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Carol Beckwith
Rare Vintage Color C Print Photograph African Maasai Warrior Chromogenic Photo

1979

About the Item

Carol Beckwith, (American, b. 1945), Maasai Portrait Chromogenic print on paper, from Beckwith's book "Maasai" (1980), Hand signed in pencil, dated and titled with name of sitter in margins, 19" x 16" Sheet. Carol Beckwith (1945-) is an American photographer, author, and artist known for her photojournalism documenting the indigenous tribal cultures of Africa, most notably in partnership with the Australian photographer Angela Fisher. Between them, Beckwith and Fisher have published 14 books, and have had their photos appear in National Geographic, Natural History, African Arts, The Observer Magazine, Time, Life, Vogue, Marie Claire and Elle. They continue to exhibit and lecture at galleries and museums worldwide, including The American Museum of Natural History and The Explorers Club in New York City, The Smithsonian Institution in Washington, DC, and the Royal Geographical Society in London. They have also collaborated on four films about African traditions. Together they have received numerous accolades, including the United Nations Award for Excellence, the Royal Geographical Society's Cherry Kearton Medal, two Anisfield-Wolf Book Awards, The Explorers Club Lowell Thomas Award, and the WINGS WorldQuest Lifetime Achievement Award. Carol Beckwith was born in Boston, Massachusetts, where she went on to attend both the School of the Museum of Fine Arts, Boston and Goucher College in Maryland. After obtaining her degree in Painting and Photography she won a traveling fellowship from the Boston Museum, which let her travel to other countries for the first time. She spent seven months in Japan, living in a Zen temple and studying calligraphy painting. She continued to travel through Southeast Asia and New Guinea, where she witnessed a "sing-sing", a gathering of 90,000 Highland warriors, in Mount Hagen, and paddled up Chambri Lakes in a canoe, an experience she called "one of the most wonderful, and in a way formative, experiences in my life." Her first trip to Africa was in 1973, when she was invited to spend Christmas with a friend in Kenya. Beckwith bought a 45-day roundtrip ticket and ended up staying eight months. There she encountered the Maasai people who invited her to witness a female circumcision ceremony. Astonished by the ritual, she then determined to spend more time with the Maasai. Beckwith studied photography in college but had initially intended to become a painter. It was during her travels through New Guinea that she realized the advantages of photography, saying that "there was such a vast amount of exciting material that I began to photograph instead, approaching photography with the eye of a painter in terms of light, color, composition. I wanted the images to be multi layered experiences in a way that a painting is. . . [Photography] seemed to be a more suitable medium for the pace of travel." Beckwith's first major collaboration was with Tepilit Ole Saitoti, an anthropologist and former Maasai warrior whom she met in Boston during one of her painting exhibitions. Their collaboration produced the book Maasai (Abrams, 1980). She also collaborated with anthropologist Marion van Offelen to produce Nomads of Niger (Abrams, 1983), a monograph on the Wodaabe cattle herders. Although she did not have formal training in anthropology, through working alone as well as with other anthropologists such as Saitoti, van Offelen and Linda Donley-Reid, she "was able to absorb techniques of interviewing, to learn what questions to ask in order to explore the many aspects of traditional African life." Collaboration with Angela Fisher Beckwith first heard about Angela Fisher through Fisher's brother Simon in 1974, during a hot air balloon ride in Maasai country. They met during Fisher's exhibition of traditional African jewelry in Nairobi, where they discovered they shared a passion for documenting traditional African cultures. Within one week, they were photographing a Maasai warrior ceremony together. During more than three decades of collaboration, they produced African Ark (Abrams, 1990), African Ceremonies (Abrams, 1999), Passages (Abrams, 2000), Surma (Taller Experimental, 2002), Karo (Taller Experimental, 2002), Maasai, Himba, Hamar (Taller Experimental, 2002), Faces of Africa (Abrams, 2004), Lamu: Kenya’s Enchanted Island (Abrams, 2009), and Dinka (Abrams, 2010). They are currently (2011) working on completing their pan-African study of the art of body painting for a book entitled Africa: Spirit of Paint, as well as on their third and final installation of African Ceremonies, titled African Twilight, scheduled for publication in 2013. Beckwith resides in New York City and Fisher in London. Books 1980 Maasai (text by Tepilit Ole Saitoti.). USA: Abrams; UK, Germany and France: Abradale. 1983 Nomads of Niger (text by Marion van Offelen.). USA: Abrams; France: Abradale. 1990 African Ark: People and Ancient Cultures of Ethiopia and the Horn of Africa (co-authored with Angela Fisher and Graham Hancock). USA, UK, France, Germany and Italy: Abrams. 1999 African Ceremonies I (co-authored with Angela Fisher). USA, UK, France, Germany and Italy: Abrams. United Nations "Award for Excellence" for 1999. 1999 African Ceremonies II (co-authored with Angela Fisher). USA, UK, France, Germany and Italy: Abrams. United Nations "Award for Excellence" for 1999. 2000 Passages (co-authored with Angela Fisher). USA and France: Abrams. 2002 African Ceremonies Concise (co-authored with Angela Fisher). USA and France: Abrams. 2002 Surma (co-authored with Angela Fisher). Santiago, Chile: Taller Experimental. 2002 Karo (co-authored with Angela Fisher). Santiago, Chile: Taller Experimental. 2002 Maasai, Himba, Hamar (co-authored with Angela Fisher). Santiago, Chile: Taller Experimental. 2004 Faces of Africa (co-authored with Angela Fisher). USA and France: National Geographic Society. 2008 Dinka: 2008 (co-authored with Angela Fisher). Chile: R.E.Producciones; California, USA: Timeless Art Productions. HP Indigo Award. 2009 Lamu: Kenya's Enchanted Island (co-authored with Angela Fisher, David Coulson and Nigel Pavitt). USA: Rizzoli. ForeWord Reviews' "Book of the Year" Award for 2009. 2010 Dinka: Legendary Cattle Keepers of Sudan (co-authored with Angela Fisher). USA: Rizzoli. Film and TV 1986 Way of the Wodaabe 1988 Nomads of Niger 1990 The Painter and the Fighter 1992 Millennium: Tribal Wisdom and the Modern World Awards and honors 1991: Anisfield-Wolf Book Award in race relations for "outstanding contributions to the understanding of cultural diversity and prejudice” 1999: United Nations Award for Excellence 2009: Book of the Year Award from ForeWord Reviews 2009: Image Award from Sociedad Geográfica Española Cherry Kearton Medal from the Royal Geographical Society of London for their "contribution to the photographic recording of African ethnography and ritual” 2010: Lowell Thomas Award from The Explorers Club honoring men and women who have distinguished themselves in the field of exploration 2010: Lifetime Achievement Award from WINGS WorldQuest honoring the accomplishments of visionary women The Maasai are a Nilotic ethnic group inhabiting northern, central and southern Kenya and northern Tanzania. They are among the best known local populations internationally due to their residence near the many game parks of the African Great Lakes, and their distinctive customs and dress. The Maasai speak the Maa language a member of the Nilotic language family that is related to the Dinka, Kalenjin and Nuer languages. Except for some elders living in rural areas, most Maasai people speak the official languages of Kenya and Tanzania, Swahili and English.
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  • Faces, Vintage Color Photograph Digital Photo Collage Print Asian American
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    1990s Conceptual Portrait Photography

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  • Faces, Vintage Color Photograph Digital Photo Collage Print Asian American
    By Emily Cheng
    Located in Surfside, FL
    This was from Muse X publishers. It came in a plastic bag signed Emily Cheng. (the plastic bag is not included) It is on Fuji crystal photo paper. It depicts two Asian faces in a cubist, fractured way, with a woman (or man) holding a photograph over his/her face. It is a proof print and is not signed or numbered. Emily Cheng (born in New York City, in 1953) is an American artist of Chinese ancestry. She is best known for large scale painting with a center focus often employing expansive circular images radiantly colored, radially composed. Cheng received her BFA in 1975 from the Rhode Island School of Design and attended the New York Studio School. Cheng has exhibited widely in the US and in Asia. In 2011, Cheng created Charting Sacred Territories, an exhibition exploring world religions which opened in the Museum of Contemporary Art Taipei (MOCA) , Taiwan (2011) and traveled to Hanart TZ Gallery in (2015), Shenzhen Art Museum, Shenzhen, China, (2015) and in Europe at the Palais Liechtenstein Feldkirch, Austria (2019). Cheng has had numerous solo shows in the US and in Asia and is represented by Hanart TZ Gallery in Hong Kong. In 2007, Timezone 8 published a monograph of Emily Cheng titled, Chasing Clouds, a decade of studies, with essays by Kevin Powers and Johnson Chang. Emily Cheng has lived and worked in New York City since 1977 and teaches Asian Art History at the School of Visual Arts. Influenced by a wide array of eastern and western artists including Van Gogh, Gauguin, Manet and Giacometti as well as de Kooning, early Philip Guston and Jackson Pollock. Nicolas Carone and Leland Bell were both among her teachers as well as Elaine de Kooning. Selected solo exhibitions Ille Arts, Amagansett, New York, Shenzhen Art Museum, Shenzhen, China, (2015) Hanart T.Z. Gallery, Hong Kong, Zane Bennett Contemporary, Santa Fe, New Mexico, (2013) Museum of Contemporary Art (MOCA) Taipei , Taiwan (2011) Louis Vuitton Maison, Kowloon, Hong Kong, (2010) Ayala Museum Makati, Philippines, (2006) Plum Blossom Gallery, New York, NY, (2004) Schmidt/Dean Gallery, Philadelphia, PA Byron Cohen Gallery, Kansas City, MO (2001) Metropolitan Museum of Manila , Philippines (1997) John Post Lee Gallery, New York, NY, Projects Room (1997) Contemporary Arts Center , Cincinnati, Ohio, 1994 David Beitzel Gallery, New York, NY, (1992) Lang & O'Hara Gallery, New York, NY, The Bronx Museum of the Arts , Bronx, NY, (1989) White Columns , New York, NY, (1985) Selected group exhibitions Art Basel Hong Kong , (Hanart Gallery) , Hong Kong, 2017 China Institute, New York, NY, 2014 Beijing Art Fair, Beijing, China, 2013 Museum of Chinese in America New York, NY, 2010 Kidspace, MASS MoCA , Williamstown, MA, 2010, 2005 Museum of Contemporary Art , Shanghai, China, 2009 Guangzhou Triennial, Guangdong, China, 2009 Museum of Art, Guangzhou, China, 2008 Contrast Gallery, Shanghai and Beijing, China, 2008 University of South Florida Contemporary Art Museum , Tampa, Florida, 2006 Hong Kong Arts Centre , Hong Kong, 2004 American Academy of Art , New York, New York, 2004 Longmarch Project, Beijing, China, 2002 Sotheby’s , New York, NY, 2001 Newhouse Center, Snug Harbor Cultural Center, Staten Island, NY, 2000 Katonah Museum of Art , Katonah, NY, 2000 National Academy and Museum, NY, 2000 Municipal Museum of Gyor, Hungary, 1999 New Museum of Contemporary Art , New York, NY, 1998 De Cordova Museum and the Computer Museum , Boston, MA, 1994 International Graphic Biennial, Muveszeti Museum, Hungary, 1995 Yerba Buena Center for the Arts , San Francisco, CA, 1994 Drawing Center, NY; traveled to Corcoran, Washington D.C., Santa Monica Museum of Art, Santa Monica CA; The Contemporary Art Museum St. Louis, St. Louis MO; American Center, Paris, France, Cone Editions Gallery, New York 1990 Anina Nosei Gallery, New York, 1988 Greenville County Museum of Art , South Carolina, 1988 North Carolina Museum of Art , Hallwalls , Buffalo, NY, 1988 Grace Borgenicht Gallery , New York, 1986 Tibor de Nagy, New York, 1985 Asian American...
    Category

    1990s Conceptual Portrait Photography

    Materials

    Photographic Paper, C Print

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