Jörg Krichbaum

Gardens (2) - Coffret Prestige # 9 , 1979 - Minimalist Black & White Photography

circa 1970-80s

Portfolio Garden 1, 6 photos From Germany to Portugal, from Portugal to Italy, the artist continues his research on light and its games, this time taking nature and trees as the the...

Statuary Portfolio, 12 photos It is undoubtedly in this portfolio that the artist's will is best seen. The dialogues and interactions are so powerful and numerous that the cacophony ...

Portfolio Rivages, 6 photos. The sun, the sea, the waves, the spray, the bodies lying on the sand. Krichbaum's photos are like the antithesis of "postcard". No bather, no walker, not...

Artwork sold in perfect condition For those who need to be reassured, the upper corner of the first photo lets you guess the curvature of the Colosseum. But for all those who have h...

Artwork sold in perfect condition - Portfolio Au Chic Parisien - 5 photos In a text devoted to him, evoking these seemingly silent photos of Krichbaum, one critic used the term "din" to define the flow of thoughts and feelings that escaped from it. In this too quick glimpse of Paris, the artist creates a dialogue between the white glass balls of a hotel chandelier with two ostrich eggs in the window of a fashionable decorator, while the fashion models, scattered at will shops and seasons, endless stories are exchanged. From left to right and top to bottom: 1981, 1977, 1976, 1981, 1981, 1983. 5 baryta prints 24 cm x 30 cm mounted under a mat in 40 cm x 50 cm format, 2mm thick with the artist's stamp and signature on the back. This constitutes a very exceptional offer. German photographer Jörg Krichbaum...

Portfolio Lines, 7 photos A metal fence: "Florence 1976". A metal scaffolding on a white wall streaked with black bands: "Orvieto 1974". Very smart whoever recognizes one of the sid...

Please be aware that all prints are produced to order and lead times are between 15-20 days. This is a 30x30cm Digital print on 50x50cm Cotton Paper in an Edition of 9 plus 2 Artis...

Please be aware that all prints are produced to order and lead times are between 15-20 days. This is a 30x30cm Digital print on 50x50cm Cotton Paper in an Edition of 9 plus 2 Artis...

Camera Obscura Image of Manhattan View Looking West in Empty Room, 1996 Attributed to Abelardo Morell- unsigned. This is a black-white image marked " F...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #03 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Pentti Sammallahti was born in 1950 in Helsinki, Finland. Sammallahti was surrounded by works from his grandmother, Hildur Larsson, who was a photographer in the early 1900s. Sammallahti has been photographing the world around him with a poetic eye since the age of eleven. At the age of nine, he visited "The Family of Man...

Pentti Sammallahti was born in 1950 in Helsinki, Finland. Sammallahti was surrounded by works from his grandmother, Hildur Larsson, who was a photographer in the early 1900s. Sammallahti has been photographing the world around him with a poetic eye since the age of eleven. At the age of nine, he visited "The Family of Man...