Contemporary 14" x 14.5" Platinum & Palladium Print Edition Nº 1 of 3 Certificate of Origin Signed and Titled by the Photographer in Edition and Emboss-stamped in the Margin/Recto Printing & Edition Notes along with Copyright Stamp and Applicable Providence on Verso Printed by hand at the photographer's studio in the traditional Platinum & Palladium process on 100% cotton rag paper. Platinum & Palladium prints are known for their unrivaled longevity and unparalleled subtlety. Print cost includes wrapping/packing/crating for shipment in double-tubing. ______ Jonathan Becker (Steven Kasher Gallery bio by Mark Rozzo) Literate flair, acute visual intuition, love of mischief and spontaneity, and global wanderlust: These are among the hallmarks of the work of Jonathan Becker, whose photography spans four decades and includes iconic portraits (often for Vanity Fair) of a multiplicity of subjects, including Robert Mapplethorpe, Martha Graham, Madonna, Elia Kazan, Prince Charles, Eudora Welty, André Leon Talley, Ai Weiwei, Diana Vreeland and Jack Kevorkian. Becker - whose work was first published in Andy Warhol’s Interview in 1973 - was born in 1954 and raised in New York City. In the mid-1970s, he moved for a year to Paris, where he was mentored by his hero, Brassaï. Upon return to New York, Becker drove a cab, toting his camera and parking to complete magazine assignments. A 1981 exhibition of Becker’s work at New York’s Rentschler Gallery included a series of arresting images of patrons taken inside the kitchen at Elaine’s, the storied hangout on New York’s Upper East Side. This exhibition, curated by art director Bea Feitler brought Becker to the attention of Frank Zachary, editor-in-chief of Town & Country. Zachary invited Becker to work for the magazine, where the young photographer further developed his passion for journalistic portraiture alongside Slim Aarons, who, after Brassaï, became Becker’s guiding light. Becker was then enlisted by Bea Feitler to contribute portraits to the prototype of Vanity Fair’s 1983 re-launch. His participation led to a highly prolific association with the magazine as Contributing Photographer, continuing to this day. Becker has also contributed portraits and reportage to The New Yorker, Vogue, W, The Paris Review, amongst truly most major publications. In complement to his editorial work, Becker has accepted a limited number of private and family portrait commissions each year, some accompanied by privately published books, and in the course of his three-years-long project for the Rockefeller Foundation, Becker documented its vast array of philanthropic grant recipients on four continents abroad. Six trade books comprised entirely of Becker’s photographs have been published including Bright Young Things...

While also available as a platinum print on Arches Platinum Rag (56 x 76 cm), this larger version (63 x 99 cm) of Schlegel's famous "Octopus Vulgaris" is a true prowess. It is printed on 30 gsm Japanese Hand-made Gampi paper. Taking into account the thinness of the paper and the fact that the platinum salt emulsion is embedded into its fiber during the printing process, this is a real feat of technical strength. Considered as the most archival process of all; its perfectly matte tonal range goes from a cool, slightly purple black to split tones of brown and warm black, to a very warm brown. Sold framed with a museum glass measuring 85 x 115 cm _______ The ocean has always been one of the most mysterious places on earth. In the past many legends and myths have evolved around monsters living in the deep sea. As a child many of us used to fantasize about underwater monsters like giant colossal squids having so much power that they were able to take down ships. By looking at Jan C. Schlegel his pictures, you can get a small glimpse of the richness and diversity of our oceans. When we think of fish, we usually perceive them as food and think of salmon or tuna. The photographs reveal much more than what could be imagined and are truly a special tribute to all the different kind of species living underneath the surface. There are sea horses that look like dragons with galaxies on their skin, flounders with their perfect flat form and their ability to turn invisible or even squids that will remind you of aliens from another planet. Using platinum printing as a process allows Jan C. Schlegel to create a deepness in his pictures that makes every small detail and structure visible for the human eye. It gives you the impression of being able to feel the animal just by looking at the pictures. This series celebrates the art of nature...