1970s Black and White Photography

"Roxy Burlesk" Times Square Photograph, Manhattan, 1978: In 1978, photographer Fernando Natalici, the creative mind behind the graphic design for iconic venues like CBGB and the Mudd...

CBGB, The Birthplace of Punk - captured by heralded New York underground photographer Fernando Natalici: Manhattan, c.1982 Archival Inkjet Print. Dimensions: 11 x 14 inches (full fr...

"Roxy Burlesk" Times Square Photograph, Manhattan, 1978: In 1978, photographer Fernando Natalici, the creative mind behind the graphic design for iconic venues like CBGB and the Mudd Club, spent twenty-four hours shooting the seedy scenery of Times Square and 42nd Street. The result is a chiaroscuro rendering, which candidly recalls a Times Square of flashing marquee lights, electric sexual energy and wild lawlessness. (see Curbed New York, July 29, 2014 for an article featuring this work). Archival Ink Jet Print. 13 x 19 inches. Hand signed & titled in ink from a limited edition of 20. Excellent condition. Provided directly by artist. Seller is a primary dealer of Fernando Natalici. About Fernando Natalici: New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art...

CBGB, The Birthplace of Punk - captured by heralded New York underground photographer Fernando Natalici: Manhattan, c.1982 Archival Inkjet Print. Dimensions: 11 x 14 inches (full frame printed to the edges). Hand signed, dated & numbered on the verso from an edition of 50. Obtained directly from artist. Excellent condition. About Fernando Natalici: New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art...

Dawoud Bey Two Girls at Lady D’s, Harlem, 1976: “I spent five years in the mid-to-late 1970s making photographs in Harlem, New York. It was the first project I undertook at the beginning of my career. I was led back there by my family’s history in the neighborhood: my mother and father had met in a church in Harlem and eventually got married. When I was born several years later, they moved to Queens, to a house with a front yard and backyard, something more spacious than the Harlem apartment they had in Sugar Hill. But we continued to visit the neighborhood, as various friends and family still lived there. In 1975 I decided to ‘return’ to the community where I had never lived, but had a deep connection to, to make photographs. I encountered these two young girls one afternoon on Seventh Avenue near West 138th Street. When I asked if I could make a picture of them in front of this establishment, they joyfully struck an exuberant pose for me, full of all of the energy and expressiveness of youth.” —Dawoud Bey Archival inkjet print
. Dimensions: 8 x 10 inches
 including boarders. Image size 6.3 x 9.4 inches
. Signed and numbered from edition of 70 and 5 Artist’s Proofs
 by the artist to the affixed label on reverse. Excellent overall condition. Published by Aperture Foundation NY. Printed by Laumont Editions in New York. Literature/References: Dawoud Bey on Photographing People and Communities, a volume of The Photography Workshop Series, published by Aperture in 2019. Dawoud Bey was born as David Edward Smikle on November 25, 1953, in the Jamaica neighborhood of Queens, New York. Bey received a BFA in Photography from Empire State College in 1990 and then later finished his masters degree at the Yale University School of Art. At the age of fifteen, Bey was given his first 35 mm camera. However, his prestigious career as a photographer did not begin until 1975. Inspired particularly by the photographer James VanDerZee, featured in the exhibition "Harlem on My Mind," Bey began exploring with documentary style photographic techniques. The resulting series of black and white photographs, Bey's "Harlem, USA" collection, chronicled urban life in the famous African American community and was later exhibited at the Studio Museum in Harlem in 1979. Bey has experimented with many innovative approaches and photographic traditions. Whatever his technique, he uses his artwork as a platform to challenge stereotypical images of African Americans and other historically marginalized groups. Since 1992, Bey has completed a number of collaborative projects, working with young people, museums and cultural institutions to broaden the participation of various communities whose voices have often been absent in these institutions He has had numerous exhibitions worldwide, at such institutions as the Art Institute of Chicago, the National Portrait Gallery in London, the Wadsworth Atheneum in Hartford, Connecticut, and the Whitney Museum of American Art, where his works were also included in the 2000 Whitney Biennial. The Walker Art Center organized a mid-career survey of his work in 1995 that traveled to institutions throughout the United States and Europe. Bey's works are included in the permanent collections of numerous museums around the world. He is currently a professor of photography at Columbia College in Chicago, Illinois (courtesy of the history makers). Related Categories Harlem photograph. NYC photograph...

CBGB, The Birthplace of Punk - captured by heralded New York underground photographer Fernando Natalici: Manhattan, c.1982 Archival Inkjet Print. Dimensions: 11 x 14 inches (full fr...

CBGB, The Birthplace of Punk - captured by heralded New York underground photographer Fernando Natalici: Manhattan, c.1982 Archival Inkjet Print. Dimensions: 11 x 14 inches (full fr...

CBGB, The Birthplace of Punk - captured by heralded New York underground photographer Fernando Natalici: Manhattan, c.1982 Archival Inkjet Print. Dimensions: 11 x 14 inches (full fr...

CBGB, The Birthplace of Punk - captured by heralded New York underground photographer Fernando Natalici: Manhattan, c.1982 Archival Inkjet Print Dimensions: 11 x 14 inches (full fra...

Fernando Natalici’s “The Door” photographed, New York c.1979, represents one of only two known photographs featuring the early graffiti work of a young Jean-Michel Basquiat & Kei...

Fernando Natalici’s “The Door” photographed, New York c.1979, represents one of only two known photographs featuring the early graffiti work of a young Jean-Michel Basquiat & Kei...

Fernando Natalici’s “The Door” photographed New York c. 1979 represents one of only two known photographs featuring the early graffiti work of a young Jean Michel Basquiat & Keith H...