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Olha Stepanian"Gods at the Beach 1" Nude Photography 39" x 39" in Ed. 1/3 by Olha Stepanian2024
2024
$2,250
£1,744.58
€1,979.56
CA$3,225.28
A$3,507.03
CHF 1,847.86
MX$42,600.25
NOK 23,231.37
SEK 21,777.53
DKK 14,854.85
About the Item
"Gods at the Beach 1" Nude Photography 39" x 39" in Ed. 1/3 by Olha Stepanian
Printed on Epson Professional Paper
Signed and numbered by the artist
Not framed. Ships in a tube.
Available sizes:
Edition of 24 16" x 16" inch
Edition of 15 24" x 24" inch
Edition of 7 31" x 31" inch
Edition of 3 39" x 39" inch
Olha Stepanian was born and raised in Ukraine, where she currently resides and works.
She's been interested in art photography for a long time.
In 2010, Stepanian realized she couldn't live without photography and succeeded in making it her full-time career.
Olha got her first camera the same year and felt happy for the first time.
Stepanian uses her work to depict history, feelings, and, most significantly, elements that people overlook in everyday life.
- Creator:Olha Stepanian (Ukrainian)
- Creation Year:2024
- Dimensions:Height: 39 in (99.06 cm)Width: 39 in (99.06 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Culver City, CA
- Reference Number:1stDibs: LU1085117127412
Olha Stepanian
Olga Stepanian of Cherkasy – a city in central Ukraine – was supposed to be a seamstress but constantly thought of photography. At one point in her life, she decided that she could no longer remain silent. From behind the lens, she tells stories that do not seem to be too influenced by and are not necessarily representative of her cultural setting. “I don’t think my location affects my work much,” she says. Olga likes the fashion and portrait photographer Rodney Smith (born 1947) – famous for his minimalistic and whimsical art, Sally Mann (born 1951) – known for her provocative shots of the naked and the dead and Henri Cartier-Bresson (1908-2004) – a pioneer of candid and street photography. These are the figures she tried to study in-depth. She made an effort to understand the thoughts and intentions behind the moments they would capture. Olga’s present portfolio is made up of highly cinematic black and white shots that quietly explore a variety of feelings and situations – loneliness and estrangement, bondage and freedom, restlessness, even gossip. A young girl is suspended limply between two ladders on a barren piece of land. Annoying and frightening human hands emerge from within the cracks of a white wall, urgently wanting to seize and stifle anything within reach. An individual so feels the crushing force of the demands of daily life that they retreat into a cocoon of bandages.
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