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Diana Bloomfield
At 15

2004

About the Item

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, they have a story to tell. As metaphorical portraits, they suggest the essence of a person, rather than offer any literal interpretation. I like to think of these as visual vignettes that suggest half-remembered, fragmented dream worlds. They borrow from the past, my fugitive and skewed memories of that past, and fleeting moments in time. These multi-layered prints and the frequent use of toy and pinhole cameras offer a sense of movement and fluidity. The repeated layerings are meant to add a tonality and saturated richness, yet each layer also serves to remove all the hard, clearly defined edges and sharp clarity. A softness and ambiguity results— much the way we see and remember. I choose to print in 19th century hand-applied printing processes. These antique printing techniques offer me creative freedom and infinite possibilities. They mesh well with my images, which are always interpretive. The repeated layerings and unintended mis-registration of the gum bichromate process, in particular, remove all the hard and clearly defined edges, resulting in softness and ambiguity-- much the way we see and remember . . .
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    Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, they have a story to tell. As metaphorical portraits, they suggest the essence of a person, rather than offer any literal interpretation. I like to think of these as visual vignettes that suggest half-remembered, fragmented dream worlds. They borrow from the past, my fugitive and skewed memories of that past, and fleeting moments in time. These multi-layered prints and the frequent use of toy and pinhole cameras offer a sense of movement and fluidity. The repeated layerings are meant to add a tonality and saturated richness, yet each layer also serves to remove all the hard, clearly defined edges and sharp clarity. A softness and ambiguity results— much the way we see and remember. I choose to print in 19th century hand-applied printing processes. These antique printing...
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    2010s Contemporary Color Photography

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  • Millennium
    By Diana Bloomfield
    Located in Sante Fe, NM
    Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, ...
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    2010s Contemporary Color Photography

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    Pinhole, Platinum

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    By Diana Bloomfield
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    Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, ...
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    2010s Contemporary Color Photography

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  • Girl on Beach I
    By Diana Bloomfield
    Located in Sante Fe, NM
    Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, ...
    Category

    2010s Contemporary Color Photography

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  • Streamers
    By Diana Bloomfield
    Located in Sante Fe, NM
    Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, ...
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  • Girl on Beach II
    By Diana Bloomfield
    Located in Sante Fe, NM
    Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, they have a story to tell. As metaphorical portraits, they suggest the essence of a person, rather than offer any literal interpretation. I like to think of these as visual vignettes that suggest half-remembered, fragmented dream worlds. They borrow from the past, my fugitive and skewed memories of that past, and fleeting moments in time. These multi-layered prints and the frequent use of toy and pinhole cameras offer a sense of movement and fluidity. The repeated layerings are meant to add a tonality and saturated richness, yet each layer also serves to remove all the hard, clearly defined edges and sharp clarity. A softness and ambiguity results— much the way we see and remember. I choose to print in 19th century hand-applied printing processes. These antique printing...
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    2010s Contemporary Color Photography

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    Pinhole, Platinum

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