Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Steve Miller
Fish Box

2016

About the Item

Listing is for framed print. Edition of 7. CURRENT EXHIBITION - runs through December 18th, 2016. Any framed photographs purchased during the show will be available after December 18th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. Shipping time depends on method of shipping from 1st Dibs. ABOUT: The images featured in Miller’s “Fashion, Animal, Sound” are all x-rays. The photographs, mounted on aluminum in shadow box frames, display the inner mechanisms of things we don’t ordinarily see. They reveal the inner constructs of objects or animals, creating a truly three-dimensional viewing experience. The images of “Fashion, Animal, Sound” are perplexing in their simplicity. In the invitational image, “Fish Circle,” the bodies of several fish, photographed as an x-ray, swarm around a central axis in a circular formation. It is almost as if the viewer is looking at a Rorschach inkblot test. The show delves into themes of consumption—and overconsumption—in modern culture as seen in Miller’s stunning two photographs of Vivier Escarpin stilettos. As the only colored images in the show, their bright shades of fuchsia and rich purples entice viewers in the same way as fashion does. This leads into Miller’s black and white photographs of flora and fauna, which expose the staggering natural patterns that are found internally in both animals and plants. In one image, “Turtle Eggs,” Miller captures x-rays of three turtles and the eggs inside their bodies. We feel connected to them, as if we know something personal about them, pulling at our conscience. The gallery long sidewalls will be painted a deep black. While the white back wall will display an x-ray image of an alligator on a 6 foot piece of black glass. The light that hits the wall reflects through the sculpture and illuminates it. The show also features other 3-D works of Miller, including x-rays printed on white surfboards. In using the surfboard as a tool, Miller has created a sort of eco-trophy, to replace the classic taxidermy trophy, like a stuffed alligator, nodding again at this same idea of consumerism. The white surfboard will be suspended from the gallery ceiling. Finally, incorporating images of musical instruments, Miller adds a new dimension of sound. Where we see noisy objects in a quiet, yet bold, black and white. We are left with a powerful silence that brings the show full circle. Steve Miller was one of the first artists to experiment with computers in the early 1980s, and his work today continues to integrate science and technology with fine art. He has presented many solo exhibitions at major institutions in the United States, China, France, and Germany. His exhibitions have been reviewed in Le Monde, SüddeutscheZeitung, The New York Times, The Boston Globe, ArtForum, ARTnews, and Art in America. Abstract, Black and White, Animal, Fish, Box, X-ray Print: Digital UV pigment on aluminum
  • Creator:
    Steve Miller (1951, American)
  • Creation Year:
    2016
  • Dimensions:
    Height: 24 in (60.96 cm)Width: 18 in (45.72 cm)
  • More Editions & Sizes:
    11" x 14"Price: $1,00016" x 20"Price: $1,50030" x 40"Price: $3,000
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    Hudson, NY
  • Reference Number:
    1stDibs: LU111232083
More From This SellerView All
  • Violin
    By Steve Miller
    Located in Hudson, NY
    Listing is for UNFRAMED print. Edition of 7. CURRENT EXHIBITION - runs through December 18th, 2016. Any framed photographs purchased during the show will be available after Decembe...
    Category

    2010s Contemporary Black and White Photography

    Materials

    Digital Pigment

  • Guitar
    By Steve Miller
    Located in Hudson, NY
    Listing is for FRAMED print. Edition of 7. CURRENT EXHIBITION - runs through December 18th, 2016. Any framed photographs purchased during the show will be available after Decem...
    Category

    2010s Contemporary Black and White Photography

    Materials

    Digital Pigment

  • Roots, 2008
    By Steve Miller
    Located in Hudson, NY
    Listing is for FRAMED print. Edition of 7. CURRENT EXHIBITION - runs through December 18th, 2016. Any framed photographs purchased during the show will be available after December ...
    Category

    21st Century and Contemporary Contemporary Black and White Photography

    Materials

    Digital Pigment

  • Bubbles, Adirondacks
    By Lynda Churilla
    Located in Hudson, NY
    Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. In her new exhibition Churilla draws from her years spent as a swimmer, lifeguard, and athlete to capture the forgotten freedom and exuberance of days of youth spent on the water. Viva la Vida is a mix of timeless portraits and candid photographs "I’ve always been drawn to the water- now my art, my sense of athleticism, freedom and oasis have merged in a way", says Churilla. Her nod to iconic photographers from the past, such as Edward Weston, and Herbert List, is apparent in her portrait work. In another Christian & Nathan Fletcher is in the midst of a surf crusade off the coast of Islamorada, Florida. Christian pioneered a new revolution in surfing style with his aerial techniques. The artist’s genuine connection to her subjects allows the viewer to forget the presence of a camera and to be drawn into the personal narrative. The invitational image Longboard Afternoon, taken at Ditch Plains, Montauk, focuses on the portrayal of the atmosphere rather than the individual subjects. With a 70’s feel the viewer is intrigued by the layers of life, activity and parallel moments shared by silhouettes of surfers carrying longboards at hazy days end. One such image, Gustavo, depicts a male figure seated poolside with head bowed. The pose and the wet sheen to his hair and skin give the subject a classic, sculptural look. All the photographs exhibited in are in various sizes are printed on heavy weight cotton paper with the traditional glossy baryta surface in rich tones of black and white. Her artist mother, Barbara Churilla, involved her in creating art, sculpture, painting and photography from an early age. She was raised in Princeton, New Jersey. She graduated from School of Visual Arts in NYC with a BFA in Photography. Lynda began her photo assisting career with legendary photographer Bruce Weber. Over a period of almost a decade she traveled the world with Weber learning not only knowledge of photography, but also life. Eventually becoming his trusted first assistant before embarking on her own photography adventure. Churilla’s work has been celebrated in American Photo, where she was heralded as one of the young visionaries of 21st century. She has photographed numerous celebrities, such as Cameron Diaz, Jewel, Olivier Martinez, Coldplay, Pet Shop Boys...
    Category

    21st Century and Contemporary Contemporary Black and White Photography

    Materials

    Archival Pigment

  • Seaplane Love
    By Luciana Pampalone
    Located in Hudson, NY
    Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. CURRENT EXHIBITION - runs through December 31, 2017. Any framed photographs purchased during the show will...
    Category

    2010s Contemporary Black and White Photography

    Materials

    Archival Pigment

  • "Trip Hammer", 2010
    By Ian Gittler
    Located in Hudson, NY
    Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization. These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant. Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response. Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.” Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
    Category

    21st Century and Contemporary Contemporary Black and White Photography

    Materials

    Archival Paper, Pigment

You May Also Like
  • Jura, série "Clocks and Clouds"
    Located in PARIS, FR
    Photographie format 30*40cm de la série "Clocks and clouds" de Jean-Christophe Béchet, tirée par l'auteur lui-même par impression jet d'encre Fine art, avec de superbes nuances de no...
    Category

    2010s Contemporary Black and White Photography

    Materials

    Digital Pigment

  • Stairway to Beach, Portugal, fine art black and white photography, landscapes
    By Gerald Berghammer, Ina Forstinger
    Located in Vienna, Vienna
    Gerald Berghammer - Limited edition of 9. Archival fine art pigment print. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed with 4cm white ...
    Category

    2010s Contemporary Still-life Photography

    Materials

    Archival Pigment, Black and White, Digital, Digital Pigment, Photographi...

  • Romance in Venice, Gondoliere, black and white photography, fine art landscape
    By Gerald Berghammer
    Located in Vienna, Vienna
    Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...
    Category

    2010s Contemporary Still-life Photography

    Materials

    Photographic Film, Archival Ink, Archival Paper, Archival Pigment, Black...

  • Scarface
    Located in New York, NY
    Inspired by her love for nature, Griet Van Malderen (Belgium, 1970), a self-taught wildlife photographer from Flanders in Belgium, has been exploring Africa’s wild places for the pas...
    Category

    2010s Contemporary Black and White Photography

    Materials

    Photographic Film, Photographic Paper, Pigment, Archival Pigment, Digita...

  • Tyler Shields - Touch, Photography 2020, Printed After
    By Tyler Shields
    Located in Greenwich, CT
    Series: Touch Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 15" x 20" 22.5 x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 Artist ...
    Category

    2010s Contemporary Black and White Photography

    Materials

    Archival Ink, Archival Paper, Photographic Paper, Black and White, Digit...

  • Tyler Shields - Umbrella Silhouette II, Photography 2020, Printed After
    By Tyler Shields
    Located in Greenwich, CT
    Series: Umbrella Silhouette II Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 15" x 20" 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions...
    Category

    2010s Contemporary Black and White Photography

    Materials

    Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...

Recently Viewed

View All