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Ernst Haas
The Kiss, Grand Central Station, New York, Black and White Photography 1950s

1958

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    American photographer Burt Glinn's Stripper, Crazy Horse Saloon, Paris, 1956, is a 16" x 20" gelatin silver print, signed and authenticated by the Glinn estate. This photo offers an ...
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    1950s Contemporary Black and White Photography

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  • Southern State, Black and White Civil Rights Photography African Americans 1960s
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    The photograph captures and translates the American South of the 1960s. Southern State, 1964 by Leonard Freed, is an 11” x 14” gelatin silver photograph from the photographer's Black...
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    This is a gelatin silver lifetime print, 16" x 20", signed (verso) by the photographer, School Bus, New York City, 1954. The black-and-white photograph cap...
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  • City Prison, New Orleans, Vintage Black and White Photograph 1960s Civil Rights
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  • Diver, Dortmund, Germany, Black and White Documentary Photography 1960s
    By Leonard Freed
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    Diver, Dortmund, Germany, 1965 by Leonard Freed is a 16” x 20” gelatin silver print, signed and stamped (on back of photo) by the widow Brigitte Freed. This contemporary photograph i...
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  • Businessmen in London, Street Photography England 1970s, Vintage Print
    By Leonard Freed
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    Businessmen in London, 1973 by Leonard Freed is signed verso (on back) by the photographer. This is a 20" x 24" vintage gelatin silver print, also stamped verso, focuses on British men...
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    "Abramson comes much closer to recording the sound of these clubs than we would have any right to expect from a photographer." - Nick Hornby (London, 2009), Light On the South Side, ...
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    A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...
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  • Lingerie Shop, Silver Gelatin Print
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    Jack captured his own reflection against a lingerie display in New York in the mid 1960s. The window advertises the "luau sarong set for cruises," the "Happy Days are Here Again" lace set...
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  • 1971 "Wintersville, Ohio" Attr. Chauncey Hare Photo
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