Items Similar to Hannah in Red – Emma Summerton, Fashion, Red, Woman, Water, Ice, Ocean, Model
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Emma SummertonHannah in Red – Emma Summerton, Fashion, Red, Woman, Water, Ice, Ocean, Model2010
2010
About the Item
EMMA SUMMERTON (*1970, Australia)
Hannah in Red
2010
Archival pigment print on Hahnemühle paper
Sheet 120 x 160 (47 1/4 x 63 in.)
Edition of 3, plus 2 AP; Ed. no. 1/3
print only
Emma Summerton (*1970 Australia) graduated from the National Art School in Sydney, where she studied fine arts majoring in Photography. Summerton moved to London in 1998, where she worked as an assistant to artist Fiona Banner while starting her career as a photographer. Her breakthrough as a professional photographer came with the collaboration with Terry de Havilland in 2004/2005, from which her first solo exhibition, titled Landed at the Christophe Guye Galerie shows from August 29 to November 23 2019 a large selection of the most important works. Since then Summerton has established herself as one of the most talented photographers to emerge in the mid 2000's. Her in-depth technical knowledge coupled with her eye for detail and love for fashion have made her images not only unique but very distinctive, setting her apart from other photographers working in the industry today.
Summerton's work revolves around the themes of fashion, love, desire and intimacy. Her Polaroid works are part of a project Summerton started in 1999 as a series of Self Portraits, firstly as visual love letters to her then partner and also in an attempt to re-find her voice with photography. ‘My mother was a dressmaker, and in school, she would make me dresses to wear to dances based on drawings I made,’ she says. Back then, costumes were an access point to unleash Summerton’s imagination. In her ‘Polaroid experiments’, as she calls them, costumes again became a vehicle for her to express her inner life.
Summerton’s Editorial Clients include: Italian, British, American, German, Australian, Spanish, Japanese and Chinese Vogue’s, i-D, Self Service, Dazed & Confused, The Last magazine,10 and Big Magazine.
Info: Hannah Holman, British Vogue 2010 (Red Alert issue), Undercover (brand)
– Emma Summerton, Photography, Fashion, Model, Woman, Red, Blonde, Water, Waterscape, Landscape, Ocean, Ice, Sky, Vogue
- Creator:Emma Summerton (1970)
- Creation Year:2010
- Dimensions:Height: 47.25 in (120 cm)Width: 63 in (160 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Zurich, CH
- Reference Number:1stDibs: LU128016091462
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 2006
1stDibs seller since 2019
24 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Zurich, Switzerland
- Return PolicyA return for this item may be initiated within 1 day of delivery.
More From This SellerView All
- Ukiyo-e 2 – John Yuyi, Temporary Tattoos, Social Media, Photography, Body, ArtLocated in Zurich, CHJOHN Yuyi (*1991, Taiwan) Ukiyo-e 2, 2016 Archival Pigment Print Sheet 90 x 60 cm (36 x 24 in.) Edition of 6, plus 2 AP; Ed. no. 1/6 John Yuyi (*1991, Taiwan) is known worldwide as ...Category
2010s Contemporary Figurative Photography
MaterialsArchival Pigment
- Belly Button – John Yuyi, Temporary Tattoos, Social Media, Photography, BodyLocated in Zurich, CHJOHN Yuyi (*1991, Taiwan) Belly Button, 2016 Archival Pigment Print Sheet 90 x 60 cm (36 x 24 in.) Edition of 6, plus 2 AP; Ed. no. 1/6 John Yuyi (*1991,...Category
2010s Contemporary Figurative Photography
MaterialsArchival Pigment
- Hydrea #008 – Emma Summerton, Fashion, Model, Fine Art Photography, ArtworkBy Emma SummertonLocated in Zurich, CHEMMA SUMMERTON (*1970, Australia) Hydrea #008 2020 Archival pigment print on Hahnemühle paper Image 76.2 x 115.6 cm (30 x 45 1/4 in.) Sheet 92.2 x 131.06 cm (36 1/4 x 51 5/8 in.) Edi...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment
- Hydrea #014 – Emma Summerton, Fashion, Model, Shoes, Rainbow, Woman, PhotographyBy Emma SummertonLocated in Zurich, CHEMMA SUMMERTON (*1970, Australia) Hydrea #014 2020 Archival pigment print on Hahnemühle paper Image 76.2 x 115.6 cm (30 x 45 1/4 in.) Sheet 92.2 x 131.06 cm (36 1/4 x 51 5/8 in.) Edi...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment
- I Love I – John Yuyi, Temporary Tattoos, Social Media, Photography, Nose, ArtLocated in Zurich, CHJOHN Yuyi (*1991, Taiwan) I Love I, 2016 Archival Pigment Print Sheet 75 x 60 cm (29 1/2 x 23 5/8 in.) Edition of 6, plus 2 AP; Ed. no. 4/6 John Yuyi (*1991, Taiwan) is known worldw...Category
2010s Contemporary Figurative Photography
MaterialsArchival Pigment
- Tinder Match 2 – John Yuyi, Temporary Tattoos, Social Media, Photography, BodyLocated in Zurich, CHJOHN Yuyi (*1991, Taiwan) Tinder Match 2, 2016 Archival Pigment Print Sheet 90 x 60 cm (36 x 24 in.) Edition of 6, plus 2 AP; Ed. no. 2/6 John Yuyi (*1991, ...Category
2010s Contemporary Figurative Photography
MaterialsArchival Pigment
You May Also Like
- 'Harvest Dance' Movement dance figures gold yellow orange fire nature wildBy Sophia MilliganLocated in Penzance, GB'Harvest Dance' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Late August, captured in the glow of the evening sun, my daughters join han...Category
2010s Contemporary Figurative Photography
MaterialsArchival Ink, Archival Paper, Giclée, Archival Pigment
- Mother of Two, Africa Photography - Limited Editions of 15By Dorte VernerLocated in New York, NYThis fine art print features back of a woman wearing Yellow-Gray scarf, holding two of her babies. This image was shot by Dorte Verner in Djibouti, East Afr...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment
- Geisha in the Rain (A) - Limited Editions of 15 - Japanese Culture PhotographyBy Dorte VernerLocated in New York, NYThis Photograph features a beautiful Geisha walking it the rain holding a red umbrella. Geisha are Japanese women who entertain through performing the ancient traditions of art, danc...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment
- Geisha in the Rain (B) - Limited Editions of 15By Dorte VernerLocated in New York, NYThis Photograph features a side-view of a beautiful Geisha walking in the rain holding a purple umbrella. Geisha are Japanese women who entertain through performing the ancient tradi...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment
- HUICHOL: MOUNTAIN, DESERT, NEW YORK (`95-`21). Limited edition of 5.By PABLO ORTIZ-MONASTERIOLocated in Ciudad De México, MXDocumentary Photograph. Contemporary Inkjet on cotton. Limited edition of 5. Signed front and verso. Framed in lacquered black frame with spacer) The first person to photograph the Huichol in their remote communities in the inaccessible canyons of the Western Sierra Madre was probably the Norwegian anthropologist, Carl Lumholtz. He ventured into their territory in 1895, shortly before the arrival of the French naturalist and ethnographer Léon Diguet, who was also a photographer. Like so many who were engaged with documenting Indigenous peoples across the Americas in those brutal years of expansion and settlement, Lumholtz believed that the disappearance of his subjects was inevitable: “the weaker must succumb to the stronger, and the Indians will ultimately all become Mexicans.” The photographs of the Huichol by Pablo Ortiz Monasterio—taken on some twenty trips over the past three decades—prove that Lumholtz was fortunately, terribly wrong. They reveal abundant evidence of cultural survival (what the Huichol call “la costumbre”), made possible by their extraordinary resistance to the religious, nationalist, and economic forces that have long assaulted—and that continue to assault—Indigenous communities everywhere. Though Ortiz Monasterio is also an outsider, he does not operate—like Lumholtz or Diguet—as an old-fashioned preservationist, nor is he confident in the superiority of Western culture, nor is his work only destined for museum vitrines...Category
1990s Contemporary Color Photography
MaterialsInkjet, Archival Pigment
- HUICHOL: MOUNTAIN, DESERT, NEW YORK (`95-`21)By PABLO ORTIZ-MONASTERIOLocated in Ciudad De México, MXThe first person to photograph the Huichol in their remote communities in the inaccessible canyons of the Western Sierra Madre was probably the Norwegian anthropologist, Carl Lumholtz. He ventured into their territory in 1895, shortly before the arrival of the French naturalist and ethnographer Léon Diguet, who was also a photographer. Like so many who were engaged with documenting Indigenous peoples across the Americas in those brutal years of expansion and settlement, Lumholtz believed that the disappearance of his subjects was inevitable: “the weaker must succumb to the stronger, and the Indians will ultimately all become Mexicans.” The photographs of the Huichol by Pablo Ortiz Monasterio—taken on some twenty trips over the past three decades—prove that Lumholtz was fortunately, terribly wrong. They reveal abundant evidence of cultural survival (what the Huichol call “la costumbre”), made possible by their extraordinary resistance to the religious, nationalist, and economic forces that have long assaulted—and that continue to assault—Indigenous communities everywhere. Though Ortiz Monasterio is also an outsider, he does not operate—like Lumholtz or Diguet—as an old-fashioned preservationist, nor is he confident in the superiority of Western culture, nor is his work only destined for museum vitrines...Category
1990s Contemporary Color Photography
MaterialsInkjet, Archival Pigment