Rod Dresser

Four French Tulips, Carmel, CA

2001

Signed, titled, dated and copyrighted 1983 on back of print. Stamped, 'Signed silver print of this negative not exceeding' and 78 written in pencil on back of print. Annotated, 'Copy...

Signed and dated in pencil on the mount. Approximate print size is 11 x 14 inches. Pristine condition. 1970s. From the Weston family and has only been in the one collection.

Studio stamp “Negative by Edward Weston printed under his supervision in 1955 by Brett Weston (original signature) Project print #4”.

Unsigned - fine print used for reproduction. From the Estate of Cole Weston.

Initialed and dated front of mount. Negative number annotated on back of mount. Printed in 1938.

Titled with artist's reference number on mount verso. Stamped, 'Edward Weston printed by' and signed by Cole Weston on mount verso. Printed later by Cole Weston. Artist Reference Num...

Listing includes framing with UV plexiglas, free shipping and a 14 day return policy. Lora Webb Nichols Sweet Peas, 1907 15 x 12 inch gelatin silver print Image Size: 14 x 8.5 inches Frame size: 22.5 x 17.5 x 2 Edition of 15 Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us. At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti...

A pair of gold toned silver gelatin prints of butterflies. The prints are 5.5 x 6.5 inches each and framed as a diptych with 8 ply museum mattboard. Framed dimension are 12.5x18 inc...

Paul Caponigro, Nautilus Shell, Ipswich, Massachusetts, 1960 (Printed 1961). vintage gelatin silver print. 10 x 8", signed on mount recto.

Paul Caponigro, Dried Sunflower, Winthrop MA, 1965. 10 x 8". Vintage gelatin silver print. Signed mount recto.

Paul Caponigro, Two Pears, Cushing, ME, 1999. Signed on mount recto.

Paul Caponigro. Galaxy Apple, New York City, 1964. Gelatin silver print. Signed on print mount recto.