Items Similar to Great Egret and the Milky Way
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Cheryl MedowGreat Egret and the Milky Way2019
2019
About the Item
Edition of 6
Signed and numbered in pencil, and blind stamp on print margin by Cheryl Medow
Signed, titled, dated, and print type in pencil on print verso by Cheryl Medow
Archival pigment print, Paper size: 37 x 30 in., Image size: 30 x 24 in.,
Available in the following sizes:
Paper size: 18 x 14.5 in., Image size: 13 x 10.4 in. in., Edition of 25 $1700
Paper size: 25 x 20 in., Image size: 20 x 16 in., Edition of 10, $2300
Paper size: 37 x 30 in., Image size: 30 x 24 in., Edition of 6, $2900
Santa Barbara art photographer Cheryl Medow creates images that entice the viewer to enter her world, both real and imagined.
Cheryl Medow's background in the arts is diverse, but interconnected.
Medow studied ceramics at the famed Chouinard Institute and received a BA in Art from UCLA, concentrating on life drawing with charcoal and pastels. Continuing her art education, she studied printmaking at Hand Graphics in Santa Fe, New Mexico.
With a wealth of materials and techniques, Medow layers her photographs and weaves them together to create visual narratives.
There have been numerous articles written about her work. Avian Alchemy by Becca Cudmore was published by Audubon News/Culture on June 5, 2015, Proof. National Geographic - An Altered Reality by Becky Harlan along with National Geographics Sunday Stills, Sunday, July 12, 2015 and an article in Inspire Adobe Photoshop For The Birds by Alyssa Coppelman in August.
In 2016, Medow was included in the SLIDESHOW Night at the Annenberg Space for Photography in Century City, California. She received the Juror's Award at PhotoPlace Gallery in Middlebury Vermont for Great Blue Heron With Chicks Revisited and her print will be exhibited from March 23 through April 22 and White Ibis With Fish will be part of the Online Gallery Annex at PhotoPlace.
Medow was a finalist in the 89th Annual International Competition at The Print Center in Philadelphia given the Olcott Family Award. She is also a finalist at the LensCulture Earth Awards 2015.
In 2015, Medow's images were exhibited at The G2 Gallery in Venice, CA and at Flock: Birds On The Brink / Ganna Walksa Lotusland, curated by Nancy Gifford, Montecito, California . Medow was selected for the Members' 2015 Juried Exhibition at the Center for Photographic Arts in Carmel and had a solo exhibition at Cameraworks in Portland Oregon.
In 2014, Medow was selected as a Critical Mass finalist; awarded First Place at the Texas Photographic Society's TPS:23 Competition, juried by Juror Susan kae Grant and 2nd Place in TPS: 27 Members Only Competition juried by Jim Casper, Founder and Editor of LensCulture. She received First Place from International Photography Awards in the Digitally Enhanced Category.
In 2013, she received a Special Mention of the Juror, David C. Hirsch Fine Art category in the Julia Margaret Cameron Competition and was a finalist in the 5th Pollux Awards.
Since first exhibiting her work in 2006, Medow has received many accolades and her work is held in many private collections. Her work was first published in Nash Editions: Photography and the Art of Digital Printing (New Riders, 2007) as well as 100 Artists of the West Coast II (Schiffer Books, 2009) and the North American Nature Photographers Association's annual publication Expressions 2009.
- Creator:Cheryl Medow (1944, American)
- Creation Year:2019
- Dimensions:Height: 37 in (93.98 cm)Width: 30 in (76.2 cm)Depth: 0.1 in (2.54 mm)
- More Editions & Sizes:Paper size: 18 x 14.5 in., Image size: 13 x 10.4 in. in., Edition of 25Price: $1,700Paper size: 25 x 20 in., Image size: 20 x 16 in., Edition of 10Price: $2,300
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Dallas, TX
- Reference Number:1stDibs: LU2156791422
About the Seller
4.9
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 1995
1stDibs seller since 2013
300 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Santa Barbara, CA
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Staired DownBy Patty CarrollLocated in Dallas, TXEdition of 20 Signed by Patty Carroll Image size: 22 x 22 in. From the series, Anonymous Women Frame not included. Patty Carroll is an American photographer who has taught and pract...Category
2010s Contemporary Figurative Photography
MaterialsArchival Pigment
- Snowy Egret in the BayouBy Cheryl MedowLocated in Dallas, TXEdition of 6 Signed and numbered in pencil, and blind stamp on print margin Signed, titled, dated, and print type in pencil on print verso. Paper size: 37 x 30 in., Image size: 30 x ...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment
- PantherBy Patty CarrollLocated in Dallas, TXEdition of 10 Signed by Patty Carroll Image size: 38 x 38 in. From the series, Anonymous Women Patty Carroll is an American photographer who has taught and practiced photography sin...Category
2010s Contemporary Figurative Photography
MaterialsArchival Pigment
- Crowned Crane CallingBy Cheryl MedowLocated in Dallas, TXEdition of 6 Signed and numbered in pencil, and blind stamp on print margin Signed, titled, dated, and print type in pencil on print verso. Archival pigment print Paper size: 31 x 36...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment
- BluesBy Patty CarrollLocated in Dallas, TXEdition of 10 Signed, titled, dated and numbered by Patty Carroll Paper size: 30 x 30 in., Image size: 22 x 22 in. From the series, Anonymous Women Patty Carroll is an American phot...Category
2010s Contemporary Figurative Photography
MaterialsArchival Pigment
- Miami, Florida by David Graham, 2013, Archival Pigment Print, Color PhotographyBy David GrahamLocated in Dallas, TXMiami, Florida by David Graham is a 16 x 20 inch archival pigment print, available in an edition of 25. This photograph features an orange and yellow wall with electrical equipment a...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsArchival Pigment
You May Also Like
- 'Harvest Dance' Movement dance figures gold yellow orange fire nature wildBy Sophia MilliganLocated in Penzance, GB'Harvest Dance' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Late August, captured in the glow of the evening sun, my daughters join han...Category
2010s Contemporary Figurative Photography
MaterialsArchival Ink, Archival Paper, Giclée, Archival Pigment
- Mother of Two, Africa Photography - Limited Editions of 15By Dorte VernerLocated in New York, NYThis fine art print features back of a woman wearing Yellow-Gray scarf, holding two of her babies. This image was shot by Dorte Verner in Djibouti, East Afr...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment
- Geisha in the Rain (A) - Limited Editions of 15 - Japanese Culture PhotographyBy Dorte VernerLocated in New York, NYThis Photograph features a beautiful Geisha walking it the rain holding a red umbrella. Geisha are Japanese women who entertain through performing the ancient traditions of art, danc...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment
- Geisha in the Rain (B) - Limited Editions of 15By Dorte VernerLocated in New York, NYThis Photograph features a side-view of a beautiful Geisha walking in the rain holding a purple umbrella. Geisha are Japanese women who entertain through performing the ancient tradi...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment
- HUICHOL: MOUNTAIN, DESERT, NEW YORK (`95-`21). Limited edition of 5.By PABLO ORTIZ-MONASTERIOLocated in Ciudad De México, MXDocumentary Photograph. Contemporary Inkjet on cotton. Limited edition of 5. Signed front and verso. Framed in lacquered black frame with spacer) The first person to photograph the Huichol in their remote communities in the inaccessible canyons of the Western Sierra Madre was probably the Norwegian anthropologist, Carl Lumholtz. He ventured into their territory in 1895, shortly before the arrival of the French naturalist and ethnographer Léon Diguet, who was also a photographer. Like so many who were engaged with documenting Indigenous peoples across the Americas in those brutal years of expansion and settlement, Lumholtz believed that the disappearance of his subjects was inevitable: “the weaker must succumb to the stronger, and the Indians will ultimately all become Mexicans.” The photographs of the Huichol by Pablo Ortiz Monasterio—taken on some twenty trips over the past three decades—prove that Lumholtz was fortunately, terribly wrong. They reveal abundant evidence of cultural survival (what the Huichol call “la costumbre”), made possible by their extraordinary resistance to the religious, nationalist, and economic forces that have long assaulted—and that continue to assault—Indigenous communities everywhere. Though Ortiz Monasterio is also an outsider, he does not operate—like Lumholtz or Diguet—as an old-fashioned preservationist, nor is he confident in the superiority of Western culture, nor is his work only destined for museum vitrines...Category
1990s Contemporary Color Photography
MaterialsInkjet, Archival Pigment
- HUICHOL: MOUNTAIN, DESERT, NEW YORK (`95-`21)By PABLO ORTIZ-MONASTERIOLocated in Ciudad De México, MXThe first person to photograph the Huichol in their remote communities in the inaccessible canyons of the Western Sierra Madre was probably the Norwegian anthropologist, Carl Lumholtz. He ventured into their territory in 1895, shortly before the arrival of the French naturalist and ethnographer Léon Diguet, who was also a photographer. Like so many who were engaged with documenting Indigenous peoples across the Americas in those brutal years of expansion and settlement, Lumholtz believed that the disappearance of his subjects was inevitable: “the weaker must succumb to the stronger, and the Indians will ultimately all become Mexicans.” The photographs of the Huichol by Pablo Ortiz Monasterio—taken on some twenty trips over the past three decades—prove that Lumholtz was fortunately, terribly wrong. They reveal abundant evidence of cultural survival (what the Huichol call “la costumbre”), made possible by their extraordinary resistance to the religious, nationalist, and economic forces that have long assaulted—and that continue to assault—Indigenous communities everywhere. Though Ortiz Monasterio is also an outsider, he does not operate—like Lumholtz or Diguet—as an old-fashioned preservationist, nor is he confident in the superiority of Western culture, nor is his work only destined for museum vitrines...Category
1990s Contemporary Color Photography
MaterialsInkjet, Archival Pigment