Viviana Zargón

Pleagado de Grand Palais

2017

Plegado de scompte 2, 2017 Digital photography printed on Hahnemuhle paper 8h x 40w in Edition 3/5 Unframed Using photography as the starting point, Viviana Zargón constructs a pic...

Plegado de scompte 2, 2011 Digital photography printed on Hahnemuhle paper 9.25h x 40.94w in Edition 2/5 Using photography as the starting point, Viviana Zargón constructs a pictor...

Palais des machines plegado, 2015 Digital photography printed on Hahnemuhle paper 9h x 35.50w x 3d in Edition 2/5 Using photography as the starting point, Viviana Zargón constructs a pictorial universe of industrial imagination. In an exploration of abandoned empty spaces, Zargón portrays an exhaustion of hope as she incorporates traces of manufacturing artifacts from the Industrial era. Through the medium of photography and painting, Zargón creates a semantic configuration of reality as she reflects on the relationship between production, work, and social progress to greater understand the present. Vivana Zargon was born in Buenos Aires in 1958. She Studied at the University of Barcelona, School of Fine Arts and was awarded the annual scholarship from Government of Catalunya, Spain given to young artists. She has been the subject of several solo exhibitions including : Galería Ruth Benzacar (Buenos Aires, 1985); Galería Julia Lublin (Buenos Aires, 1993); Brazil Art Space (Houston, Texas, USA , 1995); Galleria Banchi Nuovi (Roma, Italia, 1996); Filo Espacio de Arte (Buenos Aires, 1997); Sicardi Sanders Gallery (Houston, Texas, USA, 1998); Centro Cultural Borges (Buenos Aires, 1998); Galería Arteconsult (Panamá, 2005, 2009, 2012); Museo Calderon Guardia (San Jose de Costa...

Gaby Herbstein uses photography as a means to raise awareness. Her art projects reflect her concern for the wellbeing of the universe and the preservation of nature and the planet. S...

Gaby Herbstein uses photography as a means to raise awareness. Her art projects reflect her concern for the wellbeing of the universe and the preservation of nature and the planet. S...

Gaby Herbstein uses photography as a means to raise awareness. Her art projects reflect her concern for the wellbeing of the universe and the preservation of nature and the planet. S...

Listing includes framing, free shipping and 14-day returns. Yuji Obata Homage to Wilson A. Bentley #4, 2005 - 2006 19 x 13 inch archival pigment print Edition 3 of 10 Signed and editioned on verso *Please note there is some wear and tear on the frame as noted in the additional images. The listing is priced accordingly. If you would like the piece to be reframed please contact us and we will provide a discounted rate with our framer here in New York or at our Los Angeles location. Yuji Obata was born in Japan in 1962. He attended the Nihon University College of Art and currently resides in Tokyo. He has won numerous photography prizes in Japan, and his work was first shown outside of Japan in 2010 with Danziger Projects at Pulse Miami. In 2003, Obata was compelled to photograph winter scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's Museum of Art History. Upon returning to Japan, he traveled to the country's northernmost island, Hokkaidō, known for its cold and snowy winters. As he worked there photographing ice skaters at a middle school rink and a local speed skating team, his enchantment with images of winter deepened. Traveling around different regions of the island in winter, he began noticing the varied qualities of the snow itself, and finally became fascinated with the unique challenge of photographing snowflakes. Obata drew inspiration from the story and works of W.A. Bentley, an American farmer and photographer who adapted a camera and microscope to photograph a single snow crystal for the first time in 1885. Bentley went on to photograph more than 5,000 snowflakes in his lifetime, and his technique was so successful that it continues to be used today. Like Bentley, Obata was obsessed with the challenge of doing something no one had done before – in his case photographing snowflakes in freefall rather than on a flat surface without digital or any other manipulation. It took Obata five years to achieve but his breakthrough resulted in the capture of pictures that allow the snowflakes to relate to each other in space and size, creating dynamic compositions and scenes. Obata chose the location to shoot the series, in the mountains of Hokkaidō, based on its history as the place where Dr. Ukichiro Nakaya did research that led to his invention of artificial snow. His most recent book "Wintertale" gathers his photographs of winter...

Listing includes framing, free shipping and 14-day returns. Yuji Obata Homage to Wilson A. Bentley #4, 2005 - 2006 19 x 13 inch archival pigment print Edition 3 of 10 Signed and editioned on verso Yuji Obata was born in Japan in 1962. He attended the Nihon University College of Art and currently resides in Tokyo. He has won numerous photography prizes in Japan, and his work was first shown outside of Japan in 2010 with Danziger Projects at Pulse Miami. In 2003, Obata was compelled to photograph winter scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's Museum of Art History. Upon returning to Japan, he traveled to the country's northernmost island, Hokkaidō, known for its cold and snowy winters. As he worked there photographing ice skaters at a middle school rink and a local speed skating team, his enchantment with images of winter deepened. Traveling around different regions of the island in winter, he began noticing the varied qualities of the snow itself, and finally became fascinated with the unique challenge of photographing snowflakes. Obata drew inspiration from the story and works of W.A. Bentley, an American farmer and photographer who adapted a camera and microscope to photograph a single snow crystal for the first time in 1885. Bentley went on to photograph more than 5,000 snowflakes in his lifetime, and his technique was so successful that it continues to be used today. Like Bentley, Obata was obsessed with the challenge of doing something no one had done before – in his case photographing snowflakes in freefall rather than on a flat surface without digital or any other manipulation. It took Obata five years to achieve but his breakthrough resulted in the capture of pictures that allow the snowflakes to relate to each other in space and size, creating dynamic compositions and scenes. Obata chose the location to shoot the series, in the mountains of Hokkaidō, based on its history as the place where Dr. Ukichiro Nakaya did research that led to his invention of artificial snow. His most recent book "Wintertale" gathers his photographs of winter...

'Into the Beyond' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Painted pools of light dance across the richly layered mountainscape of t...

'Into the Beyond' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Painted pools of light dance across the richly layered mountainscape of t...

This photograph is an Ai generated image of a Film Noir Actress taking a break and smoking a cigarette by Francis X Pavy 12" by 12". Signed on the Reverse. About Francis X Pavy ...

This photograph is an Ai generated image of a Film Noir Actor drinking coffee on the sound stage by Francis X Pavy 12" by 12". Signed on the Reverse. About Francis X Pavy In th...