"Drawing With Starlight (Apex), " Contemporary, Conceptual, Abstract, Photography
View Similar Items
1 of 5
James Nizam"Drawing With Starlight (Apex), " Contemporary, Conceptual, Abstract, Photography2019
2019
About the Item
- Creator:James Nizam (1977, British, Canadian)
- Creation Year:2019
- Dimensions:Height: 40 in (101.6 cm)Width: 32 in (81.28 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Vancouver, CA
- Reference Number:1stDibs: LU125816015202
You May Also Like
- Future city 3- Signed limited edition abstract print, Large format contemporaryBy Michael BanksLocated in Barcelona, BarcelonaFuture city 3 Large scale photograph by Michael Banks - Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Limited Editions of 5 , signed + numbere...Category
2010s Abstract Abstract Photography
MaterialsArchival Paper, Color, Pigment, Archival Pigment, Digital Pigment, Photo...
- Red Window (artist framed) - large scale abstract monochromatic photographLocated in San Francisco, CAlarge scale monochromatic abstract observation of geometric architectural elements, from Raymond Meier's series Renderings Red Window (Renderings 05) by Ra...Category
21st Century and Contemporary Abstract Color Photography
MaterialsArchival Pigment, Giclée, Archival Ink, Archival Paper
- W.T.C: Concrete Abstract#10 (panorama)By Shai KremerLocated in New York, NYShai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York Museum of the City of New York The Bronx Museum of the Arts The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...Category
2010s Abstract Abstract Photography
MaterialsArchival Pigment, Archival Ink, Archival Paper
- Bikini Window Abstraction Times Square - Urban Street PhotographyBy Mitchell FunkLocated in Miami, FLExtreme late light darts down a street in Times Square. It illuminates a colorful and semi-abstract window display. A single female figure at the extreme right of the compostion sh...Category
2010s Abstract Abstract Photography
MaterialsArchival Ink, Archival Pigment, Archival Paper
- Deck Chair Casual Abstraction with Raking Light and ShadowsBy Mitchell FunkLocated in Miami, FLDeck chairs randomly positioned on an Upper East Side balcony are captured by Photographer Mitchell Funk. Raking light produces abstract long shadows giving the overall arrangement of elements a casual abstract look. In the center of the composition is a yellow and green chair with colors...Category
2010s Abstract Geometric Abstract Photography
MaterialsArchival Ink, Archival Paper, Archival Pigment
- New York City Street Photography - Ephemeral Car ReflectionsBy Mitchell FunkLocated in Miami, FLOn a busy Manhattan street, unnatural light reflects off of windshields and forms a mind-bending abstraction of colors and shapes. In the background, four male mannequins stare at th...Category
2010s Abstract Abstract Photography
MaterialsArchival Ink, Archival Paper, Archival Pigment