Haik Kocharian

Group on the beach, Los Angeles

2008

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott Archer developed the collodion process in 1851. Artists such as Julia Margaret Cameron, Lewis Carroll, William Henry Jackson and Civil War photographer Mathew Brady used the process, due to its cost and versatility advantages. In addition Sink and Hatgi’s work can also be seen revived in contemporary artists work...

Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition. Edition 1 of 15. If the...

In her new exhibition Churilla draws from her years spent as a swimmer, lifeguard, and athlete to capture the forgotten freedom and exuberance of days of youth spent on the water. V...

Landscape, trees, black and white, England, English, UK, United Kingdom, silhouette, nature, countryside, mysterious, valley, sky, clouds, b&w, black & white, photography, film photo...

France, landscape, trees, black and white, vineyard, countryside, wine, French, vast, botanical, nature, sky, weather, clouds, black and white, b&w, black & white, photography, film ...

Tree, landscape, animal, children, black and white, nature, dog, family, playing, England, English, UK, United Kingdom, photography, black & white, b&w, Europe, photograph, film phot...

La Chasse au Cerf, Normandie, France, September 1975 Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Print Edition Nº 1 of 9 Certificate of Origin Signed a...

Marie Navarre find us soon, 2020 archival digital print on Surface Gampi, Rives BFK 25.5" x 25" unframed 28.75" x 27.75" framed Edition of 5 Marie Navarre’s deep interest in poetry, especially the Japanese form of Haiku, has had a profound influence on her work. She conjures dreamlike images that appear to be from just outside the realm of human observation, like the fragments of a distant memory. She prints her mysterious and timeless images of flocks of birds, grey sky and shimmering endless horizons unmoored from specific times and places, then hand stitches over a background of Gampi paper—a soft, silky Japanese paper that has a satin-like sheen. These enigmatic photographic constructions document the implications of a moment rather than its actuality. The artist understands that her relationship to photography is complex: “I have this trouble of being a photographer but wanting to make the photographs into something else. I still think like a photographer even though in some ways I’m sabotaging the way that photography works. I still begin my artmaking process by making pictures. I don’t know how to begin without the photograph.” At play is the tension of a fixed medium documenting a world in movement. Navarre has a BA, MA and MFA from Arizona State University. Her work is collected nationally and she has received a number of awards including a Capp Street Project Residency Grant in San Francisco for her collaboration with Jim Campbell...

Marie Navarre remembering the way, 2021 archival digital print on Surface Gampi, Rives BFK 25.5" x 25" unframed 28.75" x 27.75" framed Edition of 5 Marie Navarre’s deep interest in poetry, especially the Japanese form of Haiku, has had a profound influence on her work. She conjures dreamlike images that appear to be from just outside the realm of human observation, like the fragments of a distant memory. She prints her mysterious and timeless images of flocks of birds, grey sky and shimmering endless horizons unmoored from specific times and places, then hand stitches over a background of Gampi paper—a soft, silky Japanese paper that has a satin-like sheen. These enigmatic photographic constructions document the implications of a moment rather than its actuality. The artist understands that her relationship to photography is complex: “I have this trouble of being a photographer but wanting to make the photographs into something else. I still think like a photographer even though in some ways I’m sabotaging the way that photography works. I still begin my artmaking process by making pictures. I don’t know how to begin without the photograph.” At play is the tension of a fixed medium documenting a world in movement. Navarre has a BA, MA and MFA from Arizona State University. Her work is collected nationally and she has received a number of awards including a Capp Street Project Residency Grant in San Francisco for her collaboration with Jim Campbell...

'Into the Beyond' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Painted pools of light dance across the richly layered mountainscape of t...

'Into the Beyond' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Painted pools of light dance across the richly layered mountainscape of t...

'Last Light' Limited Edition (1 of 25) Archival Photograph. Unframed. _________________ Dusk throws on her spotlights, casting deep silhouettes and revealing rich layers in the vast...