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Elliott Kaufman
Hudson River 10C x 210 (Black/White Abstract Grid Photograph of Bicyles)

2010

About the Item

Framed Archival Chromogenic Digital print image size: 20 x 35 inches paper size: 30 x 40 inches This print is available unframed with a 5 inch white border. Additional sizes available upon request. Elliott Kaufman describes New York City as “a laboratory in constant movement. In his series “Street Dance,” Kaufman photographs repetitive actions of passersby – such as riding a bicycle or entering a subway station – from a single vantage point and arranges the images in a grid. Key to his series, Kaufman explains, was caluculating how changing light would affect the environment. “The bicycles had to be backlit at the very end of the day,” he says. “The subway sterps were calculated so that the light would cast perfect north/south shadwos.” He also shot a varying number of exposures at each scene to relay the “staccato rhythm” he sought – as many as 225. “The camera catches the commonality of movement,” he says, “until what endures is a patter of dance and motion.” A number of artists have led him in this direction, including the Bauhaus and the collaborative media which they pioneered, the 1977 film Powers Of Ten, which depicts the relative scale of the universe in factors of ten, Mike Figgis’ experimental film Timecode, as well as the multiple sequences by photographers Harry Callahan, Ray K. Metzger, Eadweard Muybridge and Jerry Ulesman. This particular print is highly contrasted images of figure's shadow against bike weels and spokes juxtaposed in front of glistening waters of the Hudson River.
  • Creator:
    Elliott Kaufman (American)
  • Creation Year:
    2010
  • Dimensions:
    Height: 30 in (76.2 cm)Width: 40 in (101.6 cm)Depth: 0.1 in (2.54 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Hudson, NY
  • Reference Number:
    1stDibs: LU2272251723
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