Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Henry Horenstein
Beluga Whale (Delphinapterus leucas)

c. 1995-2001

About the Item

Sepia-toned gelatin silver print Signed and numbered, verso 24 x 20 inches, sheet (Edition of 35) 39 x 26 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. “Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers. “In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor seal. “The combination of the scientific and the metaphorical, the artistic and the analytical in these images is what accounts for their extraordinary power.” —Elisabeth Werby, Executive Director, Harvard Museum of Natural History, Cambridge, Massachusetts
  • Creator:
    Henry Horenstein (1947, American)
  • Creation Year:
    c. 1995-2001
  • Dimensions:
    Height: 24 in (60.96 cm)Width: 20 in (50.8 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU93233221873
More From This SellerView All
  • Quonset Hut
    By Ion Zupcu
    Located in New York, NY
    Toned gelatin silver print Signed and numbered in pencil, verso 15 x 15 inches (Edition of 10) 30 x 30 inches (Edition of 3) From the series, "American Homes" This artwork is offe...
    Category

    2010s Contemporary Black and White Photography

    Materials

    Silver Gelatin

  • Pro-Sharvatmadari
    By Gilles Peress 1
    Located in New York, NY
    Gelatin silver print Signed in ink, l.r. Artist/Magnum Photos stamp in ink, verso 11 x 14 inches, sheet 8 x 12 inches, image This photograph is offered by ClampArt, located in New ...
    Category

    1980s Other Art Style Black and White Photography

    Materials

    Silver Gelatin

  • The morning after a rival gang tried to shoot Chivo for the fourth time
    By Joseph Rodriguez
    Located in New York, NY
    Full title: "The morning after a rival gang tried to shoot Chivo for the fourth time, Chivo teaches his daughter how to hold a .32-caliber pistol. Her mother looks on." Gelatin silv...
    Category

    1990s Contemporary Black and White Photography

    Materials

    Silver Gelatin

  • Untitled 507-12
    By Alan Ostreicher
    Located in New York, NY
    Selenium-toned gelatin silver print Signed, titled, dated, and numbered in pencil, verso Also blindstamped with artist's name and edition number, recto 8 x 8 inches, image size (Ed...
    Category

    Early 2000s Contemporary Landscape Photography

    Materials

    Silver Gelatin

  • Untitled 417-9
    By Alan Ostreicher
    Located in New York, NY
    Selenium-toned gelatin silver print Signed, titled, dated, and numbered in pencil, verso Also blindstamped with artist's name and edition number, recto 8 x 8 inches, image size (Ed...
    Category

    1990s Contemporary Landscape Photography

    Materials

    Silver Gelatin

  • Victorian
    By Ion Zupcu
    Located in New York, NY
    Toned gelatin silver print Signed and numbered in pencil, verso 15 x 15 inches (Edition of 10) 30 x 30 inches (Edition of 3) From the series, "American Homes" This artwork is offe...
    Category

    2010s Contemporary Black and White Photography

    Materials

    Silver Gelatin

You May Also Like
  • Untitled from "On The Acropolis"
    Located in New York, NY
    Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...
    Category

    1980s Black and White Photography

    Materials

    Photographic Paper, Silver Gelatin

  • Untitled from "On The Acropolis"
    Located in New York, NY
    Listing includes free shipping for an unframed print in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...
    Category

    1980s Black and White Photography

    Materials

    Silver Gelatin

  • Untitled from "On The Acropolis"
    Located in New York, NY
    Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...
    Category

    1980s Black and White Photography

    Materials

    Photographic Paper, Silver Gelatin

  • Lizzie Nichols and Perkins, 1913
    Located in New York, NY
    Listing includes framing with UV plexiglas, free shipping and a 14 day return policy. Lizzie Nichols and Perkins, 1913 15 x 15 inch gelatin silver print Image Size: 10.75 x 11 inches Frame size: 18 x 18 x 2 inches Edition of 15 Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us. At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti...
    Category

    1910s Other Art Style Black and White Photography

    Materials

    Silver Gelatin

  • Mary and Maude Platt, 1912
    Located in New York, NY
    Listing includes framing with UV plexiglas, free shipping and a 14 day return policy. Lora Webb Nichols Mary and Maude Platt, 1912 15 x 15 inch gelatin silver print Image Size: 10.75 x 11 inches frame size 18 x 18 x 2 inches Edition of 15 Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us. At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti...
    Category

    1910s Other Art Style Black and White Photography

    Materials

    Silver Gelatin

  • Untitled from "On The Acropolis"
    Located in New York, NY
    Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge's New York Printer. Tod Papageorge Untitled from "On The Acropolis" 1983 - 1984. Printed in 2021 20 x 24 inch archival pigment print Edition of 9, Signed. Artist Biography - One of the most notable photographers of our time, Papageorge is known for both the originality and quality of his work as well as his influence on the generation of students he mentored while the Director of the Yale MFA...
    Category

    1980s Black and White Photography

    Materials

    Photographic Paper, Silver Gelatin

Recently Viewed

View All