Sabine Weiss

Bois de Boulogne, Paris

1952

Bob Dylan concert in Forest Hills, 1965 Estate sealed and numbered in ink on recto Gelatin silver print Paper: 16" x 20" Edition of 50

Signed and dated in pencil on verso Gelatin silver print Image: 8-1/8" x 12-3/8", Paper: 11" x 14"

Lisa Law has spent five decades capturing the shifting tides of American culture on film. Her reputation is built on photographs unique for their startling sense of intimacy and spon...

Issey Miyake, 1996 Signed, titled, dated and numbered in pencil on verso Gelatin Silver Print Image 16-1/2" x 13-1/2", Paper 20" x 16" Edition 6 of 20

Gelatin silver print Image: 21-7/8" x 17-7/8", Paper: 24" x 20", Matted: 30" x 24" Edition of 50

Bob Dylan at Prison Cell of Rubin Hurricane Carter, Trenton State Prison, NJ, 1975 Estate sealed and numbered in ink on recto Gelatin silver print Paper: 16" x 20" Edition 1 of 50

Artist: Jacko Vassilev, Bulgarian ( born 1951 - ) Title: The Dance of Zlatio Zlatev, Ex Pilot Medium: Original Silver Gelatin Print Edition: 19/50 Year: 1989 Story behind the photograph: The photograph seen above was taken of Zlatio Zlatev who had served for Bulgaria’s King Boris III as his top pilot. When the Communists took the power in Bulgaria, he was offered to work for the new government as a bomber pilot. He refused to work for the new regime and was stamped as an "anticommunist element". Due to his refusal Zlatio was sent to forced labor political camp where he spent nearly 15 years and fell victim to the totalitarian side of communism. During that time in Bulgaria there were over 50 political camps where they claimed, "The Brain of the Nation was destroyed"! When Bulgaria become free state from Communism in 1989 a National Celebration was held in the political camp honoring all the people who lost their lives there and granted the survivors as National Heroes! On that day Jacko Vassilev was privileged to witness the celebration of Zlatio and this photograph was HIS DANCE OF FREEDOM!!!! After the dance, Jacko walked to him and wanted to share his deep emotions of capturing this special moments and told him: "Zlatio, your hands are likes a wings in the air." And he answered: "My wings..... They broke them, but not the Spirit"! Artist Bio: I was born in communist Bulgaria. As a boy, I had dreamed of freedom and a simple life. In my late twenties I put my dreams to the test and attempted to escape the Bulgarian regime. I tried to pass the barbed wire fences guarded by border patrols, but I was caught, beaten and tossed into a slave labor camp. Instead of building up hate, the harsh conditions in the camp built my strength. I learned how to survive. My body suffered, but my mind became clearer. My photography was my artistic expression of the world around me however the communist dictatorship considered it anti-communist propaganda and I had to keep my treasures hidden underground. After the communist regime fell, I traveled around Europe and accomplished my dream of becoming a published photographer in Paris and later moved to the USA. The willingness to confront even the most difficult obstacle in life strongly informs my work to this day. There is a thread of optimism that connects the people I’ve portrayed, even when they are shown in the most vulnerable moments. There is no difference between myself and them, they are photographers of life, and I am the countryman...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...

Listing includes free shipping for an unframed print in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...

Listing includes framing with UV plexiglas, free shipping and a 14 day return policy. Lizzie Nichols and Perkins, 1913 15 x 15 inch gelatin silver print Image Size: 10.75 x 11 inches Frame size: 18 x 18 x 2 inches Edition of 15 Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us. At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti...

Listing includes framing with UV plexiglas, free shipping and a 14 day return policy. Lora Webb Nichols Mary and Maude Platt, 1912 15 x 15 inch gelatin silver print Image Size: 10.75 x 11 inches frame size 18 x 18 x 2 inches Edition of 15 Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us. At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti...