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Rebecca Skinner"Timeworn II", Contemporary, Urbex, Abandoned, Dark, Black and White Photograph2026
2026
About the Item
Rebecca Skinner’s “Timeworn II” is a 12 x 8 inch black and white photograph of a long, tattered garment hanging from overhead pipes before a bright window in a rough cinder block room. The photograph was taken in an abandoned dry cleaners in rural Virginia. This image is printed on acid-free, archival, Hahnemuhle Photo Rag Baryta Paper featuring a 100% cotton base with a very finely textured gloss surface finish. It is framed behind conservation glass, matted and framed in a 18.75 x 14.75 x .75 inch white wood frame, and is wired and ready to hang. The artist’s signature and edition number are located on the back. With breathtaking depth and amazing detail “Timeworn II” makes an excellent addition to your home or office. Edition of 15.
Abandoned buildings serve as the focus of Boston-based Rebecca Skinner’s most recent series of photographs. Skinner studied at the Rhode Island School of Design, RI. Artscope, BostonVoyager and Upworthy are just a few publications that have featured her widely shown work. Skinner is represented by Fountain Street Gallery based in Boston, MA.
- Creator:Rebecca Skinner (1974, American)
- Creation Year:2026
- Dimensions:Height: 18.75 in (47.63 cm)Width: 12.75 in (32.39 cm)Depth: 0.75 in (1.91 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Franklin, MA
- Reference Number:Seller: Skinner_Timeworn II1stDibs: LU500318557872
Rebecca Skinner
Rebecca Skinner photographs abandoned spaces throughout the United States. She is a modern-day urban explorer seeking unique neglected structures and desolate places. Her subject matter ranges from large, cavernous spaces to minute details such as peeling paint and rust. Her locations are often dangerous to photograph in, whether because of rotten floors, falling plaster or asbestos (requiring a respirator), so she never goes alone. Skinner brings to her work a strong ethic of leaving a location exactly as found. She does not stage her photographs—there is a story there to be told and she does not alter it. She uses natural light and a tripod for the images. Texture, color and light all play important parts in her image making. Skinner is a core artist member of Fountain Street Gallery in Boston and a graduate of Rhode Island School of Design. Artscope and Upworthy are among the publications that have featured her work.

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