David Yarrow

"Catwalk" Framed Black and White Photograph Lion in Dinokeng, South Africa

2021

Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper DEAD MAN'S CHEST Anguilla, Caribbean 2022 This work was sourced directly from the artist. I hope this image is identified as having some of my trademarks. Every inch of the frame sweats and every person within the frame firmly stakes claim to his or her presence. I was greedy in the amount of information I wanted in the picture and for it to come off, I needed luck as well as strong communication with everyone on set. It has the cinematic feel that I often strive for and I think in time I will look back very fondly on that evening. At the moment it is all a little fresh and the subject matter is sufficiently adrift from my normal work that it is difficult to find context. But my sense is that it is a special photograph. The goal was to attain compositional harmony amidst the chaos of the beach landing, which was not that easy an objective as this landing was for real. This raw and rocky coastline in Anguilla is no studio. In retrospect it is remarkable that not only are the faces of the six male pirates in the landing party all in view but they also show collective endeavour. They had enough to think about dealing with the boat in the tide and maybe the truth is that they weren’t in role at all. Whilst getting soaked, out of my right eye I was checking the barrel in the sea, as I didn’t want to lose it behind the boat. There was quite a bit of multi-tasking going on in that one minute. Keeping a watch on two Rastafarian friends on the rocks was a further dimension. It was quite late in the day and by that time, I couldn't be too sure of their footing given their activities during the day. Josie Canseco...

Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper DEAD MAN'S CHEST Anguilla, Caribbean 2022 The work has been sourced directly from the artist I hope this image is identified as having some of my trademarks. Every inch of the frame sweats and every person within the frame firmly stakes claim to his or her presence. I was greedy in the amount of information I wanted in the picture and for it to come off, I needed luck as well as strong communication with everyone on set. It has the cinematic feel that I often strive for and I think in time I will look back very fondly on that evening. At the moment it is all a little fresh and the subject matter is sufficiently adrift from my normal work that it is difficult to find context. But my sense is that it is a special photograph. The goal was to attain compositional harmony amidst the chaos of the beach landing, which was not that easy an objective as this landing was for real. This raw and rocky coastline in Anguilla is no studio. In retrospect it is remarkable that not only are the faces of the six male pirates in the landing party all in view but they also show collective endeavour. They had enough to think about dealing with the boat in the tide and maybe the truth is that they weren’t in role at all. Whilst getting soaked, out of my right eye I was checking the barrel in the sea, as I didn’t want to lose it behind the boat. There was quite a bit of multi-tasking going on in that one minute. Keeping a watch on two Rastafarian friends on the rocks was a further dimension. It was quite late in the day and by that time, I couldn't be too sure of their footing given their activities during the day. Josie Canseco...

Beach Bums Anguilla, Caribbean - 2022 Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Sizes Large – 56” x 97” Unframed, 71” x 112” Framed – Edition of 12 S...

Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Beach Bums Anguilla, Caribbean - 2022 Sizes Large – 56” x 97” Unframed, 71” x 112” Framed – Edition of 12 ...

"66 Degrees North" Namafjall Geothermal Area, Iceland - 2022 Available Sizes (Framed Size) 52 x 58" Framed / Edition of 12 71 x 80" Framed / Edition of 12 This work is sourced directly from the artist. Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Hand-signed by artist with Certificate of Authenticity Developing a concept that ticks the boxes creatively and then executing that concept are emphatically two different jobs, which is why making a picture is a longer process than taking a picture. Many years ago, the exceptional work of British photographer Tim Flach, drew my attention to the hot springs of Myvatn in the north of Iceland. This remote area is geologically angry and in deep winter it is fairly inhospitable, but in the summer, it becomes something of a tourist resort for the local Icelandics and all too crowded for how we operate. We would always choose inhospitable over crowded. I have filmed here in the winter in the past, but struggled to do justice to the uniquely raw ecosystem. As always there is an element of knowing how to get it right by initially getting it hopelessly wrong. In particular, this is not a safe place without engaging locals, because the ground underneath, much like Yellowstone in Wyoming, is not to be taken for granted. To be brave and work close to the geysers needs permits and guides. But in 2022, we finally had our rewards. The weather plays such a big role in the field; no more so than up here at 66 degrees north where the Norse Gods granted my wish for strong winds and good light. It was the wind that amplified the trail of steam and allowed me to work a comfortable distance from the source without losing the effect. It was then up to me to work the strong late afternoon light to the best of my advantage. The end result is a strong image and certainly authentic. It's stripped back and visceral mood lives and breathes the wildest of Icelandic sagas. There are horse...

"And the Party Never Ends" Monument Valley, Utah, USA - 2022 Available Sizes (Framed Size) Large: 71” x 95” / Edition of 12 Standard: 52” x 68” / Edition of 12 This work is sourced...

This photo was taken on April 1996 in Rajasthan and it printed in the Edition of 10 on Hahnemühle Photo Rag 308 paper - 50x64 Epson Ultra Chrome K3 inks. From a Polaroid T55 Nega...

Mahatma - India - Rajastan Tratta dalla serie Indian Stills Questa foto è stata scattata nell'aprile 1996 e stampata in un'edizione di 10 esemplari su carta Hahnemühle Photo Rag 3...

This photo was taken on April 1996 in Rajasthan, India Edition of 10 Hahnemühle Photo Rag 308 paper - 50x64 Epson Ultra Chrome K3 inks. From a Polaroid T55 Negative BW and printed w...

This photo was taken on April 1996 in Rajasthan, India and printed on December 2011 Edition of 10 - Hahnemühle Photo Rag 308 paper - 50x64 Epson Ultra Chrome K3 inks. From a Polar...

Tratta dalla serie Indian Stills Questa foto è stata scattata nell'aprile 1996 e stampata in un'edizione di 10 esemplari su carta Hahnemühle Photo Rag 308 - 50x64 utilizzando inchio...

This photo was taken on April 1996 in Rajasthan, India Edition of 10 Hahnemühle Photo Rag 308 paper - 50x64 Epson Ultra Chrome K3 inks. From a Polaroid T55 Negative BW and printed w...