Michael Crouser

Heeler

2012

Toned gelatin silver print Signed, titled, dated, and numbered, recto 11 x 14 inches, sheet (Edition of 25) 16 x 20 inches, sheet (Edition of 25) 20 x 24 inches, sheet (Edition of...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 11 x 14 inches, sheet (Edition of 25) 16 x 20 inches, sheet (Edition of 25) 20 x 24 inches, sheet (Edition of 15) 30 x 40 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Michael Crouser writes: ““I find that when I am in the dog runs, I am nearly invisible to my subjects. . . They play like little boys throwing one another down a hill on the school playground. They practice in their play what nature has said they must know. Dominance, defense, breeding and agility. And I am often nearly on top of the dogs in useful obscurity, making the first pictures of my life that actually make me laugh.”” Michael Crouser captures the thrilling intensity of dogs at play in his collection of photographs titled "Dog Run." Crouser catches both rare and provocative moments, —split seconds of intense play that give an intimate glimpse into the expressive personalities of his dynamic subjects. The photos were shot in neighborhood dog runs, where the dramatic action is all about dogs being dogs away from the influence of their masters. The photos spotlight...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 11 x 14 inches, sheet (Edition of 25) 16 x 20 inches, sheet (Edition of 25) 20 x 24 inches, sheet (Edition of 15) 30 x 40 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Michael Crouser writes: ““I find that when I am in the dog runs, I am nearly invisible to my subjects. . . They play like little boys throwing one another down a hill on the school playground. They practice in their play what nature has said they must know. Dominance, defense, breeding and agility. And I am often nearly on top of the dogs in useful obscurity, making the first pictures of my life that actually make me laugh.”” Michael Crouser captures the thrilling intensity of dogs at play in his collection of photographs titled "Dog Run." Crouser catches both rare and provocative moments, —split seconds of intense play that give an intimate glimpse into the expressive personalities of his dynamic subjects. The photos were shot in neighborhood dog runs, where the dramatic action is all about dogs being dogs away from the influence of their masters. The photos spotlight...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 11 x 14 inches, sheet (Edition of 25) 16 x 20 inches, sheet (Edition of 25) 20 x 24 inches, sheet (Edition of 15) 30 x 40 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Michael Crouser writes: ““I find that when I am in the dog runs, I am nearly invisible to my subjects. . . They play like little boys throwing one another down a hill on the school playground. They practice in their play what nature has said they must know. Dominance, defense, breeding and agility. And I am often nearly on top of the dogs in useful obscurity, making the first pictures of my life that actually make me laugh.”” Michael Crouser captures the thrilling intensity of dogs at play in his collection of photographs titled "Dog Run." Crouser catches both rare and provocative moments, —split seconds of intense play that give an intimate glimpse into the expressive personalities of his dynamic subjects. The photos were shot in neighborhood dog runs, where the dramatic action is all about dogs being dogs away from the influence of their masters. The photos spotlight...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 11 x 14 inches, sheet (Edition of 25) 16 x 20 inches, sheet (Edition of 25) 20 x 24 inches, sheet (Edition of 15) 30 x 40 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Michael Crouser writes: ““I find that when I am in the dog runs, I am nearly invisible to my subjects. . . They play like little boys throwing one another down a hill on the school playground. They practice in their play what nature has said they must know. Dominance, defense, breeding and agility. And I am often nearly on top of the dogs in useful obscurity, making the first pictures of my life that actually make me laugh.”” Michael Crouser captures the thrilling intensity of dogs at play in his collection of photographs titled "Dog Run." Crouser catches both rare and provocative moments, —split seconds of intense play that give an intimate glimpse into the expressive personalities of his dynamic subjects. The photos were shot in neighborhood dog runs, where the dramatic action is all about dogs being dogs away from the influence of their masters. The photos spotlight...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 11 x 14 inches, sheet (Edition of 25) 16 x 20 inches, sheet (Edition of 25) 20 x 24 inches, sheet (Edition of 15) 30 x 40 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Michael Crouser writes: ““I find that when I am in the dog runs, I am nearly invisible to my subjects. . . They play like little boys throwing one another down a hill on the school playground. They practice in their play what nature has said they must know. Dominance, defense, breeding and agility. And I am often nearly on top of the dogs in useful obscurity, making the first pictures of my life that actually make me laugh.”” Michael Crouser captures the thrilling intensity of dogs at play in his collection of photographs titled "Dog Run." Crouser catches both rare and provocative moments, —split seconds of intense play that give an intimate glimpse into the expressive personalities of his dynamic subjects. The photos were shot in neighborhood dog runs, where the dramatic action is all about dogs being dogs away from the influence of their masters. The photos spotlight...

Singspiel, Stallion Portrait 2001 by John Reardon 76 x 51 cm Edition of 5 only Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Mu...

Xaar, ‘Tail', 2001 by John Reardon Edition of 7 (2/7) Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass This piece...

Cape Cross, ‘Hoof’, 2001 by John Reardon Edition of 2/7 Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass This pie...

Available sizes: 18” x 24.5” - Edition of 8 28” x 38.11” - Edition of 8 38” x 51.73” - Edition of 6 48” x 65.34” - Edition of 6 It has been a dream to pair one of the world's most c...

Available sizes: 18” x 33.25” - Edition of 8 28” x 51.72” - Edition of 8 38” x 70.19” - Edition of 8 "Drawn Swords is an image I have been dreaming of making for several years. Even...

Available sizes: 18” x 25.85” - Edition of 8 28” x 40.21” - Edition of 8 38” x 54.57” - Edition of 6 48” x 68.93” - Edition of 6 The Serengeti is believed to hold the largest population of lions in Africa, with over 3,000 individuals, making it undoubtedly the land of lions. When I found this pride of lions on the open short grass plains of Eastern Serengeti, I immediately thought I needed to create a group portrait. I am always looking to make photographs different from anything I have ever taken, and this was definitely one of those moments. I often aim for my portraits, especially of predators, to be striking and imposing, which means my camera needs to be extremely close to the subject. I used a remote-controlled camera to safely capture the shot without disturbing them with a large vehicle. My remote-controlled buggy allowed me to move the camera into position and adjust the composition, a technique I mastered over the past five years. In the morning, lions are often very active; seeing a foreign object...